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Script Consultant James Breckenridge on Rex Sikes’ Movie Beat 12/10

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James Breckenridge has worked in the entertainment industry for over 25 years. In 1995, his years of professional training and experience culminated in the founding of The PlayCrafters Group.

As its Director, he specializes in helping writers from all over the country develop producible scripts for motion pictures, television and theatre. Through creative counseling and objective feedback, he encourages writers to focus in on the essential elements of their stories in viably dramatic ways.

JOIN US LIVE: Thursday, Dec 10, 2015 11am ET, 10am CT, 8am PT Click the bolded link below. Chatroom open during discussion.

Rex Sikes’ Movie Beat chats with James Breckenridge, Script Consultant

His script development service has been rated in the Top Ten and recommended as the Best of the Best Buys in Creative Screenwriting Magazine’s review of leading script consultants from all around the country.

In addition to private coachings and consultations, Mr. Breckenridge has created a number of Courses and Workshops for the beginning as well as the advanced screenwriter.

Some of the most popular include Screenwriting Essentials, First Steps: Dramatic Steps to a Dynamic Screenplay and Pitching: Five Minutes to Fame. He has taught for The Bryn Mawr Film Institute, the Bucks County Writer’s Room,

The Writers Corner USA and the Lehigh Valley Writer’s Academy. For more information we invite you to visit http://www.playcraftersgroup.com or email us at HBCraft@att.net

As a featured speaker he has been invited to present at The Philadelphia Writers’ Conference, The Algonquin Film Festival, The Bucks Fever FilmFest, the Weyauwega International Film Festival and has also presented a number of seminars at the SCREENWRITING EXPO in Los Angeles, California where he was named “Star Speaker.”

Mr. Breckenridge served as Juror for the Theatrical Motion Pictures Nominating Committee for the Screen Actors Guild Awards, The Philadelphia Film Festival’s Feature Film Competition, The American Independents category for the Philadelphia Film Festival/Cinefest as well as the Bucks Fever FilmFest.

As a director and creative writing consultant, he has helped in the staging and conceptualizing of well over 200 dramatic scripts.

Mr. Breckenridge credits much his creative consulting instincts to his acting background. Trained for the professional theatre, Mr. Breckenridge received his undergraduate degree in Theatre at the University of Wisconsin Stevens Point and his Master of Fine Arts degree from Temple University in Philadelphia.

Over the years, he has performed professionally on radio, television, film and on stage. Most of his acting credits came from New York City.  This work has also taken him to Europe twice, once touring Germany and Italy, and a second time, appearing at The Edinburgh Festival in Scotland and in London.

Though working fulltime for The PlayCrafters Group, he currently maintains active memberships with The Actors’ Equity Association and the SAG-AFTRA Union.

Past affiliations have included The Charles Maryan Workshop for Playwrights and Directors, Ron Roston’s Playwrights Lab/Writer’s Circle, Stella Adler’s Scene Interpretation Class and The Freestyle Repertory Theatre in New York City where he judged improvisations for structure, content and story development.

Mr. Breckenridge created and served as Director of The Breckenridge Workshops from 1983 – 1988. He was also a founding member of PlayMarket, an organization whose purpose was to assist dramatic writers in focusing and shaping their scripts towards production.

Presently, he is a member and/or supporter of The Drama League, The Dramatists Guild, The Theatre Communications Group and LMDA – the Literary Managers & Dramaturgs of the Americas.

One of James’ students summed up his experience with him this way: “ I have an MA in TV/Film, took several master’s level screenwriting courses. None as good as this! ”

Official website: Rex Sikes’ Movie Beat

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Weyauwega International Film Fest Aftermath: Movies, Director And Class

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casting call clap board

It was a great festival. Nov 11-14. Ian Teal and Kathy Fehl, Holly Martin and staff and volunteers put on another great film festival. Number 5. If you missed it you missed another one you should have attended.

Great films and great people. Good hanging out, good conversations, good food and drink. All in all – a time well worth it.

We left, after the closing night party. I drove Jacob, Marie and Louis back to the Green Fountain Inn B & B in Waupaca. We were all pretty beat. Said good night and went to our rooms.

Sunday 11-15. I wrote my, daily inspiration and gratitude blog, as always starting about 3 am. Finishing up I went down for breakfast and to work on computer at table around 6:30. At this time I also loaded my car. I discover my tire looks a bit flat. Hmmmm

I had to leave by by 7:30 to make it back for a morning event. Later, I would film my role in, ‘Two Sides Of The Street’, a SAG short subject I was asked to appear in. Barb delivers breakfast around 7 for Jacob, Marie and I. After finishing a delicious meal Marie and I say goodbye to Barb, one of the owners of the B & B, and to Jacob. Louis slept in.

I drove Marie to Milwaukee’s General Mitchell Airport where she caught a plane back to Los Angeles. It was an enjoyable time talking all the way. I did stop and buy an emergency tire inflation canister and put that into the tire. We made it.

I left her at airport went to my morning meeting. From there my friend Jill accompanied me to the location for filming. My darling daughter dropped by, briefly, too. We finished filming some hours later. When I got to my car I discover a lovely note, my daughter left, on my windshield. Awesome girl!

Filming was fun, lighthearted, fast and easy. It was a very nice time. Special thanks to director Scott Covelli, Brian and Mike Hendricks and Matt Hudson. They were a lot of fun and made things easy. When completed Jill and I dined on delicious Mexican food. I felt as if I had consumed a small child when finished. It was tasty.

Recently, the Pro Cinema Society and I sponsored a SAG/Aftra workshop presented by Kathy Byrne of Chicago SAG/Aftra. During our time together she addressed how easy it is to utilize professional SAG/Aftra talent in student films, shorts and Ultra Low Budget contracts. It was a good session.

I asked the film crew on ‘Two Sides Of The Street’ the SAG short I appear in how easy it was to make it union so I could be in it. They stated they were amazed and delighted how easy and pain free it was. Paperwork was nothing and they were glad they did. I am glad they did too.

POINT- investigate, find out and you too can go SAG/Aftra. It isn’t worth it. Even some filmmaker friends of mine have been skittish because of contracts or paperwork. Don’t be. Read it and make your movie or short.

I arrived home early evening but it seemed late, after midnight. I relaxed, said hello to those I had left behind and enjoyed the company.

7:25am (present) Monday 11-16: I got some sleep. Woke at 3am and began writing blog again.  I will leave shortly for the university.

I have a guest coming to class. Director Michael O. Sajbel. Michael worked Visual Effects in movies, ‘Hot Shots’, ‘Lawnmower Man’, ‘Broken Arrow’ and others.

He writes and has directed, ‘The Ride’, ‘One Night With The Kind’, and ‘The Ultimate Gift’ and others. I am looking forward to his talk with my students.

Class was great. Michael come accompanied by his daughter Anastasia, and his assistant Sean. He spoke about how he got his start writing in Hollywood. He encouraged students to follow their passion.

He reminded them to remember basic survival skils while pursuing a career. Discover where you want to live, rent don’t buy a house, the need for a car, where to meet people and emphasized networking.

He told stories of working with actors and the importance of good communication skills. This is a must. Then, he shared some stories of working with difficult stars. He was candid and fun and added value to the class. This continued later.

When finished, he offered to stay and continue to speak with students who could stay. A group of students and the four of us went to the Student Union and chatted for hour or more. More tales and more sound advice.

From there the four of us went to Soup Bros for lunch. Enjoyed more conversation and good food. After another hour or so we parted ways. I returned to the computer to publish this post.

So that wraps up Weyauwega time and a short while after. Life returns to normal for a time being. I am so glad I had the opportunity to again make this festival. It was my forth year and it gets better each time. Next year, perhaps, I’ll meet you there.

Meanwhile, make your movies and complete your projects. Join me on my Inet radio show and podcast Rex Sikes’ Movie Beat – Visit INTERVIEW at the official website: Rex Sikes Movie Beat . There are over 400n hundred hours of pro filmmakers sharing their expertise. Listen and learn.

Also join me at ‘Inside The Film Business’ at  my Rex Sikes’ Movie Beat channel on Rex Sikes’ Movie Beat. I am video recording, via skype, my professional filmmakers who address my class. Watch, listen and learn and in both shows, RSMB & Inside The Film Business.

Enjoy!

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Weyauwega International Film Festival Day 4 – Nov 14

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the bar at weyawega opera

The final day of the Weyauwega Film Festival begins. Jim Breckenridge, script consultant launched the day with a presentation of what makes good screen writing.

He addressed, first, the business side of spec screenwriting, and the likelihood of selling your screenplay. From there he traversed the area of structure, subtext, events, dialogue and how to write good stories.

Other areas covered were conflict, internal meeting external conflict and depth of conflict, events, white space and closed endings.  There is a deep need for humans to bring order to their experience and have closure.

He suggest writers consider this when writing because readers, buyers and movie goers unconsciously are seeking. He proved to be a wonderful storyteller, which illustrated his approach to storytelling in screenplay form.

Hurt them then heal them. Create a character audience can identify with. Hurt them in some fashion. Then provide the opportunity for the character to heal.

He stated that while the film is written three times the script you use to make the movie must be well written to begin with. A very delightful and informative presentation.  A great Q & A followed.

Back in time, breakfast at the Green Fountain Inn, our B & B. a lovely place in Waupaca, began at 8am. Louis, the director from NY I mentioned yesterday in Day 3, Marie, Jacob and I dined on a delicious breakfast of, fruit, french toast, bacon for meat eaters, coffee, juice and conversation.

We took back roads to the Gerold Opera House to recreate the walk Marie and Jacob made yesterday. Deciding they would like to, they trekked 10 miles to the festival, stopping for a Wisconsin Fish Fry, nearby, for lunch.

The Upcoming panel on filmmaking includes, actors filmmakers Dan Davies, Craig A. Knitt, Kathy Fehl, Ian Teal, and me. Even cooler, the panel evolved into a round table which included filmmakers from Wisconsin, England, NY, Florida and more. Jim Breckenridge joined as well. A nice time around the table with cool people.

Popcorn is popping. Movie goers appearing. Movies begin shortly. It was good to be able to chat up with Craig Knitt and Dan Davies, both of whom I have not seen in a half a year perhaps. It was really nice to listen to Jacob and Marie discuss their film in the Q & A.

One of the commenters addressed a peculiar aspect of the film “The Family and the Animals’ by Marie Hobson and directed by Jacob Hesmondhalgh. There is no narration, there are no subtitles, the viewer is thrown into the same world the filmmakers were, however, as the commenter pointed out, which is accurate, the story is still very clear and easy to follow from the visuals alone. You get it.

Dan Davies, Florida actors, director and more presented a 3 minute preview of ‘Heartland Blues’ a feature to be premieres January 23 at the Marion TWin in Ocala, Florida. Directed by Sarah Ashley. In attendance are film’s producer, star Anthony Gilardi. Actors Joshua Holt and Alex Quinn.

All the shorts in this first block were interesting fare. Again, programming here at Weyauwega is something these festival presenters can be quite proud of.

The afternoon features are the post apocalyptic ‘Embers’ directed by Claire Carre and the Hollywood made, comedy dating romp, ‘Dirty Beautiful’ directed by Wisconsin native Tim Bartell.

Lot’s of good food. People coming in throughout the day. It was great to catch up with Cody Klimmer. We worded on the Hollywood Feature filmed in Appleton, ‘Bucky And The Squirrels’ directed by veteran television writer director Allan Katz.

Katz accompanied the film to Weyauwega #4 for a sneak festival screening of the feature prior to it’s premier in Appleton April, 2015.Since we finished the film and last saw each other Cody has been back and forth adventuring in the Far East. Glad to see him!

A stat not presented in the movie, or at least not yet, is that 80 percent of the brandy consumed in the world is consumed in Wisconsin. AND a whopping 80% of that brandy is consumed in Marathon County. Anyway, a tasty sweet drink you can absolutely lose count on.’Old Fashioned’ director Holly De Ruyter in attendance will address the movie afterwards. Old Fashions were served and plentiful here, brandy being a Wisconsin favorite booze after beer.

The Supper Club and the Doggy Bag was originated in Beverly Hills by Laurence ‘Lawry’ Frank and Walter Van De Camp on La Cienega. Embraced by Wisconsin hundreds sprung up. This movie is fascinating and well done. My cocktail is too! I have eaten many times at Lawry’s Prime Rib and had no idea.

I lived in Los Feliz and drove through Atwater nearly daily and never knew this tidbit I discovered on the Inet. Frank and Van de Kamp founded the Lawry’s company and created the Tam O’Shanter Inn restaurant in the Atwater Village in 1922. It claims to be the oldest restaurant in Los Angeles still operated by the same family in the same location.

From the movie: The old fashion come from a line of drinks created in the 1700’s. Sweet drinks originated during prohibition when rot gut alcohol was difficult to drink so soda, fruit, and other sweeteners were added to be able to swallow them. Brandy drinks are known world wide as a Wisconsin drink. Other areas make whisky or bourbon old fashions.

A relish tray, veggies, cheese spread,and bread comes first. Soup salad. Definitely steak, prime rib, fish or chicken. Choice of potato. Desserts optional. Often an ice cream drink finishes up the meal. A grasshopper or pink squirrel.

Signage had to be big, bold, Neon and colorful to attract drivers hurtling down the highways at high speed. Specials include; the traditional Friday night fish fry. Saturday night prime rib.

A movie point: Wisconsin is bordered by the Mississippi to the West, Lake Superior to the North, Lake Michigan to the West and tens of thousands of lakes and rivers so Wisconsin was ripe for the rise of the fish fry.

Having a large Catholic population who could not eat meat on Friday for many years PLUS prohibition combined to make the fish fry a Wisconsin Phenomenon. You must see ‘Old Fashioned’ and visit remaining supper clubs when visiting Wisconsin.

A supper club tradition is fresh and the best food ingredients; home made was/is the rule of the supper club. ‘Made from Scratch’. High quality; no frozen, pre-measured, packaged, precooked, just add liquid food staples that chains are known for.

Yes, I have given this topic a lot os space but it is a huge part of Wisconsin history, even if it did originate out west. The supper club is unique, and delightful.

Another facet of the S.C. is the social element and relationship with the owner and their family. Connections and friendship, community is what drives the supper clubs appeal. People liking people, hanging together.

Holly did a great job answering questions and made books and dvd’s available in the back of the room. Quite a popular topic at this festival as people lined up for drinks, product and to be put on Supper Club mailing list.

Since we are at a Wisconsin film festival I thought you ought to know.

Again, all the movies shown at this year’s festival were excellent selections. One or more may not be my cup of tea, but all were very good for a variety of reasons. Had you been here I am sure you would have enjoyed the program selections.

UP next ‘Frame By Frame’ follows four photo journalists navigating modern day, dangerous Afghanistan. Directed by ALexandra Bombach and Mo Scarpelli. A fascinating film.

The film concludes as does the picture portion of the 5th Weyauweyga International Film Festival. Now begins the thank you, awards and a reception party.

Festival Spirit Award goes to ‘Polyfaces’. USA/Australia
Outstanding Foreign Language Film goes to Austria, Germany ‘Everything Will Be Okay’.
Best Animated from Germany ‘Daewit’.
Best Narrative Feature, “Dirty Beautiful’USA
Best Narrative Short, ‘Beverly’, from England.
Best Documentary Feature goes to ‘Frame By Frame’, Afghanistan
Best Documentary Short goes to “The Family And The Animals’. England/Zimbabwe

Live Music, jazz band ‘Waiting For The Train’, drinks, cheese, crackers and camaraderie round off the evening. I had an delightful time closing the evening with the Florida filmmakers and Dan Davies I mentioned earlier.

When finished, the Gerold Opera House will close for the evening. I will drive Marie, Jacob and Louis back to the Green Fountain Inn.

Early breakfast before we part ways. Marie will accompany me back to Milwaukee to catch her flight to L A later on Sunday. Louis and Jacob will fly out to NYC and England, respectively, later in the day. Nice people all of them. I am glad I got to dine and know them a bit during our time here.

It will be ‘so long’ to Weyauwega and to Green Fountain Inn until the next time. If you are in the area check out the shows and happenings at the Gerold during other times during the year. Visit the website and Fb page.

Also be sure to book a night or two at Green Fountain Inn when traveling this way. All good. All good people, times, films and fun. Until the next time.

Hope you enjoyed this. I sure enjoyed the festival!

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Weyauwega International Film Festival – Day 3 Nov 13

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film reels weyauwega window

The 3rd official day, as I report, begins with breakfast conversation with Marie, Jacob, director Nathan Deming and myself. Food and coffee is marvelous at our wonderful B&B. I posted an awkward angle photo of a portion of my room on Facebook, just because.

Conversation was great. We learned a lot about Nathan’s project, screened yesterday and a feature he is currently in production on. Plus, lots about the Zimbabwe culture, and our filmmaker’s  stay there. Fascinating morning talk.

It is now after 1pm and the afternoon, Friday the 13th horror shorts and features began. Since Wednesday I haven’t seen a film I haven’t enjoyed. I don’t review movies, as a filmmaker, I prefer to enjoy other’s work because I know the effort that goes into projects.

I will point out one I did just enjoy. From Switzerland, the short film ‘Alekto’, was impressive in scope and effects for a 20 minute short. The afternoon horror shorts definitely creepy so far. Good stuff all around.

Nelson Oliveras, director of ‘A Dubious Night’, and his writer producer Mark Koch just arrived. Nice to say hello.  I happen to be in the short film so it is fun to be at the festival have some work shown too, this year. Nelson, Mark and I were called up for Q & A.

Question and Answers with documentary director Michael Brown followed his film, ‘Haunted State: Whispers From History Past’. Both shared haunting experiences while filming and investigating haunted historic buildings in Wisconsin.

Producer David Williams shared tales as well. They have a twelve person team of filmmaker investigators. Some of the locations included, The Pabst Brewery in Milwaukee,

The Stone Cellar in Appleton, as well as locations in Wisconsin Rapids and Merrill, Wisconsin.  The used a number of high tech investigator tools.

They point out that the film comprises the greatest hits, so to speak. They may sit in a room for over eight hours and end up with 20 minutes of material they then edit into a film. Lot of waiting and wondering during that time. Film fan s benefit from the editing.

Both filmmakers seem quite adamant about their experiences and not screwing around with these things. Both explained that they have been genuinely frightened while looking into these matters.

Spoke briefly with the director Brown and turned to see long time friend R. Michael Gull and son sitting at table. Michael appears in the Wisconsin made narrative feature ‘The Scarapist’ written and directed by Jeanne Marie Spicuzza who also stars. Based on a true story.

Michael received deserved audience accolades and answered questions at the film’s end. A disturbing movie to say the least! I got to chat again with Michael on the way to grab some food between flicks.

Then, I met, said hello to New York film director, M. Louis Gordon, just prior to the start of his short ‘Girl In The Chair’ shot on 16mm.

HIs film opens,  oddly reminiscent of Speilberg, Harryhausen, and ‘The Sound of Music’ if you can imagine such a blend. Clever, and fascinating mix of live action and animation.

Based on a true story, Louis stated he did not want to make a standard biopic. His blend, I described above, he said was inspired by and an homage to the Quay Brothers. I’ll say no more it is up to you to see it.

The narrative feature, ‘In The Dark’ directed by David Spaltro followed. Well acted possession horror. Wisconsin’s  Slasher Studio, ‘Dimembering Christmas’ directed by Austin Bosley was next in line.

I very much enjoyed the camera work in this feature. NIcely entertaining. Three of the filmmakers answered questions afterwards. Kevin Sommerfield, Marla Van Lanen and Zachary Allen.

They addressed shooting in winter, surviving the cold, the steadicam and actors on ice and more. One steadicam shot/scene was 5 plus minutes, timed and rehearsed; took 4 takes to get right. Fun film and good Q & A. I enjoyed chatting with Kevin and Zachary afterwards.

Closing the evening films is a Canadian feature ‘Luciferous’. Profoundly disturbing. It is after midnight and the festival resumes 10am tomorrow with panels and more!

Keep checking back – use this link – I will post updates throughout the day. Enjoy!

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Weyauwega International Film Festival Day 2 – Nov 12

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compulsion

Year five, day two of the Weyauwega International Film Festival is underway.

The day began with breakfast at the B &B with English Documentary filmmakers Jacob Hesmondhalgh and Marie Josephine Hobson. Their film ‘The Family and The Animals’ was filmed in Zimbabwe.

The we went super market shopping so they could by snacks and enjoy local flare, Wisconsin cheese and more.

It is now 1pm and the Gerold Opera Hostel is bustling. This afternoon starts off with a presentation from film historian Dr. Jack Rhodes. He presents the 1959 movie ‘Compulsion’ starring Orson Welles, Diana Varsi, Dean Stockwell and Bradford Dillman.

Directed by Richard Fleischer, Compulsion is set in 1924 Chicago and is based on the historic Leopold and Loeb murder trial. I saw it as a child and many times since. I am looking forward to the presentation.

Lot’s of food, snacks, drinks, popcorn and candy sold as film fans and filmmakers make their way into the theater.

Dr Rhodes stated he wanted to include this movie showing because his area of expertise in film is from the 20-60s. Edgy, different, studio releases from the classics period. Plus, it is the 100th anniversary of the birth of Kenosha, Wisconsin native Orson Welles.

Cannes Film Festival divided best actor among the three, Welles, Stockwell and Dillman. Welles appears at about 67 minutes into the film and has one of the longest uninterrupted courtroom speeches in film history.

Similar to television series, Law and Order the first half of the film is about the crime, ‘the crime of the century’; the second half ‘the trial of the century’ the trial. Film also includes recently passed Martin Milner as a featured character in the movie. Other notables include E.G Marshall and Richard Anderson and Gavin McLeod.

Made during the era of the production code filmmakers had to find alternative ways to let audience know that the criminal partners were life partners.

Watch for the oval cupids in background during the staircase scene, or the dutch angels meaning tilted, and in one scene one literally exists the closet, meaning coming out of the closet. Dialogue, ‘are you ditching me for some girl?’ ‘Well, I couldn’t find you for three days.’

Daryl F. Zanuck producer chose black and white purposefully and recreated old world Chicago. Checkout the Art Direction and Production Design.

The Art Director, Lyle Wheeler,  won 5 Academy Awards out of 24 nominations. These were, ‘Gone with the Wind’, Anna And the Kind of Siam’, ‘The Robe’, ‘The King and I’, and ‘The Diary of Anne Frank’.

Willian C Mellor, Academy Winner, for Place in the Sun and Anne Frank. Check the credits for all the notable filmmakers who made this film. Among his notable credits is George Steven’s ‘Giant’.

Knock yourself out looking everyone up on IMDB.com Then, make sure you check out the film. A wonderful introduction by Dr Jack Rhodes.

Dr Rhodes conducted a fun post movie Q & A with other great tirvia coming forth. Welles, admits at his age he could not remember all the dialogue so he used a teleprompter. The difficulty keeping the prompter off camera. Proudly, Welles, asserts, ‘I did it in one take!’

That plus much more made it a fun afternoon of vintage movie watching. Short program begins in a bit!

Just met Milwaukee area author, director Ron Faiola and his producer John Prudlow prior to the screening of their short ‘Tilt-A-Whirls, Cowbells and Beer’ an exploration of Milwaukee area church festivals.

Slogan seems to be ‘Drinking for Jesus!’ This is Wisconsin and no one needs a reason to drink OR any reason will do. But ‘drinking for Jesus’ will now remain close to my heart.

Faiola is also known for ‘Wisconsin Supper Clubs’ film and the book and ‘Fish Fry Night Milwaukee’. Ron has become known as the filmmaker chronicling Wisconsin and unique Wisconsin happenings and rituals.

Ron and Jack fielded questions after the shorts segment. They discussed topics in the film; cost of festivals, weather, safety, dwindling numbers of festivals as a result, drinking, feeding, gaming. and more.

Wisconsin has it’s own way of entertaining itself. 10 years ago there were over 200 festivals. Today, that number is down around 120. What is next?

The USA/Australian Documentary feature ‘Polyfaces’ features one of the world’s best farms in action.  Workers from the farm answered questions during the Q & A. Great discussion on nutrition and sustainable farming practices.

These people now have relocated to a new farm in Princeton, Wisconsin. They have a much smaller farm and follow the tenants of Polyfaces. They cater special events and weddings with healthy food.

Today represented the 2nd US showing of Polyfaces. It is the first showing since it’s premiere and they chose Weyauwega. It is  a fascinating film and following discussion about how we could be eating healthier more often if more farms had conscientious healthy practices.

Shorts followed. Director Nathan Deming was in attendance answering questions about his short ‘Dog Days’. The film was his thesis project for the London Film School, in England. Crew working on Dog Days  came from Wisconsin, California, Norway, Spain and Lebanon.

Deming, graduated the film school and is now working on his first narrative feature about a young man caught up inn a religious organization.

Closing the evening will be the documentary feature ‘Peace Officer’ about the increasingly militarized state of American police, as told by former sheriff Dub Lawrence.

Lawrence established and trained his rural state’s first SWAT team who later shot and killed his son-in-law 30 years later. A sad, disturbing film on the use or misuse of deadly force.

The film ends. Conversation ensues as people make their way out of the Gerold which ends day 2. My English companions Jacob and Marie and I make our way back to the B & B. Turns out Nathan is staying there as well. Perhaps, all four of us will have breakfast tomorrow. I’ll report day 3 tomorrow, similarly as I have today.

Tomorrow, Friday the 13th brings out the Spooky movies at Weyauwega International Film Festival and begins the weekend.

Come and join the rest of us filmmakers and fans if you can!

I’LL UPDATE THROUGHOUT THE DAY SO CHECK BACK IF YOU’D LIKE TO STAY UP TO DATE WITH SOME OF THE HAPPENINGS HERE.

 

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Riley Dayne & Rex Sikes Inside The Film Business: making movies, money, and marketing

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the abundance factor

Riley Dayne & Rex Sikes Inside The Film Business: making movies, money, and marketing

New Filmmaker Video: Inside The Film Business: Riley Dayne​ is the writer, producer & host of the hot new documentary ‘The Abundance Factor’.

The Abundance Factor Takes You On An Unprecedented Journey into The Minds of The Worlds Most Knowledgeable Experts on the Subject of Abundance and Prosperity.

Dayne’s and Sikes’ discussion is filled with valuable information for today’s filmmaker business person!! Watch it today! IF you are interested in Abundance you want to watch to this too!

To watch click the bolded link below:

Riley Dayne & Rex Sikes Inside The Film Business

Riley has produced and directed numerous short films and independent documentary projects during his brief time in the feature film world.

Riley’s love of film started in the 5th grade when he shot and directed his first comedy film, “The Blair Ball Project” – a parody of the well-known 90’s found footage film, “The Blair Witch Project.”

Shortly after graduating high school with several academic rewards in both the theatrical arts and multimedia production, Riley’s career in the entertainment business began in Los Angeles, where he spent his time studying at the world renowned New York Film Academy.

Having graduated from the Digital Filmmaking program (Learning Cinematography, Direction, Screenwriting and Photography), Riley has continued working on his craft by producing & directing various independent  film projects.

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How To Work with Professional Performers on your ULTRA LOW BUDGET Feature Film and Short Films

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sag logo

Have you ever wanted to Work with Professional Performers on your  ULTRA LOW BUDGET Feature Film and Short Films?

Come down University of Wisconsin Milwaukee – Mitchell Hall Room B91 on Sunday November 8th to find out how you, can have SAG actors in you’re projects! All filmmakers and filmmaking students welcome!

This Workshop presented by SAG-AFTRA Chicago and Kathy Byrne, (Director, SAG-AFTRA Chicago) will show how you, yes, you, can afford to use professional actors in your low budget feature film!

“There is a contract for every budget level. Feature films made for under $250,000 are covered under the SAG-AFTRA Ultra Low Budget Agreement – come find out how easy it is to work with this contract. We also have simple agreements that you can sign to use professional actors in your short films and webisodes as well! If You’ve ever wanted to work with SAG-AFTRA and Equity actors this is a can’t miss event!” Kathy Byrne.

UWM campus in Mitchell B91 on Sunday, November 8th at 2 PM. Mitchell Hall is the large building on the NW corner of Downer & Kenwood. Free Street parking or pay parking at UWM Union Parking Structure on Campus.

This FREE workshop will provide you a service to highlight the benefits and ease of casting professional actors.

SPACE IS LIMITED! Please RSVP by Wednesday, November 4, 2015 to Kathy Byrne at kathy.byrne@sagaftra.org.

QUESTIONS? (312) 867-5508

SAG/AFTRA 1 E. Erie, #650 Chicago, IL 60611

Join Us! RSVP Today!!!

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Flyway Film Fest – Day Three – Red Wing To Alma

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SPECIAL POST FLYWAY NOTE: PLEASE READ!!! – AND COMMENT

Those who attended the festival this year – PLEASE share your experience. What is/was your favorite memory, film, conversation, moment, etc. Let us all share with each other. I really want to hear from attendees. When I post I can only post what I experience, but if we each take a moment we can create a fuller living memory of the event. Leave comments in the comment box!

Plus, those from past years who couldn’t make it this year can share what they liked from the time/s they did attend. In this fashion we can all enjoy and support flyway even after the festival. SO please start sharing everyone!!!

*********

Another early morning working on blogs and then breakfast with Jake and Colette at Six Street String. Good, reliable food and service. Jake and Colette are off to Red Wing for movies all day until this evening.

I have work on projects so I am online at The Mineva for a large portion of the day. I need to speak with a S.F. director soon. We  have a number of projects we are working on together. I just typed that sentence when he called. We have lots of good news, hooray, and many other things to continue to discuss next week.

Later today, I plan to see Vanessa Hope’s ‘All Eyes and Ears’. It will be good to see her and Ted again. I am looking forward to this documentary. From there I shoot, literally, to Alma because I just learned that the narrative feature showing there, stars John McGlothlin.

John was one of the stars of ‘Girls Gone Dead’ a feature I co-produced and line produced in Florida back in 2010. The film has had a good life since it premiered. I haven’t see John since beers and burgers in L A 2012 maybe, when we stopped by Hotel Wilshire rooftop. I am looking forward to seeing him in ‘Dusk’.

Then I shoot back to Stockholm to catch (again I really mean shoot) Kristjan Knigge’s premiere of ‘Second Honeymoon’. Last evening, his male star, whom I met but can’t spell his name, arrived from Los Angeles.  Kristjan begins filming on Monday.

Director Zachary Sluser and other’s had to leave today. Fred Thorton and Sean Hackett needed to get back to L A too. These three, among others, really contributed to the fun and the finer aspects of this festival. They will be missed here these next two days.

A few of us at the Minema work on computers, others converse, some eat free food and coffee. Others are off seeing films and talking movies. One thing is certain, this is a fantastic festival to be at. I look forward to saying hello to the weekend newcomers.

NEARLY BREAKING NON-NEWS UPDATE – Day 3 – The Mineva – 4pm

The sun came out earlier this afternoon and it is a beautiful day. I have spent the afternoon working in the Minema. OR SO I thought!

A short while ago, I am gently startled awake by Kristjan who quietly whispered , ‘Rex, you are snoring.’ Given the acoustics of The Minema it probably sounded like a hog gunning it on the highway every few moment.

Kristjan was being very kind. I responded, ‘I don’t care’, and then promptly defended myself. Ahhhhh, apparently I need more sleep. Thank you Kristjan for attempting to save a man from himself. OR spare the room a noisy distraction. OR both!

As of now more people have heard the sound of my snoring more than anyone should in life.  This moment of self deprecation brought to you by, ‘I have no idea why’. Just some festival folly.

Mini UP DATE 4:50pm

I am not the only one! The rattling snore of another rises loudly in Mineva! I won’t rat out who the other snorer is but suffice to say, I am not the only one. In fact, I am in good company. HA HA!

Okay, not much of an update but more of an admission. Cool people hanging in the Minema though. Soon I will hit the road for Alma. I am eager to enjoy Alma, John’s movie and then race back for Kristjan’s.

I made the wonderful trip to Alma and was first to arrive at theater. A delightful venue it is. John’s movie was enjoyable. He was good. Impressed with the directors sense of style and transitions. I particularly liked the edit.

Once complete I shot out to Stockholm and enjoyed Kristjan’s movie. The theater was packed, standing room only and the film was enthusiastically received. Lead male and female were available for Q &A after showing. Was a delightful night. This film much different from Kristjan’s last offering in terms of style and feel.

He an his team shot the movie from concept to wrap production in nine days. Many of the questions afterwards centered around this. Went to Gelly’s for snacks and drinks. Got to speak with Kristjan and congratulate him.

Also spoke with Peter McCarthy whose short film Hunter’s Fall was riveting. It’s theme bullying and took place in the Irish countryside. His bullies were wonderfully cast and threatening. Jake and Colette, Jerry and Don, and Vince were at the table. An enjoyable evening.

One the way to Mineva, passed deer recently hit, Sheriff handling the wounded animal. 10 miles down the road one jumped in front of my car then leaped into the air, make a beautiful dance move, straight in front of my vehicle.

I slammed on the brakes and avoided hitting the animal. Having been cautioned by the preceding hit, I was going slower than I might have otherwise. Everything still ended up on the floor.

The Mineva was alive with food, flowing drinks and many new weekend film fan and filmmaker additions. I hung out for awhile but opted to return to work on this and my other blog.

An excellent day all around. Tomorrow I will breakfast again at the 6 Street String and return to Alma. I left my cap in the theater, but my plans were to visit there again before the journey home along a wonderful scenic route.

Hard to believe the festival will conclude tomorrow but memories will linger and so many of us will already begin looking forward to Flyway #9.

2014 MovieMaker Magazine named Flyway one of the top 25 coolest film festivals in the world. Cool it is! Here is the link:

MovieMaker Magazine names Flyway in Top 25 Coolest Film Fests

UPDATES WILL CONTINUE THROUGHOUT THE DAY AND NIGHT. Please check back for more info on what’s happening.

Listen To festival director Rick Vaicius and me discuss this years program:

Rick Vaicius On Rex Sikes Movie Beat Live

Visit Flyway Film Festival Official Website

Visit Rex SIkes’ Movie Beat Official Site

Enjoy! I will!!! AND I did, very much!

I INVITE Festival Attendees to post comments in the comment section about what their favorite parts of Flyway Film Fest are. Who they saw, films they saw, panels they attended, what they did, where they ate, how drunk they got… you know all the good stuff! Leave some comments here and enjoy!

entertainment, film education, film festival, film producing, filmmaker, filmmakers, filmmaking, independent film production, indiefilm, movie business, movies, television business

Flyway Film Festival – Day One – Thoughts Along The Mississippi

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rickvaicius-by photologic

SPECIAL POST FLYWAY NOTE: PLEASE READ!!! – AND COMMENT

Those who attended the festival this year – PLEASE share your experience. What is/was your favorite memory, film, conversation, moment, etc. Let us all share with each other. I really want to hear from attendees. When I post I can only post what I experience, but if we each take a moment we can create a fuller living memory of the event. Leave comments in the comment box!

Plus, those from past years who couldn’t make it this year can share what they liked from the time/s they did attend. In this fashion we can all enjoy and support flyway even after the festival. SO please start sharing everyone!!!

*********

Oct 22. Early morning: I’m watching the sun come up over the Mississippi in Maiden Rock, WI. A beautiful morning it is. I am sitting in my car for the past hour working on my blogs. The restaurant, I thought opened at 6 am, opens at 8. Silly me.  That is fine it is a gorgeous sunrise in a gorgeous location. I can use the two hours next to the river for work.

Flyway Film Festival, one of the most delightful festivals I attend, and one coming up in the world of important film festivals, takes place this year in Pepin and Stockholm, Wisconsin as always. Last year Maiden Rock was added. This year includes the incredibly quaint riverside city of Alma and Red Wing, Minnesota. Flyway has spread its wings.

Three world premiere movies take place here this festival. These are Pictures of Lily, by British director Mark Banks; Remittance, by Patrick Daly and Joel Fendelman, and Second Honeymoon, by Dutch filmmaker Kristjan Knigge.

It is great to see Kristjan again. He and his cast and crew joined Jake Stetler, his lovely wife Colette and me at our table, last evening. David Potter joined us as well. Later, Jeremy Wilker did too. Non stop people visited and chatted too. Kristjan will be shooting a new feature in the Flyway area after the festival.

Great to see Vince Columbo and his wife, Frederick Thornton and Sean Hackett. Terry Reed showed up.  Kevin Pontuti and University of Stout friends, Alison Lisk (dare I mention, who gave me a nice kiss on the cheek while getting our photo taken), Diana Vaicius, Sarah Moua, Lu Lipold and many others.

Villa Bellezza Winery, again, hosted last night’s kickoff gala.  A  staple of Flyway, the Gala features one of the most impressive feasts of food and flowing drink anywhere. More impressive than some of the larger name famous festivals elsewhere.

Each year Flyway food specialists seem to out do themselves. I always out eat myself.  It is a fun time as people catch up from around the states and the world. I saw many wonderful friends last night and made some new ones.

The evening began with the feasting, then a stimulating keynote talk by Full Frame Documentary Festival’s Deirdre Haj, followed by awards and live music. Festival founder Rich Vaicius presented awards and made the opening greeting.

horizon flyway 8

Whether indoors or sitting outdoors in the courtyard after the ceremonies the place rocked with filmmakers happy to once again be together.

Late night sees us all down at the river front for continued festivities. Next to the Flyway Film Office is the breakout room or party palace The Minema. Open until 2am there is plenty for partying filmmakers to do and partake of. Many may have had to drag their butts out of there at 2pm. People party well here.

The morning workshop is in Maiden Rock at 10:30 am. ‘The Art Of The Pitch’ led by Erica Anderson of Seed and Spark. This workshop will cover building the tools you need for a successful pitch meeting: identifying your end game, crafting the story, and conveying confidence.

The class covers the basics of pitching for anything: film, tech, non-profit, to brands, Filmmakers can come prepared to pitch your current or next project!

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THE ART OF THE PITCH – UPDATE – 10:30 am.  Workshop with Erica Anderson. Main points, whether pitching for attaching director or cast, TV or film project, or financing:

  1. Stand for something. Care about it. People respond to your passion.
  2. What is your end game? Where is it going? Where will it end up?
  3. Who is your audience? Pitch differs according to who you are pitching. Tailor it to whom you are pitching.

Erica covered many excellent points. What are you offering the people you are pitching? Research the people you pitch. What have they done? Know who they are and their interests so that your offer is meaningful. Practice your pitch and hone it.

Four Needs. Why are you qualified? Why should you be doing this project?  Why is this project important? Why should it happen right now? Bottom line – Why should they get involved.

She covered the basics of a ‘money’ or ‘project’ pitch. She discussed elements of body language and how to conduct yourself  as a professional during the pitch.

Workshop attendees then had the opportunity to construct and practice pitches with Erica so that by the conclusion of the workshop they each had at least 1, 1-2 minute pitch, they could use in the real world. All in all an excellent workshop. Well worth the time.

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Lunch Oct 22 noonish: We gathered back at 6 Street String. Food there is tasty.

For many years I have maintained that one of the most productive things storytellers can do is make a television or web series. It keeps you working much longer as opposed to a one off. It can bring money into your community and be good for economic development.

There are many additional reasons and advantages to telling your stories in a series format. So, I am eager to attend the following program.

The Afternoon  Workshop 1:30 pm is called “Make a Series, Damn It!” Julie Keck and Jessica King, of Chicago’s King is a Fink Productions, have had great success in making series and will share their advice on today at 1:30. I am excited to notice that more filmmakers are thinking along these lines and I am looking forward to attending.

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MAKE A SERIES DAMN IT! – UPDATE – 1:30 pm workshop with Julie Keck and Jessica King. Julie & Jessica have produced approximately 20 niche web series. Covered during the workshop:

  1. How to develop a series concept for the web.
  2. How and why to target an audience.
  3. Options for funding and distribution.

The workshop started off with a discussion of successful comedic web series. First Rule is to put your audience first. Know your target audience. Understand your audience so you know how to market to them.

They suggested you consider whose stories are being told in mainstream film and television. People gather online to discuss topics and these are ripe for story development. What haven’t you seen? What can you blend or mix that would be new and unique? Is there a place online for these?

Second Rule is think small. You aren’t a studio production. Keep it small. Use Only a few characters and a few locations. Keep it simple. Consider, too, the different platforms the consumers watch on; phones, computers, notebooks, tablets.  Rule Three how easy is it to share? Spread it through social media. You want it to be cool enough that people share it.

Discussion followed on funding options: Independently funded; Sponsored and product placement. Hand in hand with knowing your audience is knowing companies who are interested in or cater to your audience. Then Crowdfunding was discussed.

Jessica and Julie spoke to distribution methods. Direct Distribution means you release your product through established channels. Do It Yourself (DIY) release to your own audience in a variety of ways.

It proved to be an informative workshop for filmmakers on creating, financing and distributing web series. Great questions and answers followed.

****

There is much camaraderie at Flyway and I’m looking forward to all the good times ahead.

Soon, my breakfast spot will open and friends will appear.  I will report back during the festival highlights and tidbits. I may broadcast a live show here as well.

This area of Western Wisconsin is called the “Driftless Area,” where the river bluffs were left untouched by glaciers.  The opening night film tonight, Thursday, (7pm) stars John Hawkes and Zooey Deschanel star in a neo-noir romance titled ‘The Driftless Area’.

For now the sun is up but behind the hillsides. The steam rises from the Mississippi. The birds are chirping  and people are beginning to go to work. My dark spot behind the restaurant next to the water is coming to life. It is absolutely wonderful. AS is the Flyway Film Festival.

8 am: The restaurant 6 Street Sting is open. I step in for coffee and breakfast as friends begin arriving. I will add to this post and share in social media for you to vicariously enjoy Flyway. Hopefully, you will join us all someday soon!

BTW I have a new love in my life. The city of Alma, Wisconsin on the eastern side of the Mississippi. What a beautiful riverside’ village. The drive up the eastern side of the river from LaCrosse is outstanding. Going to be a staple drive for me in the future, I can tell.

In the not too distant future too, as it looks like I may be coming back to help out on Kristjan’s feature. That is an exciting new possibility.

If you have not yet attended, keep it mind for the ninth year next year. You will keep coming back each year after that. I promise you.

Check Back because I will update this page during the day.

UPDATE – post workshops.

The drive back from Maiden Rock along the bluffs and hillside decorating the Mississippi is glorious. I drove to Mineva and joined director and producer Sean Hackett and Fred Thornton, from L A and writer directors Andrew and John from NYC on the roof top overlooking the river. A wonderful time for an hour or more.

Then downstairs into the Mineva for complimentary ‘Happy Hour’ cocktails and hor ‘dourves  and great conversation with Alison Lisk and others. Alison and I adjourned around 5 pm to sit outside, eat and drink and talk look at the river. People come and go.

I leave in a couple minutes to go see the opening film. Will report back later and at the end of the evening.

EVENING UPDATE – Opening Movie & Shorts

The Flyway Film  Fest opening feature was the well made and well acted ‘The Driftless Area’. Sadly, according to the director Zachary Sluser, most of this fine feature was shot in British Columbia, instead of Wisconsin because Wisconsin has no incentive program.  B roll snippets are all of the actual area contained in the movie. He made the argument that Wisconsin needs film incentives, a point I and others heartily agree.

I asked him if there were any cons working with the unions SAG/Aftra and IATSE. He said none. Although, one did have to be smart about how they budgeted their days and they could not just go extra hours because they wanted or needed to. I asked the question because many filmmakers here and elsewhere are concerned about unions and in some cases afraid to sign contracts.

According to the answer I received, and the numerous shorts that carried the Sag/Aftra bug, I believe their fears to be unfounded. So yes, work with the unions on your pictures and lobby for incentives is my take away along with some great entertainment. I have always been proud to be SAG and AFTRA, now under one banner, and the union has been quite accommodating to make it possible for me to work with newer filmmakers.

The Shorts Program was well programmed. Fine filmmaking abounded. The films were “Daddy’s Little Girl’ directed by Chad McClarnon; ‘Little Cabbage’ directed by Jen West; ‘From The Sky’ directed by Ian Ebright; ‘Monkeys’ directed by Christopher Soren Kelly; ‘Hunter’s Fall, directed by Peter McCarthy; ‘Long Distance Calling’ directed by Andrew Gitomer. West, Kelly, McCarthy and Gitomer, in attendance, answered questions afterwards.

From there we adjourned to The Minema for food, drink, conversation, music and dancing. A great first day of Flyway. Well done founders, programmers, staff and volunteers. Kudos to you all for making our stay a marvelous one. You deserve a big round of applause!!!

I left at 1am to write theses concluding updates and begin my other blog for tomorrow. I will begin tomorrow with Day 2. Stay tuned, stay posted. If you have comments or questions feel free to leave them in the box below.

Plus, I will post separate daily pages.

Listen To festival director Rick Vaicius and me discuss this years program:

Rick Vaicius On Rex Sikes Movie Beat Live

Visit Flyway Film Festival Official Website:

Visit Rex SIkes’ Movie Beat Official Site

Enjoy! I will!!! AND I did, very much!

I INVITE Festival Attendees to post comments in the comment section about what their favorite parts of Flyway Film Fest are. Who they saw, films they saw, panels they attended, what they did, where they ate, how drunk they got… you know all the good stuff! Leave some comments here and enjoy!

directing, directors, distribution, entertainment, film directing, film producing, film production, filmmaker, filmmakers, filmmaking, independent film production, indiefilm, low budget filmmaking, movie business, producer, storytelling

Bill Rebane | Director | Producer | Writer | Giant Spider Invasion

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bill rebane

Listen To My Discussion With:  Director Bill Rebane.  Known for low-budget indie horror cult movies and more including The Giant Spider Invasion (1975), Blood Harvest (1987)  The Demons of Ludlow (1983) The Capture of Bigfoot (1979) The Alpha Incident (1978) Invasion from Inner Earth (1974) Monster A Go-Go (1965) and more.

He joined me Thursday October 15, when we recorded live, 8am PST, 10am CST 11am EST to discuss making movies and his career memories.

As an Estonian national, born in 1937, Bill (Ito) Rebane came to the United States at age 15 in 1952. Rebane’s mother was Latvian and his father, Arnold Rebane, was Estonian. After attending school in post war Germany, as a child, he conversed in four languages, Estonian, Latvian, German and Russian.

His passion for film was incited by the movies he saw on a daily basis upon coming to America, which helped him to learn and master the English language.

With intent to pursue a career in the performing arts, he attended the Art Institute of Chicago and the Goodman Theater, majoring in drama and, working his way up through the ranks at Chicago’ flagship television station WGN Television.

Use the bolded link below to listen to the archived show!

Rex Sikes Movie Beat chats with director Bill Rebane

Starting in the mail room (age 17,) Bill advanced rapidly to Floor Manager, Asst. producer and assistant to the Executive producer, providing him the opportunity to partake in countless daily live television productions in a variety of creative capacities.

This afforded him the opportunity to advance his ambitions as an actor and singer resulting in numerous live television appearances in shows like “They Stand Accused” (courtroom drama-series) and “The International Cafe,” musical variety syndicated series.

blood harvest rebane

At 19, returning to Germany, he met Producer Adalbert Baltes of Hamburg, Germany, the inventor of the one and only, 360 degree motion picture process. Filmed with one camera and projected with one projector. Baltes is credited in starting Rebane’s lifetime career in the Motion Picture Industry.

After working as a production assistant, Asst. Director and Director on numerous Cinema Scope Theatrical Short Subjects for Baltes Film,  Bill obtained the United Sates rights to the circular motion picture process “Cinetarium”. Two years later introduced the process to the motion picture industry of he world at United Film and Recording Studios, Chicago.

giantspiderinvasion

This event attracted such notable guests as Samuel Goldwyn, Roy Disney, Jack Warner, Hugh Hefner and Michael Todd Jr. Not counting hundreds of industry professionals from Russia, central Europe and Japan.

At 22 Rebane found himself to be millionaire. A short lived experience as, the costs of patents, legal fees and attempts to manufacture vertical projection systems, in that time, were beyond the means of the Company’s he had formed for the further development of the process.

His first independent production effort was “Twist Craze,” a ten minute musical theatrical short subject purchased by American International Pictures.  “Twist Craze” became an international success theatrically and financially. It enjoyed a 10 week holdover at the Oriental Theater in Chicago and, was a phenomenon.

rebane moNster AGO GO

This was unheard of for independent short subject theatrical productions of that time. Having earned twenty times it’s production costs, Rebane followed this success with another 20 minute theatrical musical short titled “Dance Craze” which surpassed the success of the earlier one and ultimately was purchased by Crown International Pictures for international release.

In 1963, Rebane turned his attention to science fiction feature film, “Terror at Halfway,” starring June Travis and Peter Thompson, becoming the first producer in Chicago to tackle an independent feature film production with a full union crew and screen actors guild talent.

A chance meeting with Ronald Reagan nearly attached Reagan to the film. However, Rebane’s financial contacts would not go along. They claimed that Ronald Reagan was a “has been” and not worth investing in.

rebane demons of ludlow

Unable to complete the film, Rebane suffered a financial and career set back and arranged for the existing footage to be edited by Herschel Gordon Lewis. Lewis went on to complete the film, and later released it as “Monster A Go Go.” A title and effort which to this day, Rebane wishes he could forget.

His interests in performing and with the professional contacts he had made by now led to his position as co-host of the Germania Broadcast at Chicago’s, WGES radio station. Americas largest and most popular German language broadcast in America.

This daily evening one hour live show allowed him to create, produce and host other Radio shows on Chicago’s first FM station WKFM Radio. Yet left time open for his day time job as National Public Relations Director and Asst. Advertising Director, for the American Distributor for the German firm Grundig Radio.

At 23, Rebane returned to Germany to take on the position as Executive in Charge of U.S. co-productions for Studio Bendestorf, Germany, in which he had a small interest. He opened offices in Chicago and Hollywood. Rebane commuted on a bi weekly basis dealing with all the major studios to attract producers to the then lower costs productions in Germany.

The-Giant-Spider-Invasion-1975-MOVIE-Bill-Rebane-5

Ultimately the films which found a partial or full home at his Bendestorf Studio facility and through his contact efforts were; “Dollar” (Goldie Hawn/ Scott Brady,) “How I Won the War” (John Lennon) and “The Odessa File” (John Voight.)

By the time Rebane was thirty, he had become a well rounded  film business man. He also gained the production and technical experience of a seasoned film maker. Later he moved to Wisconsin where he built and established the only full time feature film studio in the Midwest. It flourished for over a quarter of a century, producing hundreds of commercials / industrial / corporate image films plus a string of theatrical features all of which enjoyed international theatrical theatrical distribution and exposure.

For commercial film production Rebane  acknowledges and expresses his appreciation to fellow film maker, producer Jerry Gregoris, of Chicago for entrusting Rebane with the directorial and post production responsibilities and subsequent credits on films made for such prestigious clients as the Teamsters Union, The Republican Party of Indiana, State Farm Insurance, The City of Chicago, and Wausau Insurance.

rebane capture of bigfoot

In l984 Mr. Rebane took a break from production to become President and take charge of international distribution for The International Picture show Company in Atlanta Ga. (a public company) for the distribution of such product as; “Falling in Love Again,” Elliot Gould / “Slapstick,”Jerry Lewis,/Land Without Time, William Shatner and many of the Don Knots and Tim Conway comedy features.

Mr. Rebane has held a variety of executive positions in the motion picture industry throughout his career. He is a skilled filmmaker/ writer/ cinematographer / production designer / editor and film director.

He can further be credited with the following accomplishments;

• The introduction of the first 360 degree (wrap around) motionpicture process to the Motion Picture Industry of the world, that spurred the Cinemax process and today’s and Rotascope cameras.

• The creation of the Wisconsin Film Office.

• Producing, directing, editing and production designing at least one hundred commercial / industrial / corporate image / documentary and promotion films.

• Producer / Director / Writer / Director of Photography on 12 independent feature films, all of which have enjoyed successful international theatrical release.

• Producer / director / of one of the fifty top grossing films 1975. Gross 24 million dollars. l975/l976

• The creation and successful operation of the one and only full time feature film studio in the Midwest for over 30 years. The Shooting Ranch ltd. Studios.

Books• Author of the book, “Film Funding 2000.”

• Author of the Novel, “From Roswell with Love” 2009

References

Reference materials on Bill Rebane include but are not limited to:

• Book: Who’s Who in Leading American Executives 1994 ( U.S Registry)

• Book: “God’s in Polyester” Succubus Press / Amsterdam

• Book: Famous Wisconsin Film Stars (Badger Books )

• Monthly Publications

Reports /Wisconsin Report

Filmography • Blood Harvest (1987)

• Twister’s Revenge! (1987)

• The Game (1984)

• The Demons of Ludlow (1983)

• The Capture of Bigfoot (1979)

• The Alpha Incident (1978)

• The Giant Spider Invasion (1975)

• Rana: The Legend of Shadow Lake (1975)

• Invasion from Inner Earth (1974)

• Monster A Go-Go (1965)

Further reading

“Film Funding 2000” written by Bill Reebane

“From Roswell With Love” by Bill Rebane