Category Archives: distribution

Weyauwega International Film Fest Aftermath: Movies, Director And Class

casting call clap board

It was a great festival. Nov 11-14. Ian Teal and Kathy Fehl, Holly Martin and staff and volunteers put on another great film festival. Number 5. If you missed it you missed another one you should have attended.

Great films and great people. Good hanging out, good conversations, good food and drink. All in all – a time well worth it.

We left, after the closing night party. I drove Jacob, Marie and Louis back to the Green Fountain Inn B & B in Waupaca. We were all pretty beat. Said good night and went to our rooms.

Sunday 11-15. I wrote my, daily inspiration and gratitude blog, as always starting about 3 am. Finishing up I went down for breakfast and to work on computer at table around 6:30. At this time I also loaded my car. I discover my tire looks a bit flat. Hmmmm

I had to leave by by 7:30 to make it back for a morning event. Later, I would film my role in, ‘Two Sides Of The Street’, a SAG short subject I was asked to appear in. Barb delivers breakfast around 7 for Jacob, Marie and I. After finishing a delicious meal Marie and I say goodbye to Barb, one of the owners of the B & B, and to Jacob. Louis slept in.

I drove Marie to Milwaukee’s General Mitchell Airport where she caught a plane back to Los Angeles. It was an enjoyable time talking all the way. I did stop and buy an emergency tire inflation canister and put that into the tire. We made it.

I left her at airport went to my morning meeting. From there my friend Jill accompanied me to the location for filming. My darling daughter dropped by, briefly, too. We finished filming some hours later. When I got to my car I discover a lovely note, my daughter left, on my windshield. Awesome girl!

Filming was fun, lighthearted, fast and easy. It was a very nice time. Special thanks to director Scott Covelli, Brian and Mike Hendricks and Matt Hudson. They were a lot of fun and made things easy. When completed Jill and I dined on delicious Mexican food. I felt as if I had consumed a small child when finished. It was tasty.

Recently, the Pro Cinema Society and I sponsored a SAG/Aftra workshop presented by Kathy Byrne of Chicago SAG/Aftra. During our time together she addressed how easy it is to utilize professional SAG/Aftra talent in student films, shorts and Ultra Low Budget contracts. It was a good session.

I asked the film crew on ‘Two Sides Of The Street’ the SAG short I appear in how easy it was to make it union so I could be in it. They stated they were amazed and delighted how easy and pain free it was. Paperwork was nothing and they were glad they did. I am glad they did too.

POINT- investigate, find out and you too can go SAG/Aftra. It isn’t worth it. Even some filmmaker friends of mine have been skittish because of contracts or paperwork. Don’t be. Read it and make your movie or short.

I arrived home early evening but it seemed late, after midnight. I relaxed, said hello to those I had left behind and enjoyed the company.

7:25am (present) Monday 11-16: I got some sleep. Woke at 3am and began writing blog again.  I will leave shortly for the university.

I have a guest coming to class. Director Michael O. Sajbel. Michael worked Visual Effects in movies, ‘Hot Shots’, ‘Lawnmower Man’, ‘Broken Arrow’ and others.

He writes and has directed, ‘The Ride’, ‘One Night With The Kind’, and ‘The Ultimate Gift’ and others. I am looking forward to his talk with my students.

Class was great. Michael come accompanied by his daughter Anastasia, and his assistant Sean. He spoke about how he got his start writing in Hollywood. He encouraged students to follow their passion.

He reminded them to remember basic survival skils while pursuing a career. Discover where you want to live, rent don’t buy a house, the need for a car, where to meet people and emphasized networking.

He told stories of working with actors and the importance of good communication skills. This is a must. Then, he shared some stories of working with difficult stars. He was candid and fun and added value to the class. This continued later.

When finished, he offered to stay and continue to speak with students who could stay. A group of students and the four of us went to the Student Union and chatted for hour or more. More tales and more sound advice.

From there the four of us went to Soup Bros for lunch. Enjoyed more conversation and good food. After another hour or so we parted ways. I returned to the computer to publish this post.

So that wraps up Weyauwega time and a short while after. Life returns to normal for a time being. I am so glad I had the opportunity to again make this festival. It was my forth year and it gets better each time. Next year, perhaps, I’ll meet you there.

Meanwhile, make your movies and complete your projects. Join me on my Inet radio show and podcast Rex Sikes’ Movie Beat – Visit INTERVIEW at the official website: Rex Sikes Movie Beat . There are over 400n hundred hours of pro filmmakers sharing their expertise. Listen and learn.

Also join me at ‘Inside The Film Business’ at  my Rex Sikes’ Movie Beat channel on Rex Sikes’ Movie Beat. I am video recording, via skype, my professional filmmakers who address my class. Watch, listen and learn and in both shows, RSMB & Inside The Film Business.

Enjoy!

Weyauwega International Film Festival – Day 3 Nov 13

film reels weyauwega window

The 3rd official day, as I report, begins with breakfast conversation with Marie, Jacob, director Nathan Deming and myself. Food and coffee is marvelous at our wonderful B&B. I posted an awkward angle photo of a portion of my room on Facebook, just because.

Conversation was great. We learned a lot about Nathan’s project, screened yesterday and a feature he is currently in production on. Plus, lots about the Zimbabwe culture, and our filmmaker’s  stay there. Fascinating morning talk.

It is now after 1pm and the afternoon, Friday the 13th horror shorts and features began. Since Wednesday I haven’t seen a film I haven’t enjoyed. I don’t review movies, as a filmmaker, I prefer to enjoy other’s work because I know the effort that goes into projects.

I will point out one I did just enjoy. From Switzerland, the short film ‘Alekto’, was impressive in scope and effects for a 20 minute short. The afternoon horror shorts definitely creepy so far. Good stuff all around.

Nelson Oliveras, director of ‘A Dubious Night’, and his writer producer Mark Koch just arrived. Nice to say hello.  I happen to be in the short film so it is fun to be at the festival have some work shown too, this year. Nelson, Mark and I were called up for Q & A.

Question and Answers with documentary director Michael Brown followed his film, ‘Haunted State: Whispers From History Past’. Both shared haunting experiences while filming and investigating haunted historic buildings in Wisconsin.

Producer David Williams shared tales as well. They have a twelve person team of filmmaker investigators. Some of the locations included, The Pabst Brewery in Milwaukee,

The Stone Cellar in Appleton, as well as locations in Wisconsin Rapids and Merrill, Wisconsin.  The used a number of high tech investigator tools.

They point out that the film comprises the greatest hits, so to speak. They may sit in a room for over eight hours and end up with 20 minutes of material they then edit into a film. Lot of waiting and wondering during that time. Film fan s benefit from the editing.

Both filmmakers seem quite adamant about their experiences and not screwing around with these things. Both explained that they have been genuinely frightened while looking into these matters.

Spoke briefly with the director Brown and turned to see long time friend R. Michael Gull and son sitting at table. Michael appears in the Wisconsin made narrative feature ‘The Scarapist’ written and directed by Jeanne Marie Spicuzza who also stars. Based on a true story.

Michael received deserved audience accolades and answered questions at the film’s end. A disturbing movie to say the least! I got to chat again with Michael on the way to grab some food between flicks.

Then, I met, said hello to New York film director, M. Louis Gordon, just prior to the start of his short ‘Girl In The Chair’ shot on 16mm.

HIs film opens,  oddly reminiscent of Speilberg, Harryhausen, and ‘The Sound of Music’ if you can imagine such a blend. Clever, and fascinating mix of live action and animation.

Based on a true story, Louis stated he did not want to make a standard biopic. His blend, I described above, he said was inspired by and an homage to the Quay Brothers. I’ll say no more it is up to you to see it.

The narrative feature, ‘In The Dark’ directed by David Spaltro followed. Well acted possession horror. Wisconsin’s  Slasher Studio, ‘Dimembering Christmas’ directed by Austin Bosley was next in line.

I very much enjoyed the camera work in this feature. NIcely entertaining. Three of the filmmakers answered questions afterwards. Kevin Sommerfield, Marla Van Lanen and Zachary Allen.

They addressed shooting in winter, surviving the cold, the steadicam and actors on ice and more. One steadicam shot/scene was 5 plus minutes, timed and rehearsed; took 4 takes to get right. Fun film and good Q & A. I enjoyed chatting with Kevin and Zachary afterwards.

Closing the evening films is a Canadian feature ‘Luciferous’. Profoundly disturbing. It is after midnight and the festival resumes 10am tomorrow with panels and more!

Keep checking back – use this link – I will post updates throughout the day. Enjoy!

Weyauwega International Film Festival Day 1 – Nov 11

weauwega sudeince from back 2014

Weyauwega International Film Festival is underway. Shorts have been showing. Nice programming. I’m having an incredibly tasty pulled pork sandwich, cole slaw, and drink at moment. They make good food at the festival.

Short subjects began at 4pm. The are presented in blocks. I am eating while waiting for the next short series to begin.

Feature begins at 7:30 pm. So far so good. Festival is off to a great start. If you aren’t here you should be. We are at the Gerold Opera Hourse in Weyauwega Wisconsin – just west of Appleton. Come on out! Schedule and info at website link I provided.

Http://www.wegaarts.com

I finished teaching today at UWM. My guest writer, director Todd Robinson added incredible value to my students and me, and all those who will watch our discussion on youtube. A must!

Packed up. Said bye to the students. Left campus and drove a couple hours to Weyauwega. One of the most disappointing moments occurred along the way. I was planning on dining at a friends fabulous Soup Brothers restaurant before leaving Milwaukee, mmmmm; Richard’s food is awesome.

I opted instead to drive over an hour and stop at an incredible truck stop diner along the way. There I would enjoy their sumptuous truck driver fare! I’d have breakfast midday and I could barely wait to get some coffee in me too.

I pulled into the diner. Walked in. Horror of Horrors. I discover that about 2 months ago they tore it out and converted to a fast food pizza chain. UNBELIEVABLE! I can’t imagine these hungry, burly truck drivers are happy about this. Or anyone else for that matter.

WOW and I could have had wonderful soup!

Oh well, life goes on. I ate elsewhere, at another small diner along the way. No where near as tasty as the one that vanished but I got some food. A little while later I arrived at the B&B and slept until almost 4 when fest began.

I love this B&B. I’ll tell you about it in my last blog post. I know in one of the rooms next to me is or are filmmaker/s from the UK.

The food at the festival is delicious. I said that right. WOW this blog is a lot about food. I guess my shock at the diner is unrequited.

Drinks come in alcohol and non-alcohol varieties. The people are  fans and filmmakers. The films long, short, narrative, and documentary. There is something here for everyone. Friday the 13th is horror film day.

The shorts are very entertaining. If you can be here you should be. The cost is right, the films are right, the people right too! You will enjoy yourself, but only if you come on out! Hope to see you!

Riley Dayne & Rex Sikes Inside The Film Business: making movies, money, and marketing

the abundance factor

Riley Dayne & Rex Sikes Inside The Film Business: making movies, money, and marketing

New Filmmaker Video: Inside The Film Business: Riley Dayne​ is the writer, producer & host of the hot new documentary ‘The Abundance Factor’.

The Abundance Factor Takes You On An Unprecedented Journey into The Minds of The Worlds Most Knowledgeable Experts on the Subject of Abundance and Prosperity.

Dayne’s and Sikes’ discussion is filled with valuable information for today’s filmmaker business person!! Watch it today! IF you are interested in Abundance you want to watch to this too!

To watch click the bolded link below:

Riley Dayne & Rex Sikes Inside The Film Business

Riley has produced and directed numerous short films and independent documentary projects during his brief time in the feature film world.

Riley’s love of film started in the 5th grade when he shot and directed his first comedy film, “The Blair Ball Project” – a parody of the well-known 90’s found footage film, “The Blair Witch Project.”

Shortly after graduating high school with several academic rewards in both the theatrical arts and multimedia production, Riley’s career in the entertainment business began in Los Angeles, where he spent his time studying at the world renowned New York Film Academy.

Having graduated from the Digital Filmmaking program (Learning Cinematography, Direction, Screenwriting and Photography), Riley has continued working on his craft by producing & directing various independent  film projects.

Flyway Film Festival #8 – Workshops – Days 1 And 2

11874973_10207551927539987_3943076845838795709_o

SPECIAL POST FLYWAY NOTE: PLEASE READ!!!

Those who attended the festival this year – PLEASE share your experience. What is/was your favorite memory, film, conversation, moment, etc. Let us all share with each other. I really want to hear from attendees. When I post I can only post what I experience, but if we each take a moment we can create a fuller living memory of the event.

Plus,those from past years who couldn’t make it this year can share what they liked from the time/s they did attend. In this fashion we can all enjoy and support flyway even after the festival. SO please start sharing everyone!!!

************

Summary of Workshops Flyway # 8

****

THE ART OF THE PITCH – UPDATE – 10:30 am.  Workshop with Erica Anderson. Main points, whether pitching for attaching director or cast, TV or film project, or financing:

  1. Stand for something. Care about it. People respond to your passion.
  2. What is your end game? Where is it going? Where will it end up?
  3. Who is your audience? Pitch differs according to who you are pitching. Tailor it to whom you are pitching.

Erica covered many excellent points. What are you offering the people you are pitching? Research the people you pitch. What have they done? Know who they are and their interests are so that your offer is meaningful. Practice your pitch and hone it.

Four NeedsWhy are you qualified? Why should you be doing this project?  Why is this project important? Why should it happen right now? Why should they get involved.

She covered the basics of a ‘money’ or ‘project’ pitch. She discussed elements of body language and how to conduct yourself  as a professional during the pitch.

Workshop attendees then had the opportunity to construct and practice pitches with Erica so that by the conclusion of the workshop they each had at least 1, 1-2 minute pitches they could use in the real world. All in all an excellent workshop. Well worth the time.

****

MAKE A SERIES DAMN IT! – UPDATE – 1:30pm workshop with Julie Keck and Jessica King. Julie & Jessica have produced approximately 20 niche web series. Covered during the workshop:

  1. How to develop a series concept for the web.
  2. How and why to target an audience.
  3. Options for funding and distribution.

The workshop started off with a discussion of successful comedic web series. First Rule is to put your audience first. Know your target audience. Understand your audience so you know how to market to them.

They suggested you consider whose stories are being told in mainstream film and television. People gather online to discuss topics and these are ripe for story development. What haven’t you seen? What can you blend or mix that would be new and unique? Is there a place online for these?

Second Rule is think small. You aren’t a studio production. Keep it small. Use Only a few characters and a few locations. Keep it simple. Consider too the different platforms the consumers watch on, phones, computers, notebooks, tablets.

Rule Three how easy is it to share? Spreading it through social media. You want it to be cool enough that people share it.

Discussion followed on funding options: Independently funded.; Sponsored and product placement. Hand in hand with knowing your audience is knowing companies who are interested or cater to your audience. Crowdfunding.

Jessica and Julia spoke to distribution methods. Direct Distribution means you release your product through established channels. Do It Yourself (DIY) release to your own audience in a variety of ways.

The afternoon workshop ended. It proved to be an informative workshop for filmmakers on creating, financing and distributing web series. Great questions and answers followed.

****

LOCATION LOCATION LOCATION – Panel 10:30 am Oct 23 What does a location manager do? To give everyone on crew a drama  free production. No surprises. Primary liaizon between location owner and production company. Always mind reading because they may received descriptions of room size and footage for dolly runs and type of equipment planned to be used.

The Location Scout receives story board, mood photos or description from producers and tries to match up with real world locales. Finding the location is part of the process. Gaining permission is the job of the location manager.

Charolette and Steve showed slides of samples of their work. Also must make sure location is returned not damaged and returned to its prior state when shoot is concluded. The L.M. notifies police and neighbors that film crew is shooting so everyone is aware.

From director Kristjan the location is not merely a place where things happens but also a character in the movie. Always visit location prior to shoot, between scout and shoot, to see what it is like in real life. How does it speak to you? It isn’t just for knowing benefits and issues of location but to get a feel for it.

Emily discussed permits and paperwork options in different cities and countries and addressed location schedule based on budget. Her recent film shot in Hong Kong which required government permissions and permission from the Triad. Her inspiration was to present Hong Kong through loving eyes as opposed to who it traditionally portrayed in film.

Nora spoke to shooting with low budget and keeping the story riveting. Here recent documentary was shot in India. She spoke about shooting in India without insurance or permits and how after these agreements were made, the producer tried to shake her down for money not agreed on. Filming always carries with it risks and caveats especially in other countries.

All in all a robust discussion from all panelists on making your location choices work for you. A fun and informative discussion with enjoyable visual samples.

****

Crowdfunding To Build An Audience – UPDATE 1:30 pm Oct 23 with Erica Anderson

Focuses on crowdfunding but provides you the skills to build a sustainable career. Materials available for free on the Seed & Spark website.

Seed & Spark is a Crowdfunding and Integrated Distribution Site.

Seed & Spark wants better stories on the screen. In order to have better stories make it to screen you need to be a better business person. The workshop is to help you become a more successful independent business person filmmaker with an engaged crowdfunding audience.

Some points from the workshop follow. Time to think about:

 1. What things cost. You must consider cost in advance or needing the funds.

2. Who is your audience? Where are they? How do you get their email address?

3. Your audience must know and understand what your end goal is. Your end goal is the film project. They need to know that is why you engage them.

4. You can survey your followers and social media friends and followers. Crowdfunding begins long before your campaign begins.

5. You set the tone and must be consistent. Persist. You must create momentum and keep going for it. Need to ask realistic budget questions – how much will project cost? how much will incentives cost?

6. It is important that you succeed in your goal so you can deliver the film you promised you are going to make.

7. Think hard about incentives that matter to your audience. Have first day only incentives to start your campaign off with a bang. First week incentives, 2nd week etc.  Incentives can be delivered from the start of campaign until after the campaign.

8. People want to see the movie. How will you get it to them? When, where and how. Figure it out early on because people want to see your movie

9. Pitch video: The first 15 seconds are for your movie’s audience. Tease your audience with 15 seconds of what you movie is like. Comedy, horror, thriller, action. You have 90 seconds to say everything. Personal appeal is important.

10. Schedule your campaign in advance of it. Stick to your schedule.

Remember, this is a business. Learn the business approach and treat everything with that in mind.

There were many more important points that Erica made. Questions were answer. A valuable approach that filmmakers can utilize.

****

Listen To festival director Rick Vaicius and me discuss this years program:

Rick Vaicius On Rex Sikes Movie Beat Live

Visit Flyway Film Festival Official Website:

Visit Rex SIkes’ Movie Beat Official Site

Enjoy! I will!!! AND I did, very much!

I INVITE Festival Attendees to post comments in the comment section about what their favorite parts of Flyway Film Fest are. Who they saw, films they saw, panels they attended, what they did, where they ate, how drunk they got… you know all the good stuff! Leave some comments here and enjoy!

Bill Rebane | Director | Producer | Writer | Giant Spider Invasion

bill rebane

Listen To My Discussion With:  Director Bill Rebane.  Known for low-budget indie horror cult movies and more including The Giant Spider Invasion (1975), Blood Harvest (1987)  The Demons of Ludlow (1983) The Capture of Bigfoot (1979) The Alpha Incident (1978) Invasion from Inner Earth (1974) Monster A Go-Go (1965) and more.

He joined me Thursday October 15, when we recorded live, 8am PST, 10am CST 11am EST to discuss making movies and his career memories.

As an Estonian national, born in 1937, Bill (Ito) Rebane came to the United States at age 15 in 1952. Rebane’s mother was Latvian and his father, Arnold Rebane, was Estonian. After attending school in post war Germany, as a child, he conversed in four languages, Estonian, Latvian, German and Russian.

His passion for film was incited by the movies he saw on a daily basis upon coming to America, which helped him to learn and master the English language.

With intent to pursue a career in the performing arts, he attended the Art Institute of Chicago and the Goodman Theater, majoring in drama and, working his way up through the ranks at Chicago’ flagship television station WGN Television.

Use the bolded link below to listen to the archived show!

Rex Sikes Movie Beat chats with director Bill Rebane

Starting in the mail room (age 17,) Bill advanced rapidly to Floor Manager, Asst. producer and assistant to the Executive producer, providing him the opportunity to partake in countless daily live television productions in a variety of creative capacities.

This afforded him the opportunity to advance his ambitions as an actor and singer resulting in numerous live television appearances in shows like “They Stand Accused” (courtroom drama-series) and “The International Cafe,” musical variety syndicated series.

blood harvest rebane

At 19, returning to Germany, he met Producer Adalbert Baltes of Hamburg, Germany, the inventor of the one and only, 360 degree motion picture process. Filmed with one camera and projected with one projector. Baltes is credited in starting Rebane’s lifetime career in the Motion Picture Industry.

After working as a production assistant, Asst. Director and Director on numerous Cinema Scope Theatrical Short Subjects for Baltes Film,  Bill obtained the United Sates rights to the circular motion picture process “Cinetarium”. Two years later introduced the process to the motion picture industry of he world at United Film and Recording Studios, Chicago.

giantspiderinvasion

This event attracted such notable guests as Samuel Goldwyn, Roy Disney, Jack Warner, Hugh Hefner and Michael Todd Jr. Not counting hundreds of industry professionals from Russia, central Europe and Japan.

At 22 Rebane found himself to be millionaire. A short lived experience as, the costs of patents, legal fees and attempts to manufacture vertical projection systems, in that time, were beyond the means of the Company’s he had formed for the further development of the process.

His first independent production effort was “Twist Craze,” a ten minute musical theatrical short subject purchased by American International Pictures.  “Twist Craze” became an international success theatrically and financially. It enjoyed a 10 week holdover at the Oriental Theater in Chicago and, was a phenomenon.

rebane moNster AGO GO

This was unheard of for independent short subject theatrical productions of that time. Having earned twenty times it’s production costs, Rebane followed this success with another 20 minute theatrical musical short titled “Dance Craze” which surpassed the success of the earlier one and ultimately was purchased by Crown International Pictures for international release.

In 1963, Rebane turned his attention to science fiction feature film, “Terror at Halfway,” starring June Travis and Peter Thompson, becoming the first producer in Chicago to tackle an independent feature film production with a full union crew and screen actors guild talent.

A chance meeting with Ronald Reagan nearly attached Reagan to the film. However, Rebane’s financial contacts would not go along. They claimed that Ronald Reagan was a “has been” and not worth investing in.

rebane demons of ludlow

Unable to complete the film, Rebane suffered a financial and career set back and arranged for the existing footage to be edited by Herschel Gordon Lewis. Lewis went on to complete the film, and later released it as “Monster A Go Go.” A title and effort which to this day, Rebane wishes he could forget.

His interests in performing and with the professional contacts he had made by now led to his position as co-host of the Germania Broadcast at Chicago’s, WGES radio station. Americas largest and most popular German language broadcast in America.

This daily evening one hour live show allowed him to create, produce and host other Radio shows on Chicago’s first FM station WKFM Radio. Yet left time open for his day time job as National Public Relations Director and Asst. Advertising Director, for the American Distributor for the German firm Grundig Radio.

At 23, Rebane returned to Germany to take on the position as Executive in Charge of U.S. co-productions for Studio Bendestorf, Germany, in which he had a small interest. He opened offices in Chicago and Hollywood. Rebane commuted on a bi weekly basis dealing with all the major studios to attract producers to the then lower costs productions in Germany.

The-Giant-Spider-Invasion-1975-MOVIE-Bill-Rebane-5

Ultimately the films which found a partial or full home at his Bendestorf Studio facility and through his contact efforts were; “Dollar” (Goldie Hawn/ Scott Brady,) “How I Won the War” (John Lennon) and “The Odessa File” (John Voight.)

By the time Rebane was thirty, he had become a well rounded  film business man. He also gained the production and technical experience of a seasoned film maker. Later he moved to Wisconsin where he built and established the only full time feature film studio in the Midwest. It flourished for over a quarter of a century, producing hundreds of commercials / industrial / corporate image films plus a string of theatrical features all of which enjoyed international theatrical theatrical distribution and exposure.

For commercial film production Rebane  acknowledges and expresses his appreciation to fellow film maker, producer Jerry Gregoris, of Chicago for entrusting Rebane with the directorial and post production responsibilities and subsequent credits on films made for such prestigious clients as the Teamsters Union, The Republican Party of Indiana, State Farm Insurance, The City of Chicago, and Wausau Insurance.

rebane capture of bigfoot

In l984 Mr. Rebane took a break from production to become President and take charge of international distribution for The International Picture show Company in Atlanta Ga. (a public company) for the distribution of such product as; “Falling in Love Again,” Elliot Gould / “Slapstick,”Jerry Lewis,/Land Without Time, William Shatner and many of the Don Knots and Tim Conway comedy features.

Mr. Rebane has held a variety of executive positions in the motion picture industry throughout his career. He is a skilled filmmaker/ writer/ cinematographer / production designer / editor and film director.

He can further be credited with the following accomplishments;

• The introduction of the first 360 degree (wrap around) motionpicture process to the Motion Picture Industry of the world, that spurred the Cinemax process and today’s and Rotascope cameras.

• The creation of the Wisconsin Film Office.

• Producing, directing, editing and production designing at least one hundred commercial / industrial / corporate image / documentary and promotion films.

• Producer / Director / Writer / Director of Photography on 12 independent feature films, all of which have enjoyed successful international theatrical release.

• Producer / director / of one of the fifty top grossing films 1975. Gross 24 million dollars. l975/l976

• The creation and successful operation of the one and only full time feature film studio in the Midwest for over 30 years. The Shooting Ranch ltd. Studios.

Books• Author of the book, “Film Funding 2000.”

• Author of the Novel, “From Roswell with Love” 2009

References

Reference materials on Bill Rebane include but are not limited to:

• Book: Who’s Who in Leading American Executives 1994 ( U.S Registry)

• Book: “God’s in Polyester” Succubus Press / Amsterdam

• Book: Famous Wisconsin Film Stars (Badger Books )

• Monthly Publications

Reports /Wisconsin Report

Filmography • Blood Harvest (1987)

• Twister’s Revenge! (1987)

• The Game (1984)

• The Demons of Ludlow (1983)

• The Capture of Bigfoot (1979)

• The Alpha Incident (1978)

• The Giant Spider Invasion (1975)

• Rana: The Legend of Shadow Lake (1975)

• Invasion from Inner Earth (1974)

• Monster A Go-Go (1965)

Further reading

“Film Funding 2000” written by Bill Reebane

“From Roswell With Love” by Bill Rebane

Weyauwega Int’l Film Fest, Year Four, Day 4. Nov 12-15

weyauwega film fest 2014

Day 4 began with a delicious breakfast at the The Green Fountain Inn, Bed and Breakfast.  Then as  I was leaving I encountered director Drew Britton whose film I enjoyed last evening, coming into eat. We had the chance to converse for about 20 minutes and I then drove to Gerold Opera House in Weyauwega where the morning was bustling.

I met, in person, for the first time some Facebook friends, Diane Richardson and Brett Houdek who had roles in the first feature ‘Boy Minus Girl’. Diane also appears in ‘Bucky and the Squirrels’ and Brett stars in a Wisconsin made movie, now in post, that features Kevin Sorbo and Stephen Baldwin. It was great to meet in person for the first time and see them perform.

I said my hellos to staff and to friend Jason Buss who is here with the same feature. He was an associate producer. movie was and directed by James Lawrence who also had a role. It got big laughs from the audience and a lively, funny Q & A ensued afterwards with 14 members of cast and crew. It was a humorous and enjoyable morning.

Shorts followed this feature. ‘Rosie’ made by Wisconsin director Alexander Kohnstamm was well made and a touching look at the role a father plays in a child’s life.’

Great to see Vancouver/Wisconsin filmmaker, mutual friend of Peter D. Marshall, back for another day. He traveled to Milwaukee and back since last night.

Sweden’s offering, ‘Mousse’ got big laughs and gasps. Well acted and well made. Subtitles didn’t prevent people from finding the humor about this robbery on the outskirts of town. This 40 minute short appeared to have all the right ingredients and great production value. The film is directed by John Hellberg.

Dan Davies returned with a short he stars in, ‘Beyond Goldenhill’ directed by filmmaker South American Filmmaker now at UCLA Nicolas Pinzon Fernandez. I was impressed with this film all the way around.

wegabannerlogo

Since it is weekend attendance again increased. Lots of food and drinks purchased and people chatting.  The first half of today was quite enjoyable!

Wisconsin filmmaker, comedian and artist, Craig Knitt, (and festival director ofWildWood Film Festival with Jason Buss) screened his delightful short film ‘Rejected’. It is funny, well edited, animated at times, and included nice special effects. The audience enjoyed very much. Craig answered questions during Q & A.

I enjoyed the four minute animated short from France ‘Une A La Mer’ (A Ride To The Sea) directed by Damien Stein and Tim Guinee’s ‘One Armed Man’, a US narrative short film starring Charlie Haid (I had the good fortune to work on a show with Charlie for CBS when I was 18 or 19) and Terry Kinney (co-founder of Chicago’s Steppenwolfe Theater). Guinee’s well made, well acted, short was executive produced by Philip Seymore Hoffman.

I have to state, and really want to point out, that this has been an excellently programmed film festival. Not all things are equal and not everything shown is to my taste or everyone else’s. Still, I can honestly write that I have not been disappointed by anything screened. I haven’t mentioned everything, and I am not reviewing any films, so I don’t mean any commentary by not commenting on a short or feature. I am very pleased with the selection offered this year. Every filmmaker who screened here was talented and should be proud.

allan katz weyauwega 2014 upfront

I just had a very fascinating conversation with Joey Larsen, who acted in ‘Boy Minus Girl’. Part of our discussion focused on making and keeping film work alive in Wisconsin. Joey lived in L A and worked in the film business before coming to Wisconsin. It is always marvelous and great fun to discover people here who appreciate the lifestyle and magic of the Hollywood Basin. Truly magical out west and we shared stories of synchronicity.

Now, no sooner than I typed that last sentence, that director Allan Katz surprised me with a tap on the shoulder and a hug ‘hello’! Allan arrived from Los Angeles to screen ‘Bucky and the Squirrels’. Besides directing the comedy feature shot in Wisconsin Mr. Katz has written, produced and directed various television series and shows including; ‘Blossom’, ‘Mash’, ‘Roseanne’, ‘We’ll Get By’, ‘Cher’, ‘Rhoda’, ‘Sanford and Son’, ‘Laugh In’ and more!

He has many wonderful Hollywood stories. More than most people can imagine. It is great to see him again! It has been a year since I last saw him in person and I am so glad to be in the same place at the same time with this gentleman TV and filmmaker again.

I had fun catching up with Allan in the lobby too. Turns out we are staying at the same place and have plans for breakfast. The audience grew and grew as people filed in to see ‘Bucky and the Squirrels’. Many of them cast and crew and many of them not. The energy was fun and exciting.

allan katz and rex sikes upfront

I was delighted to see ‘Bucky and the Squirrels’ it brought back many memories of cast and crew. It was a fun, family friendly movie too. Allan answered questions from the audience and took photographs with fans and friends. Kathy and Ian announced awards and honorable mentions and the food was made available and of course the cash bar. Lot’s of fun and chatter.

It snowed during the late afternoon and evening so after clearing the windshields, Allan followed me back to where I have been staying and where he will spend this evening, The Green Fountain Inn, Bed and Breakfast on Main Street in Waupaca, Wisconsin. Cynthia, Dottie, and Barb have made my stay very comfortable.

Tomorrow morning after breakfast Allan will head off and Kathy, Ian and I will enjoy a private screening and take care of some things we need to do. Then I will leave Weyauwega before mid-afternoon.

This has been a wonderful festival, great films, great talent, great people and times. I look forward to coming back next year too. If you are at festivals where any of the films I have mentioned show, or online or in theaters, catch them when you are able. The others I did not mention, but are in the festival line-up are worth seeing too.

I enjoyed seeing old friends and meeting new one. Year 4 was a good year for film in Weyauwega!

###

OH By they way some of my upcoming guest on Rex Sikes’ Movie Beat include; producer Rocky Lang, director Bill Rebane, director Peter Marshall, writer, producer Michael Frost Beckner, Actors Michael Spears and Eddie Spears and others. So be sure to stay tuned and I’ll keep you posted.

*** Please also visit Rex Sikes’ Movie Beat Official Website.

Stay up to date with the live shows on Rex Sikes’ Movie Beat. You can join us and listen live as the show records. You can hang in chat and ask questions. All shows are recorded and archived at the official site.

Updates will be posted at this blog, at the official site,  on the RSMB Friends page on FB,  through twitter and elsewhere.  When you can’t join us live you can still  listen to archived show from official site, from blogtalk radio and you can subscribe to the podcast at itunes.

Over 400 hours of professional filmmakers share their expertise and tips and secrets with you. All discussion may be listened to live and archived from the Official Site too! Check the INTERVIEWS

Rex Sikes’ Movie Beat Official Site