Tag Archives: low budget filmmaking

Rex Sikes’ Movie Beat Chats With William Lu Director

Will Lu - Headshot copy

Director, William Lu, a native of Northern California, received his BA in anthropology from the University of California, Los Angeles. During his studies, he also served as an intern and development assistant for David Madden and Robert Cort at the Cort/Madden Company on the Paramount Pictures lot.

Use the link below to listen to the archived show.

Rex Sikes’ Movie Beat chats with Director William Lu

Subsequently, William attended the graduate film conservatory at Florida State University where he received his MFA in film and television production. While there, he produced the 35mm thesis film “Two-Bit,” which was a 2003 Student Academy Award finalist.

Upon graduation, he returned to Southern California where he was hired as an assistant at the SyFy Channel. Joining several FSU alumni, William then spent three years at Herzog & Company where he worked in various capacities in their television, web and entertainment marketing departments producing content for clients such as Disney, Paramount, Dreamworks and Sony Pictures.

Check Out Comfort The Movie directed by William Lu

In 2005, he was the recipient of the Los Angeles Asian Pacific Armed with a Camera Fellowship; the grant recognized emerging media artists and funded his short film Spy Moms, which was shot over the course of one weekend. Spy Moms later screened at all the major Asian American festivals and made its cable broadcast debut later that year.

In 2006, he wrote and directed Asian Task Force, a half-hour mock pilot that paid homage to many of his favorite 80’s television series. The film was awarded “Best Action Short” at the 2007 Los Angeles Digital Video Film Festival and screened at the 2008 San Diego Comic-Con.

In 2009, William made the transition into new media and worked as post production supervisor at Machinima on their Terminator: Salvation original web series. He was subsequently hired at Maker Studios where he produced content for their gaming vertical. He also created and hosted the show “Retro Hardware” for the company.

In 2012, he switched to freelance producing, serving as a co-producer for Rosanna Pansino’s “Nerdy Nummies” blockbuster YouTube series, while simultaneously developing feature content that he could later direct.

In 2015, he directed the feature drama Comfort from his own original screenplay. The storyline and characters were inspired by the John Hughes movies of the 80’s, while Michael Mann’s LA nightscapes served as a stylistic inspiration.

Shortly after completing Comfort, he returned to Maker Studios, producing for clients such as SlingTV and Verizon Go90.

Stay tuned to Rex Sikes’ Movie Beat for other great interviews and more.

Official Rex Sikes’ Movie Beat Website

Weyauwega International Film Fest Aftermath: Movies, Director And Class

casting call clap board

It was a great festival. Nov 11-14. Ian Teal and Kathy Fehl, Holly Martin and staff and volunteers put on another great film festival. Number 5. If you missed it you missed another one you should have attended.

Great films and great people. Good hanging out, good conversations, good food and drink. All in all – a time well worth it.

We left, after the closing night party. I drove Jacob, Marie and Louis back to the Green Fountain Inn B & B in Waupaca. We were all pretty beat. Said good night and went to our rooms.

Sunday 11-15. I wrote my, daily inspiration and gratitude blog, as always starting about 3 am. Finishing up I went down for breakfast and to work on computer at table around 6:30. At this time I also loaded my car. I discover my tire looks a bit flat. Hmmmm

I had to leave by by 7:30 to make it back for a morning event. Later, I would film my role in, ‘Two Sides Of The Street’, a SAG short subject I was asked to appear in. Barb delivers breakfast around 7 for Jacob, Marie and I. After finishing a delicious meal Marie and I say goodbye to Barb, one of the owners of the B & B, and to Jacob. Louis slept in.

I drove Marie to Milwaukee’s General Mitchell Airport where she caught a plane back to Los Angeles. It was an enjoyable time talking all the way. I did stop and buy an emergency tire inflation canister and put that into the tire. We made it.

I left her at airport went to my morning meeting. From there my friend Jill accompanied me to the location for filming. My darling daughter dropped by, briefly, too. We finished filming some hours later. When I got to my car I discover a lovely note, my daughter left, on my windshield. Awesome girl!

Filming was fun, lighthearted, fast and easy. It was a very nice time. Special thanks to director Scott Covelli, Brian and Mike Hendricks and Matt Hudson. They were a lot of fun and made things easy. When completed Jill and I dined on delicious Mexican food. I felt as if I had consumed a small child when finished. It was tasty.

Recently, the Pro Cinema Society and I sponsored a SAG/Aftra workshop presented by Kathy Byrne of Chicago SAG/Aftra. During our time together she addressed how easy it is to utilize professional SAG/Aftra talent in student films, shorts and Ultra Low Budget contracts. It was a good session.

I asked the film crew on ‘Two Sides Of The Street’ the SAG short I appear in how easy it was to make it union so I could be in it. They stated they were amazed and delighted how easy and pain free it was. Paperwork was nothing and they were glad they did. I am glad they did too.

POINT- investigate, find out and you too can go SAG/Aftra. It isn’t worth it. Even some filmmaker friends of mine have been skittish because of contracts or paperwork. Don’t be. Read it and make your movie or short.

I arrived home early evening but it seemed late, after midnight. I relaxed, said hello to those I had left behind and enjoyed the company.

7:25am (present) Monday 11-16: I got some sleep. Woke at 3am and began writing blog again.  I will leave shortly for the university.

I have a guest coming to class. Director Michael O. Sajbel. Michael worked Visual Effects in movies, ‘Hot Shots’, ‘Lawnmower Man’, ‘Broken Arrow’ and others.

He writes and has directed, ‘The Ride’, ‘One Night With The Kind’, and ‘The Ultimate Gift’ and others. I am looking forward to his talk with my students.

Class was great. Michael come accompanied by his daughter Anastasia, and his assistant Sean. He spoke about how he got his start writing in Hollywood. He encouraged students to follow their passion.

He reminded them to remember basic survival skils while pursuing a career. Discover where you want to live, rent don’t buy a house, the need for a car, where to meet people and emphasized networking.

He told stories of working with actors and the importance of good communication skills. This is a must. Then, he shared some stories of working with difficult stars. He was candid and fun and added value to the class. This continued later.

When finished, he offered to stay and continue to speak with students who could stay. A group of students and the four of us went to the Student Union and chatted for hour or more. More tales and more sound advice.

From there the four of us went to Soup Bros for lunch. Enjoyed more conversation and good food. After another hour or so we parted ways. I returned to the computer to publish this post.

So that wraps up Weyauwega time and a short while after. Life returns to normal for a time being. I am so glad I had the opportunity to again make this festival. It was my forth year and it gets better each time. Next year, perhaps, I’ll meet you there.

Meanwhile, make your movies and complete your projects. Join me on my Inet radio show and podcast Rex Sikes’ Movie Beat – Visit INTERVIEW at the official website: Rex Sikes Movie Beat . There are over 400n hundred hours of pro filmmakers sharing their expertise. Listen and learn.

Also join me at ‘Inside The Film Business’ at  my Rex Sikes’ Movie Beat channel on Rex Sikes’ Movie Beat. I am video recording, via skype, my professional filmmakers who address my class. Watch, listen and learn and in both shows, RSMB & Inside The Film Business.

Enjoy!

How To Work with Professional Performers on your ULTRA LOW BUDGET Feature Film and Short Films

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Have you ever wanted to Work with Professional Performers on your  ULTRA LOW BUDGET Feature Film and Short Films?

Come down University of Wisconsin Milwaukee – Mitchell Hall Room B91 on Sunday November 8th to find out how you, can have SAG actors in you’re projects! All filmmakers and filmmaking students welcome!

This Workshop presented by SAG-AFTRA Chicago and Kathy Byrne, (Director, SAG-AFTRA Chicago) will show how you, yes, you, can afford to use professional actors in your low budget feature film!

“There is a contract for every budget level. Feature films made for under $250,000 are covered under the SAG-AFTRA Ultra Low Budget Agreement – come find out how easy it is to work with this contract. We also have simple agreements that you can sign to use professional actors in your short films and webisodes as well! If You’ve ever wanted to work with SAG-AFTRA and Equity actors this is a can’t miss event!” Kathy Byrne.

UWM campus in Mitchell B91 on Sunday, November 8th at 2 PM. Mitchell Hall is the large building on the NW corner of Downer & Kenwood. Free Street parking or pay parking at UWM Union Parking Structure on Campus.

This FREE workshop will provide you a service to highlight the benefits and ease of casting professional actors.

SPACE IS LIMITED! Please RSVP by Wednesday, November 4, 2015 to Kathy Byrne at kathy.byrne@sagaftra.org.

QUESTIONS? (312) 867-5508

SAG/AFTRA 1 E. Erie, #650 Chicago, IL 60611

Join Us! RSVP Today!!!

Weyauwega International Film Festival November 11-14, 2015

WIFF LOGO 2015 WEB

The Weyauwega International Film Festival will be returning November 11-14 to the Gerold Opera House in Weyauwega for it’s fifth year of films from around the globe.

This year the festival presented by Wega Arts will be screening forty-three films representing seventeen different countries. Many of the films were either made in Wisconsin or have Wisconsin connections.

This year Friday at the festival happens to fall on the 13th of the month which of course invites an opportunity to screen horror films.

Use Bolded Link Below To Listen

Rex Sikes’ Movie Beat chats with festival co-director Ian Teal

The Weyauwega International Film Festival (WIFF) has seized this opportunity to satisfy the horror hounds in Central Wisconsin and will be screening horror films and thrillers all day on Friday the 13th in what they are calling a “Friday the 13th Fright Fest”.

Most notable in this line up is the world theatrical premiere of the new feature film DISMEMBERING CHRISTMAS by local filmmakers Steve Golz and Kevin Sommerfield of Slasher Studios. They will be on hand to present their twisted Christmas tale at 9pm.

Another Wisconsin film screening on Friday is HAUNTED STATE, a blood chilling documentary which explores the hauntings of several locations in Wisconsin including the Stone Cellar Brew Pub in Appleton, the Pabst Mansion in Milwaukee and locations in Wisconsin Rapids and Merrill. The filmmakers including director Michael Brown of Appleton will be in attendance for the screening of HAUNTED STATE at 3:30pm on Friday.

The other Wisconsin film is the psychological thriller THE SCARAPIST which tells the tale of a distraught women who is let astray by a very demented therapist. The writer, director and star of the film, Jeanne Marie Spicuzza is expected to be in attendance for this entertaining thriller which screens at 5:15pm on Friday.

For those looking for a good possession tale there are two offerings. IN THE DARK by New York filmmaker David Spaltro offers a very spooky and original demonic possession tale featuring a mostly female cast which screens at 7pm.

At 10:30pm LUCIFEROUS promises to raise the chill factor with it’s story about a family that is being tormented by a very nasty entity. This unique tale features a real couple and their daughter as the onscreen family. This especially creepy film has lately been honored with several awards on the festival circuit.

Of course WIFF is not all about horror films. Some great feature films and documentaries as well as a wide variety of short films will be screened this year.

Wednesday’s lineup includes the documentary THE GOSPEL ACCORDING TO CHARLIE at 5pm about outsider artist Charlie van Ness who started out making a wide variety of art objects featuring phalluses. The filmmaker follows Charlie for several years and his persistence pays off as there are some very unexpected and harrowing developments in Charlie’s life.

At 7:30pm on Wednesday the Sci-Fi film EMBERS screens. EMBERS is set in a post apocalyptic world where a global virus has wiped out the memory of everyone it infects. This is no zombie or Mad Max marauder flick, it is a very thought provoking and touching existential tale of identity and what it is to be human.

The films follows several characters as each morning they awake with no recollection of the day before or who they are. This film is a real conversation starter and is also beautifully filmed. EMBERS has an encore screening on Saturday, November 14th at 2:15pm.

Thursday features the classic 1959 court room thriller COMPULSION about the Leopold-Loeb murder case starring Orson Welles screening at 1:30pm.

The film will be introduced by noted Film Historian Dr. Jack Rhodes and it is also a free screening. The documentary POLYFACES screens at 5:15pm and examines the unique and highly sustainable farming practices at the Polyfaces Farm in Virginia.

This film is a real eye opener about the potential of sustainable farming and should be a must see for anyone environmentally or agriculturally minded.

At 8pm the extremely timely documentary PEACE OFFICER examines the results of the recent surge in the militarization of our police forces.

In Utah, a crime scene investigator offers clear and insightful examinations of several extremely violent cases involving SWAT teams. In a sad note of irony, this examiner’s family also becomes the victim of an SWAT raid gone wrong.

This film is one of those ‘Must See’ films for anyone who is a citizen of this world.

Saturday starts with a filmmaker seminar with local filmmakers Dan Davies, Craig Knitt and Rex Sikes at 10am.

An encore screening of the previously mentioned EMBERS screens at 2:15pm. The very entertaining romantic comedy DIRTY BEAUTIFUL screens at 4pm.

The documentary about Wisconsin Supper Clubs, OLD FASHIONED screens at 6pm with the filmmakers Holly L. De Ruyter & Brian Risselada will be in attendance and of course Old Fashioneds will be featured at the Gerold Opera House’s full bar.

The closing night film is a documentary about the state of photojournalism in Afghanistan. During the Taliban regime all photography was banned and women were severely oppressed. FRAME BY FRAME follows several young Afghani photojournalists who are again facing the threat of another uprising by the Taliban.

This film shows a truly beautiful side of Afghanistan that is rarely seen while simultaneously illuminating the dark reality and horror of oppression in a society that seems to be forever doomed.

This is an outstanding film and festival director Ian Teal states that this is a ‘must see’ of the fest. FRAME BY FRAME screens at 7:30pm and will be followed by an awards ceremony and reception with complimentary appetizers and of course, conversations about film.

The historic Gerold Opera House is celebrating it’s one hundredth year in 2015 and is only about a 25 minute drive West of the valley in Weyauwega and is conveniently located off of HWY 10. There will be soup and sandwiches available for purchase as well as fresh popcorn and a full bar so plan to make a day of it.

Tickets are $12 for a day pass which are good for any one film or a whole day of films. Festival passes are $30 and are good for the whole festival and also include a free large popcorn!

The full schedule can be found at wegaarts.org. Festival passes can also be found online and at the Book Cellar in Waupaca & at Rural Relics Antiques in Weyauwega. The box office can be reached at 920-867-4888. See you at the Gerold!

Flyway Film Fest – Day Three – Red Wing To Alma

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SPECIAL POST FLYWAY NOTE: PLEASE READ!!! – AND COMMENT

Those who attended the festival this year – PLEASE share your experience. What is/was your favorite memory, film, conversation, moment, etc. Let us all share with each other. I really want to hear from attendees. When I post I can only post what I experience, but if we each take a moment we can create a fuller living memory of the event. Leave comments in the comment box!

Plus, those from past years who couldn’t make it this year can share what they liked from the time/s they did attend. In this fashion we can all enjoy and support flyway even after the festival. SO please start sharing everyone!!!

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Another early morning working on blogs and then breakfast with Jake and Colette at Six Street String. Good, reliable food and service. Jake and Colette are off to Red Wing for movies all day until this evening.

I have work on projects so I am online at The Mineva for a large portion of the day. I need to speak with a S.F. director soon. We  have a number of projects we are working on together. I just typed that sentence when he called. We have lots of good news, hooray, and many other things to continue to discuss next week.

Later today, I plan to see Vanessa Hope’s ‘All Eyes and Ears’. It will be good to see her and Ted again. I am looking forward to this documentary. From there I shoot, literally, to Alma because I just learned that the narrative feature showing there, stars John McGlothlin.

John was one of the stars of ‘Girls Gone Dead’ a feature I co-produced and line produced in Florida back in 2010. The film has had a good life since it premiered. I haven’t see John since beers and burgers in L A 2012 maybe, when we stopped by Hotel Wilshire rooftop. I am looking forward to seeing him in ‘Dusk’.

Then I shoot back to Stockholm to catch (again I really mean shoot) Kristjan Knigge’s premiere of ‘Second Honeymoon’. Last evening, his male star, whom I met but can’t spell his name, arrived from Los Angeles.  Kristjan begins filming on Monday.

Director Zachary Sluser and other’s had to leave today. Fred Thorton and Sean Hackett needed to get back to L A too. These three, among others, really contributed to the fun and the finer aspects of this festival. They will be missed here these next two days.

A few of us at the Minema work on computers, others converse, some eat free food and coffee. Others are off seeing films and talking movies. One thing is certain, this is a fantastic festival to be at. I look forward to saying hello to the weekend newcomers.

NEARLY BREAKING NON-NEWS UPDATE – Day 3 – The Mineva – 4pm

The sun came out earlier this afternoon and it is a beautiful day. I have spent the afternoon working in the Minema. OR SO I thought!

A short while ago, I am gently startled awake by Kristjan who quietly whispered , ‘Rex, you are snoring.’ Given the acoustics of The Minema it probably sounded like a hog gunning it on the highway every few moment.

Kristjan was being very kind. I responded, ‘I don’t care’, and then promptly defended myself. Ahhhhh, apparently I need more sleep. Thank you Kristjan for attempting to save a man from himself. OR spare the room a noisy distraction. OR both!

As of now more people have heard the sound of my snoring more than anyone should in life.  This moment of self deprecation brought to you by, ‘I have no idea why’. Just some festival folly.

Mini UP DATE 4:50pm

I am not the only one! The rattling snore of another rises loudly in Mineva! I won’t rat out who the other snorer is but suffice to say, I am not the only one. In fact, I am in good company. HA HA!

Okay, not much of an update but more of an admission. Cool people hanging in the Minema though. Soon I will hit the road for Alma. I am eager to enjoy Alma, John’s movie and then race back for Kristjan’s.

I made the wonderful trip to Alma and was first to arrive at theater. A delightful venue it is. John’s movie was enjoyable. He was good. Impressed with the directors sense of style and transitions. I particularly liked the edit.

Once complete I shot out to Stockholm and enjoyed Kristjan’s movie. The theater was packed, standing room only and the film was enthusiastically received. Lead male and female were available for Q &A after showing. Was a delightful night. This film much different from Kristjan’s last offering in terms of style and feel.

He an his team shot the movie from concept to wrap production in nine days. Many of the questions afterwards centered around this. Went to Gelly’s for snacks and drinks. Got to speak with Kristjan and congratulate him.

Also spoke with Peter McCarthy whose short film Hunter’s Fall was riveting. It’s theme bullying and took place in the Irish countryside. His bullies were wonderfully cast and threatening. Jake and Colette, Jerry and Don, and Vince were at the table. An enjoyable evening.

One the way to Mineva, passed deer recently hit, Sheriff handling the wounded animal. 10 miles down the road one jumped in front of my car then leaped into the air, make a beautiful dance move, straight in front of my vehicle.

I slammed on the brakes and avoided hitting the animal. Having been cautioned by the preceding hit, I was going slower than I might have otherwise. Everything still ended up on the floor.

The Mineva was alive with food, flowing drinks and many new weekend film fan and filmmaker additions. I hung out for awhile but opted to return to work on this and my other blog.

An excellent day all around. Tomorrow I will breakfast again at the 6 Street String and return to Alma. I left my cap in the theater, but my plans were to visit there again before the journey home along a wonderful scenic route.

Hard to believe the festival will conclude tomorrow but memories will linger and so many of us will already begin looking forward to Flyway #9.

2014 MovieMaker Magazine named Flyway one of the top 25 coolest film festivals in the world. Cool it is! Here is the link:

MovieMaker Magazine names Flyway in Top 25 Coolest Film Fests

UPDATES WILL CONTINUE THROUGHOUT THE DAY AND NIGHT. Please check back for more info on what’s happening.

Listen To festival director Rick Vaicius and me discuss this years program:

Rick Vaicius On Rex Sikes Movie Beat Live

Visit Flyway Film Festival Official Website

Visit Rex SIkes’ Movie Beat Official Site

Enjoy! I will!!! AND I did, very much!

I INVITE Festival Attendees to post comments in the comment section about what their favorite parts of Flyway Film Fest are. Who they saw, films they saw, panels they attended, what they did, where they ate, how drunk they got… you know all the good stuff! Leave some comments here and enjoy!

Bill Rebane | Director | Producer | Writer | Giant Spider Invasion

bill rebane

Listen To My Discussion With:  Director Bill Rebane.  Known for low-budget indie horror cult movies and more including The Giant Spider Invasion (1975), Blood Harvest (1987)  The Demons of Ludlow (1983) The Capture of Bigfoot (1979) The Alpha Incident (1978) Invasion from Inner Earth (1974) Monster A Go-Go (1965) and more.

He joined me Thursday October 15, when we recorded live, 8am PST, 10am CST 11am EST to discuss making movies and his career memories.

As an Estonian national, born in 1937, Bill (Ito) Rebane came to the United States at age 15 in 1952. Rebane’s mother was Latvian and his father, Arnold Rebane, was Estonian. After attending school in post war Germany, as a child, he conversed in four languages, Estonian, Latvian, German and Russian.

His passion for film was incited by the movies he saw on a daily basis upon coming to America, which helped him to learn and master the English language.

With intent to pursue a career in the performing arts, he attended the Art Institute of Chicago and the Goodman Theater, majoring in drama and, working his way up through the ranks at Chicago’ flagship television station WGN Television.

Use the bolded link below to listen to the archived show!

Rex Sikes Movie Beat chats with director Bill Rebane

Starting in the mail room (age 17,) Bill advanced rapidly to Floor Manager, Asst. producer and assistant to the Executive producer, providing him the opportunity to partake in countless daily live television productions in a variety of creative capacities.

This afforded him the opportunity to advance his ambitions as an actor and singer resulting in numerous live television appearances in shows like “They Stand Accused” (courtroom drama-series) and “The International Cafe,” musical variety syndicated series.

blood harvest rebane

At 19, returning to Germany, he met Producer Adalbert Baltes of Hamburg, Germany, the inventor of the one and only, 360 degree motion picture process. Filmed with one camera and projected with one projector. Baltes is credited in starting Rebane’s lifetime career in the Motion Picture Industry.

After working as a production assistant, Asst. Director and Director on numerous Cinema Scope Theatrical Short Subjects for Baltes Film,  Bill obtained the United Sates rights to the circular motion picture process “Cinetarium”. Two years later introduced the process to the motion picture industry of he world at United Film and Recording Studios, Chicago.

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This event attracted such notable guests as Samuel Goldwyn, Roy Disney, Jack Warner, Hugh Hefner and Michael Todd Jr. Not counting hundreds of industry professionals from Russia, central Europe and Japan.

At 22 Rebane found himself to be millionaire. A short lived experience as, the costs of patents, legal fees and attempts to manufacture vertical projection systems, in that time, were beyond the means of the Company’s he had formed for the further development of the process.

His first independent production effort was “Twist Craze,” a ten minute musical theatrical short subject purchased by American International Pictures.  “Twist Craze” became an international success theatrically and financially. It enjoyed a 10 week holdover at the Oriental Theater in Chicago and, was a phenomenon.

rebane moNster AGO GO

This was unheard of for independent short subject theatrical productions of that time. Having earned twenty times it’s production costs, Rebane followed this success with another 20 minute theatrical musical short titled “Dance Craze” which surpassed the success of the earlier one and ultimately was purchased by Crown International Pictures for international release.

In 1963, Rebane turned his attention to science fiction feature film, “Terror at Halfway,” starring June Travis and Peter Thompson, becoming the first producer in Chicago to tackle an independent feature film production with a full union crew and screen actors guild talent.

A chance meeting with Ronald Reagan nearly attached Reagan to the film. However, Rebane’s financial contacts would not go along. They claimed that Ronald Reagan was a “has been” and not worth investing in.

rebane demons of ludlow

Unable to complete the film, Rebane suffered a financial and career set back and arranged for the existing footage to be edited by Herschel Gordon Lewis. Lewis went on to complete the film, and later released it as “Monster A Go Go.” A title and effort which to this day, Rebane wishes he could forget.

His interests in performing and with the professional contacts he had made by now led to his position as co-host of the Germania Broadcast at Chicago’s, WGES radio station. Americas largest and most popular German language broadcast in America.

This daily evening one hour live show allowed him to create, produce and host other Radio shows on Chicago’s first FM station WKFM Radio. Yet left time open for his day time job as National Public Relations Director and Asst. Advertising Director, for the American Distributor for the German firm Grundig Radio.

At 23, Rebane returned to Germany to take on the position as Executive in Charge of U.S. co-productions for Studio Bendestorf, Germany, in which he had a small interest. He opened offices in Chicago and Hollywood. Rebane commuted on a bi weekly basis dealing with all the major studios to attract producers to the then lower costs productions in Germany.

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Ultimately the films which found a partial or full home at his Bendestorf Studio facility and through his contact efforts were; “Dollar” (Goldie Hawn/ Scott Brady,) “How I Won the War” (John Lennon) and “The Odessa File” (John Voight.)

By the time Rebane was thirty, he had become a well rounded  film business man. He also gained the production and technical experience of a seasoned film maker. Later he moved to Wisconsin where he built and established the only full time feature film studio in the Midwest. It flourished for over a quarter of a century, producing hundreds of commercials / industrial / corporate image films plus a string of theatrical features all of which enjoyed international theatrical theatrical distribution and exposure.

For commercial film production Rebane  acknowledges and expresses his appreciation to fellow film maker, producer Jerry Gregoris, of Chicago for entrusting Rebane with the directorial and post production responsibilities and subsequent credits on films made for such prestigious clients as the Teamsters Union, The Republican Party of Indiana, State Farm Insurance, The City of Chicago, and Wausau Insurance.

rebane capture of bigfoot

In l984 Mr. Rebane took a break from production to become President and take charge of international distribution for The International Picture show Company in Atlanta Ga. (a public company) for the distribution of such product as; “Falling in Love Again,” Elliot Gould / “Slapstick,”Jerry Lewis,/Land Without Time, William Shatner and many of the Don Knots and Tim Conway comedy features.

Mr. Rebane has held a variety of executive positions in the motion picture industry throughout his career. He is a skilled filmmaker/ writer/ cinematographer / production designer / editor and film director.

He can further be credited with the following accomplishments;

• The introduction of the first 360 degree (wrap around) motionpicture process to the Motion Picture Industry of the world, that spurred the Cinemax process and today’s and Rotascope cameras.

• The creation of the Wisconsin Film Office.

• Producing, directing, editing and production designing at least one hundred commercial / industrial / corporate image / documentary and promotion films.

• Producer / Director / Writer / Director of Photography on 12 independent feature films, all of which have enjoyed successful international theatrical release.

• Producer / director / of one of the fifty top grossing films 1975. Gross 24 million dollars. l975/l976

• The creation and successful operation of the one and only full time feature film studio in the Midwest for over 30 years. The Shooting Ranch ltd. Studios.

Books• Author of the book, “Film Funding 2000.”

• Author of the Novel, “From Roswell with Love” 2009

References

Reference materials on Bill Rebane include but are not limited to:

• Book: Who’s Who in Leading American Executives 1994 ( U.S Registry)

• Book: “God’s in Polyester” Succubus Press / Amsterdam

• Book: Famous Wisconsin Film Stars (Badger Books )

• Monthly Publications

Reports /Wisconsin Report

Filmography • Blood Harvest (1987)

• Twister’s Revenge! (1987)

• The Game (1984)

• The Demons of Ludlow (1983)

• The Capture of Bigfoot (1979)

• The Alpha Incident (1978)

• The Giant Spider Invasion (1975)

• Rana: The Legend of Shadow Lake (1975)

• Invasion from Inner Earth (1974)

• Monster A Go-Go (1965)

Further reading

“Film Funding 2000” written by Bill Reebane

“From Roswell With Love” by Bill Rebane

Rocky Lang | Producer | Author | Growing Up Hollywood

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Ever wonder what really goes on behind the veil of Hollywood? Rocky Lang, who grew up in the 90210, is the son of mega-producer and disaster master Jennings Lang, (Earthquake, the Airport movies and thirty-five other features), and dishes it all out in his book, Growing Up Hollywood, Tales From The Son Of A Hollywood Mogul.

Listen to ‘Growing Up Hollywood’  click the bolded link below:

Rex Sikes’ Movie Beat chats with author/producer/director Rocky Lang Pt 2

Previous conversation with Rocky. To Listen click bolded link below:

Rex Sikes’ Movie Beat chats with author/producer/director Rocky Lang

He grew up with the likes of Steven Spielberg, Clint Eastwood, Walter Matthau, Billy Wilder and many more. Told in a self deprecating style, Lang weaves tales of some ofHollywood’s most bizarre and never before told stories, including;! !

* Was his father really shot in the balls by the jealous husband of screen siren Joan Bennett?!

* The night he showed up to a pajama party at the Playboy Mansion only to find out is was a private dinner.!

* His relationship with Steven Spielberg prior and after his meteoric rise.!

* He recounts the brutal fights between Sydney Pollack and Dustin Hoffman on Tootsie.! !!!!!!!!!!!!!!!!

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ABOUT THE AUTHOR

In addition to writing seven books, Rocky Lang is also a film director, screenwriter and producer. He produced Ridley Scott’s White Squall, staring Jeff Bridges and the CBS Emmy Award winning, Titanic along with several other movies..

Rocky Lang has been involved in the motion picture and television business all his life. He  Executive Produced, “Racing For Time” for Lifetime Television starring Charles Dutton, which received a Best Picture nomination for The Image Awards.

Previous conversation with Rocky. To Listen click bolded link below:

Rex Sikes’ Movie Beat chats with author/producer/director Rocky Lang

Growing up as the son of veteran producer and Universal Studios executive, Jennings Lang (“Earthquake” “Play Misty For Me” among others), Rocky knew early on that he wanted to write/produce and direct.

Lang set himself on a track that has seen him produce and direct five documentary films including the award-winning “The Making of Tootsie”, assignments directing the long-running hit show “Remington Steele” and then on to direct three features, “Nervous Ticks”, (Columbia Tri-Star) “Race For Glory”, (New Century Vista) “All’s Fair”, (Moviestore).

Besides his directing career, Lang has had deals as a producer and director with Warner Bros., Universal, New World, CBS, NBC, ABC, Twentieth Century Fox, Cinecom, MGM and United Artists.

Lang is also an award winning screenwriter, having written several screenplays and has received a dramatic writing award from the Houston Film Festival for his original screenplay, The Low Post.  His screenplay, Crossing Memphis, was optioned by Quincy Jones and Columbia Pictures.  Mr. Lang’s script, The Babe That Struck out Ruth sold to ‘bel Films.

Rocky Lang was enjoying a successful lifetime career as a Hollywood producer, director and writer when, in 2002, his life was dramatically changed by his young daughter’s diagnosis of type I diabetes.  While continuing his work in the entertainment industry, Mr. Lang’s priorities shifted as he immersed himself in the care of his daughter and the chronic disease that now ruled their lives. 

Realizing that there was a need for products that educate, entertain and empower children and adults living with chronic illnesses, he wrote the acclaimed children’s book Lara Takes Charge.  Due to the success of the book, Mr. Lang has forged strong relationships with doctors, scientists, hospitals, drug companies and other major medical institutions resulting in a wealth of resources and support for his efforts.

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His book Lara Takes Charge is in the hands of over 15,000 children, hospitals, and libraries.  

On May 29th, 2008, the American Diabetes Association honored Mr. Lang as Father Of The Year at The Beverly Hills Hotel for his advocacy for children living with diabetes.

He is also partner in the company Books To Film. TV, (www.bookstofilm.tv) an author and publishing service company that assists writers and publishers by helping them bring their books to Hollywood and the multi-media and entertainment industries.  

Lang has appeared at Book Expo America, Publishers University, Los Angeles Times Festival of Books and other conventions across the country.

He is also the creator of The CourageBag, www.couragebag.com designed for people living with diabetes which was recently bought by the international luggage company TravelOn  which was  featured on QVC. 

Mr. Lang has served on the board of Foundation School Community, a progressive school in Los Angeles, and the Health Education Advisory Board at Children’s Hospital, and The Los Angeles Community Leadership Board and ADA National Youth Strategy Board for The American Diabetes Association.

He attended the University of California, Los Angeles and has the honor of being the youngest director accepted to the American Film Institute. Mr. Lang lives in Toluca Lake, CA.

Growing Up Hollywood, Tales From The Son Of A Hollywood Mogul, is published byHLPI Books, $7.95, November 2014. Available from Amazon.

Rocky Lang Official Website