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Rex Sikes’ Movie Beat chats with David Murphy Casting Director

murphy headshot

David Murphy, casting director and acting coach, is co-founder of the Chicago  acting school known as The Green Room. Murphy, as he goes by, brings multiple areas of expertise to his teaching.

He’s worked in the acting field for 20 years. He joined the staff at O’Connor Casting Company in 2001. He splits time between casting commercials and teaching.

Around the casting office, there are two “David’s” (David O’Connor is the owner), so this David is often known as “Murphy”. He has conducted well over 50,000 individual actor’s auditions.

To Listen Live Or Archived Click The Bold Link Below:

Rex Sikes Movie Beat chats with David Murphy Casting Director

For 16 year Murphy taught at the Players’ Workshop of the Second City. He’s directed over a hundred shows ranging from improv reviews to children’s shows. He has created several touring groups performing for such clients as GE and Novis.

Murphy has worked as an artistic director for Bedlam Productions, has worked in casting for Toast productions and has been a consultant to several fledgling theatre companies.

murphy class shot

Beyond his acting and voice over credits, he has been a casting director, theatre director and instructor. What is not as widely is that he is a Reiki Master.

Reiki is a healing modality using energy. Often, unfocused energy can be at the root of an uncreative and uninteresting performance.

Have you ever had a poor audition and wrote it off as having been nervous, or simply not “on” without exploring further what was at the root of the problem?

He helps actors, through self-reflection, energy work and discovery of higher creative self, to gain better control of their instrument so they can be present during the audition and bring their best self to the room.

To Learn More about David, acting and commercial on camera classes Visit The Green Room Studio’s Website.

The Green Room Studio

PS I have been a student of The Green Room. Murphy and others have been my instructors. I highly recommend their offerings. I am enrolling in another class this week.

The official website of Rex Sikes Movie Beat can be accessed through the link below. Be sure to visit!

Rex Sikes’ Movie Beat Official Website

Someone (I know who) Stole My Web Site!!!

In case you are wondering what happened to the official Rex Sikes’ Movie Beat. A person I know and paid to work to work on developing another new site for me – hacked and stole it.

Parties are looking into it. It will be corrected with the appropriate actions.

This person has no claim, does not own the site or anything related to it but took it and my email accounts associated with it. He has interrupted and damaged my ability to business and communication. There are remedies for this.

The official site will be back, rest assured.

Discussion on air continue: Next up Peter Marshall Dec 4 11aE 10aC 8aP. See the posted link on Peter’s page in this blog site. Meet you on the air and in the chat room!

TO CROWDFUND OR NOT TO CROWDFUND? IS THAT THE QUESTION? Part 4

money pile

Some projects don’t get funded right away, some do and then lose funding. Any number of things can happen that can make the going tougher than one imagined but don’t you quit if this is truly important to you. When you stick with it, with the right attitude, you will find another way. Stay focused on the goal, the solutions and believe in yourself, your project, your team and that you will prevail.

Consider this: Movies get funded and made every day.

I repeat: MOVIES GET FUNDED AND MADE EVERY DAY!

Sure, it is tough but it happens. Projects get green lit from the studios, independent films find their funding, crowdfunded pictures get their money to move forward, and more….

Part 4 The Crowdfunding Psychology You Must Know

Raising money and crowdfunding revolves all around the mindset you have. In this post I’ll will discuss some important principles as it relates to crowdfunding.

As stated crowdfunding takes an inordinate amount of work for most everyone. Some celebrities may have an easier go of it for a number of reasons. Regardless, crowdfunding takes a massive amount of effort.

Raising money the traditional way takes an inordinate amount of effort. Long hard hours, over a long period of time, getting closer and closer, losing this investor, gaining that one, piecing it all together is a lot of work. It is a struggle and people have been doing variations on this in the film business for quite some time.

Traditional methods have changed through the decades.

I think crowdfunding runs the risk of burning people out. While only a fraction of the population may know about crowdfunding platforms the fraction that is aware of it gets bombarded over and over again.

New territory, new people needs to be found.

Some filmmakers naively think that they will lunch crowdfund campaign when the time is right for their project. Usually sometime between preproduction and production. Then they will put it out there on the internet using social media.

Crowdfunding is much more complex than that. I think it operates like this: Everyone out there in internet land (your target audience)  IS your uncle or your aunt. Why would I think this.

Your relatives, because they are related to you, may be more willing to help out, (or in some cases because they DO know you they may not be so inclined. Let’s hope the latter is not the case).

Obviously, your social media audience aren’t related to you but consider why relatives will give to and most strangers won’t.

Most likely relatives give or support your efforts because there is a connection to you, they may like or love you, they may feel obligated to help family because ‘blood is thinker than water’, they watched you grow up and took care of you or other family members. Whatever it the reasons may be it is because they have a history with you.

The two KEY concepts that I believe are necessary to have are connection and history. Your relatives help support you because they are connected to you and they share a history with you.

I believe successful crowdfunding is based on the same principles. This may be the reason why celebrities may have an easier time with crowdfunding. People know them, love them and have a history with them. They have watched them or followed their careers. They want contact with the celebrity, for whatever reasons, and they feel good collecting celebrity memorabilia. The connection (even though it may not be real or exist in reality) still is important. The fans feel they have a connection. They have a history together too. The fans know or are familiar with the celebrity and have been for years.

I repeat: I believe successful crowdfunding is based on the same.

Crowdfunding is based on having an established network or community of people who are interested in you, your work, your projects and who already know and trust you (at least they don’t distrust you).

The are fans, followers, friends whom you have been engaging with for awhile. They are not cold strangers. They are relatively warm enthusiasts for you and your movies. This is important to understand because you aren’t really reaching out to strangers when you crowdfund you are reaching out to people who know you already. Strangers aren’t inclined to help you but friends or family may.

You must work to establish a good connection with your social media friends. These are the people who are your target audience for your project. They may become potential contributors to your campaign but you must provide value to them LONG before you ever ask for anything in return.

You must engage them and get to know them and they have to get to know you. You must find a way to make communication with them a two-way street communication.You must take them on the journey with you and keep their interest all along the way. You have to figure out ways to attract them. You want to keep them interested and eager for you to make and complete your project and get it into their hands.

They are not interested because they will make money off your project, they are not investors. Although recently, investing through crowdfunding platforms has become possible. Your friends and followers, your fans have much different interests than traditional investors and you must appeal to their wants and needs and meet those if you want to be successful.

They do want something in return for their attention and their loyalty and their potential contribution. You must give them what they want prior to the launch of your campaign.

Then during your campaign you offer perks that are meaningful to your fans because you know took the time to discover what is they desire. Because of connection you have established you know what will appeal to them.

A basic principle in sales states that you succeed when you can meet a need, solve a problem and/or give the customer what they desire most. When you are able to fulfill these you may make a sale. Think of your audience as your customers because that is truly what they are. They are people who may buy from you once or many times. You may not want to hear it but as a filmmaker you need to learn about selling and making sales.

When you have ACTUALLY made a sale to your customer is not just the time they part with their money and leave with your goods. When you have really made the sale is when the person returns and wants to do it  with you again. It is this moment the sale is made because they are convinced that you have something they want.

It is much like dating. You go out on the first date. You know you have ‘made the sale’ when the other person wants a second and third date. At whatever point you stop meeting their needs they will lose interest. As long as you have a mutually fulfilling relationship you will stick together. This is true of the business relationship and the crowdfunded relationship.

When you have a repeat customer, so much of your work is done for you, it is amazing. The lion share of expense goes into generating new leads and converting new customers. When you have a fan base who is eager for each of your projects you have laid some really solid ground work. You have established an important connection and together you share a history.

The key to making the sale is not to think, ‘what is in this for me,  how do I get what I want’, but to think, ‘what is it they want that I can readily give them?’

You have to appeal to the other person’s wants and needs and find a way to meet those if you wish to be more successful. Your success comes from adding value to the other person first.

This takes thought, it takes planning, it takes work and it begins long before you make your movie.

Just as you plant a seed you first need to prepare the soil. Next, you plant the seed then you nurture the seed while it grows underground by providing the proper care. Later, much later, it sprouts. You must continue to nurture it, take out the weeds that may choke it and help it grow strong. Eventually, you harvest the crop from the seed you planted but that is at a much later date. For everything there is a season. You sow and then later you reap.

Some people try to reap without preparing or sowing and that rarely, if ever, works. You do your part first and foremost and then others may reciprocate. Of course, not everyone will, so don’t get your hopes up too high. It is a numbers game, you do what you can to grab the lion share.

As in baseball it is about upping your batting average. You get better percentages, but rarely do you get 100%. As long as you are moving in that direction you are doing okay. You increase your opportunities and your chances.

The basic work of crowdfunding IS everything you need to do long before harvest time.

There are these two phases: First, you plant seeds to attract the interested and keep them close by engaging with them. You have to offer them something first. Just as you use bait to lure a fish. You offer something of value to attract followers to you. You keep them close by continuing to give them things from time to time and by communicating with them.

Perhaps you give them a behind the scenes look at what you are doing, you give them photos or videos, you help them solve problems by writing articles or dispensing tips, advice or ideas. Maybe you share with them where they can get discounts or items they might not know where to go to. The point is you offer them things of value, things that they are interested it.

Since it is the age of social media one assumes you have a page dedicated to you and your projects, as well as Facebook, Twitter, Google Plus and any of the other platforms.

Second you launch the eventual campaign (in which you begin this planting process all over again). In this phase you again offer them something BUT in return for their support, their contribution and spreading the word. This is when you ask them to respond by giving back. Why will they give back. One reason is because you have been giving to them and they will want to reciprocate. The other reason is because they have a connection and history established with you and they want to see your movie. They actually want to see it!

During the Second Phase, you are requesting that they part with their money to support your efforts in return for VALUABLE perks. Perks are the items or opportunities you offer that they want to and must have. If they don’t want them then the perks are not valuable to them. This should be obvious, but for some reason it isn’t.

So in Phase One you attract and nurture your followers. You engage with them and provide them value for free. You give them things, you acknowledge them, you have dialogue so that they feel close to you and want to stick by you. In Phase Two you again provide things for them but in exchange for something they do for you. If Phase One is successful and you orchestrate Phase Two correctly you are more likely to succeed.

You attract the moths to the flame, capture them, take care of them, feed them and then when you are ready, you launch your campaign and hope the moths now will respond by contributing because you took such good care of them. During Phase Two strangers will get introduced to your campaign. They may not have the history with you because they just now are learning about you and your project. Your campaign should be structured and managed to help them feel right at home. A well run campaign should help them to connect to you thorough your video, photos, text, updates, engagement, credits, cast and crew. In Phase Two you hope to convert strangers to fans who will support your efforts.

When it comes to perks you need to think this through and get good advice. What is important and valuable to you may not be to someone else. So you want to research this area more. Remember, people are motivated by ‘What Is In It For Me?’ So to motivate your followers you must discover what they want when they think that about that question. 

You need price your perks smartly too. For example:  If most downloads sell between $1.99 and $14.99 don’t offer a download for $25.00.  Price it as the market place does. If you buy a DVD or Blue Ray for a certain amount don’t price yours higher than the lowest popular place they can obtain it. The only time your a perk like this could be higher prices is when you offer something else along with it. Perhaps, the jewel case, or the art work is signed by cast and crew. Something that makes it reasonable to be priced higher. Sometimes scarcity works. The price may be higher because you only have a few. 

Corporations spend billions of dollars every year targeting and appealing to consumers. They have it down to a science. Do your research and use the best methods they do tailored to your needs.

If you have an absolutely one of a kind valuable ‘must have it’ give away, it is rare and sought after by millions well, you may be able to name your price.

If you have something that most people don’t know who or what it is or could care less about it well giving it away could be difficult. People want what they perceive to be valuable and that is why celebrity swag is sought after. SO be smart about selling to your customers. By the way, that is precisely what a ticket holder is – a customer. All of your fans and friends and followers are customers. While it seems Corporate America has forgotten a  worthy tenant they used to adhere to don’t you forget it. Keep in mind, the customer is always right!!! Even if it is not always true it will serve you better if you act as if it were. Be driven to provide your customer what your customer wants most and you will succeed.

You must figure out ways to attract and capture your fan base. You want to engage them and create a connection and history together so that they want to want get more movies from you. You attract them, you hook them and then make them offers they find difficult to refuse. This is the basis of business and the basis of crowdfunding. It is about using psychology to get what you need to make your film project. Be smart about it and be wise. 

Make GOOD plans and then work the plans WELL.  You can succeed. Movies are funded all the time. You just have to find a way that works well for you.

All of what has been covered in this post and much more ARE some of the reasons why you need to be thorough in creating your campaign. Remember, it ALL begins BEFORE iyour campaign is officially launched. Take the time to do it well.

There are reasons why Business Plans exist. One reason is to show others; you potential partners, the bank, investors, etc. the plan for your intended business. It doesn’t yet exist so you need a crystal clear outline, a plan for what you will do, how you will do it, when and on and on. It is designed to leave NO stone unturned.

You have to think it through really well BEFORE you implement it. Never skimp on the planning phases of anything. Your crowdfunding campaign, traditional means of raising money, or your production. This is why good movie makers spend the right amount of time preparing during preproduction.

Consider this, professional sports teams take all the time off season preparing for the games. They practice offense and defense. They develop plans and strategies to use when playing. They rehearse. During game season they continue to prepare. Then they play the game. Whether they win or lose they return to analyze how to be better, and implement it. They continue to practice and rehearse.  Why should we think that we should do anything less than this when it comes to raising money for movies and getting good at it? As with anything you get better at it the more time you spend at it. Remember this point it is important!

How much money can you crowdfund? The upper limit is not yet known? More on all of this next time.” Rex SIkes

Have a great day!

Subscribe and Follow Rex Sikes’ Movie Beat Blog!  Visit often & please share with others!

*** Please also visit Rex Sikes’ Movie Beat Official Website.

Stay up to date with the live shows on Rex Sikes’ Movie Beat. You can join us and listen live as the show records. You can hang in chat and ask questions. All shows are recorded and archived at the official site.

Updates will be posted at this blog,  at the official site,  on the RSMB Friends page on FB,  through twitter and elsewhere.  When you can’t join us live you can still  listen to archived show from official site, from blogtalk radio and you can subscribe to the podcast at itunes.

Over 400 hours of professional filmmakers share their expertise and tips and secrets with you. All discussion may be listened to live and archived from the Official Site too! Check the INTERVIEWS

Rex Sikes’ Movie Beat Official Site

UPCOMING Milwaukee Film Festival – Short Program Line Up

I Love You So Hard_MIDNIGHT

The Upcoming Milwaukee Film Festival announces its short film line up. Catch these if you can. Maybe I’ll even see you there. Enjoy!

2014 Milwaukee Film Festival Announces Shorter Is Better Lineup 

Presenting nearly 70 of the best festival-circuit short films and the first annual juried cash award

Innovative and enthralling, expansive in subject matter and style, Shorter Is Better allows the festival audience to view work from masters of the short format on the big screen, while offering a first glimpse at many future feature film directors.

“We have a stellar lineup of short films this year from 22 countries, including two excellent shorts with local ties. Taxidermists, part of Out Of This World, features the Milwaukee Public Museum’s lead taxidermist, Wendy Christensen, while Untucked, which premiered at Sundance this year and is featured in our new Sports Shorts program, comes from Marquette alum, Danny Pudi,” says Shorts Programmer and Grant Writer Anna Sampers.

New to the program this year are the first annual Shorter Is Better juried award, recognizing the winning short film with a cash prize of $1,000, as well as two new shorts programs: Sports Shorts. Shorts about Sports. and Stories We Tell–a collection of nine personal stories both true and fictional. Both new programs join last year’s Oriental Theatre sellout, Date Night, along with the very popular The Best Damn F*#@ing Midnight Program Ever. Sh*t., Let’s Get Animated, Out of This World, Modern Families, and Stranger Than Fiction.

SHORTER IS BETTER
This is your chance to see a bunch of great short films, from a bunch of great up-and-coming filmmakers, in a proper theater. We took our favorite short films from around the world and put them into neat little packages for your viewing pleasure.

 

Shorts: The Best Damn F*#@ing Midnight Program Ever. Sh*t.

Total running time: 88 min
Hi kids, do you like violence? Put on your big-kid pants, because these shocking, gross, sexy, funny, and gory shorts aren’t for the weak of heart (or bladder). There will be swearing, there will be blood, there will be butts—but if you’re into that sort of thing, there will also be a great time had by all.

Box Room (Ireland / 2013 / Director: Michael Lathrop)
Fool’s Day (USA / 2013 / Director: Cody Blue Snider)
The Gunfighter (USA / 2014 / Director: Eric Kissack)

I Love You So Hard (United Kingdom / 2013 / Director: Ross Butter)
Invasion (France / 2014 / Directors: Hugo Ramirez, Olivier Patte)

Kekasih (Malaysia / 2013 / Director: Diffan Sina Norman)
Kids and Explosions – Swear Words (France / 2012 / Directors: Thomas Vernay, Yann Wallaert)

Not Funny (No Tiene Gracia) (Spain / 2013 / Director: Carlos Violade)
The Obvious Child (United Kingdom / 2013 / Director: Stephen Irwin)

 

Shorts: Date Night

Total running time: 93 min

For anyone who’s ever known the sweet sting of Cupid’s arrow, this slate of short films surrounding love, dating, and the heartbreaks that occur therein is the perfect cinemaphrodisiac—so take the one you love, grab a bite to eat beforehand, and treat yourself to these myriad tales of the heart both bitter and sweet.

2 Girls, 1 Cake (Denmark / 2013 / Director: Jens Dahl)
Best (United Kingdom / 2013 / Director: William Oldroyd)

Life’s A Bitch (Toutes des Connes) (Canada / 2013 / Director: Francois Jaros)

Love. Love. Love. (Russia / 2013 / Director: Sandhya Daisy Sundaram)

Oi, Meu Amor (Hi, My Love) (USA / 2014 / Director: Robert G. Putka)

Peepers (USA / 2014 / Director: Ken Lam)
Queenie (New Zealand / 2014 / Director: Paul Neason)

Scent of a Woman (USA / 2013 / Director: Lauren Savoy)
Send (USA / 2013 / Director: Peter Vack)

We Keep On Dancing (Australia / 2013 / Director: Jessica Barclay Lawton)

Where were you when Michael Jackson died? (T’étais où quand Michael Jackson est mort?) (France / 2013 / Director: Jean-Baptiste Pouilloux)

 

Shorts: Let’s Get Animated

Total running time: 90 min

From silly to serious, epic in scale yet with the most minute attention to detail, these stylistically varied works of animated genius are sure to tickle any connoisseur of the form—with the only common thread being their beautiful storytelling and gorgeous renderings. Come get inspired by these remarkable and zany works of art!

365 (United Kingdom / 2013 / Directors: Greg McLeod, Myles McLeod)
Coda (Ireland / 2013 / Director: Alan Holly)

Grace Under Water (Australia / 2014 / Director: Anthony Lawrence)

Love in the Time of March Madness (USA / 2014 / Directors: Melissa Johnson, Robertino Zambrano)

Marilyn Myller (USA / 2013 / Director: Mikey Please)
The Missing Scarf (Ireland / 2013 / Director: Eoin Duffy)
Phantom Limb (United Kingdom, Australia / 2013 / Director: Alex Grigg)

A Recipe for Gruel (United Kingdom / 2013 / Director: Sharon Smith)
Symphony No. 42 (Hungary / 2014 / Director: Reka Bucsi)

Through the Hawthorn (United Kingdom / 2014 / Directors: Anna Benner, Pia Borg, Gemma Burditt)

White Morning (United Kingdom / 2013 / Director: Paul Barritt)

 

Shorts: Modern Families

Total running time: 93 min

These shorts are for anyone who has ever spent hours attempting to teach Grandma the subtle nuances of Facebook, had a Thanksgiving we’d choose to forget, or has perfected the shuffling involved in capturing a perfect group photo—families of all shapes and sizes are portrayed in all of their complicated glory, running the gamut from heartbreaking to hilarious in this program not intended for children.

Baby Mary (USA / 2013 / Director: Kris Swanberg)
Butter Lamp (La Lampe Au Beurre De Yak) (France, China / 2013 / Director: Hu Wei)

Condom (Australia / 2013 / Directors: Igor Coric, Sheldon Lieberman)
Cruising Electric (1980) (USA / 2013 / Director: Brumby Boylston)

The Cut (La Coupe) (Canada / 2014 / Director: Genevieve Dulude-De Celles)
The Hunger (De Honger) (Belgium / 2013 / Director: Benoit De Clerck)

I Think This Is The Closest To How The Footage Looked (Israel / 2013 / Directors: Hameiri, Michal Vaknin)

Krisha (USA / 2013 / Director: Trey Edward Shults)
Pony Place (Netherlands / 2013 / Director: Joost Reijmers)

 

Shorts: Out of This World

Total running time: 94 min

These fantastical stories of space and the unknown will transport you to worlds unseen—so program your brand-new iMom, strap on your space suit, and keep an eye on your boyfriend who’s been behaving curiously ever since he escaped from that laboratory for these stories that would feel right at home on “The Twilight Zone.”

Bernard the Great (Bernard Le Grand) (Canada / 2013 / Directors: Marie-Hélène Viens, Philippe Lupien)

Democracy (Democracia) (Spain / 2013 / Director: Borja Cobeaga)

The iMom (Australia, USA / 2013 / Director: Ariel Martin)

The Kármán Line (United Kingdom / 2014 / Director: Oscar Sharp)

Orbit Ever After (United Kingdom / 2013 / Director: Jamie Stone)

When You Were Mine (USA / 2014 / Director: Michelle M. Witten)

 

Shorts: Sports Shorts. Shorts about Sports.

Total running time: 95 min

Whether you obsessively refresh box scores for your fantasy team or believe that one can dunk a touchdown, these stories that showcase the human side of athletic competition will appeal to you. Featuring Untucked, a portrait of the famous jerseys worn by Marquette’s basketball team in

1977, this program of crowd-pleasers will have you doing the wave with the rest of the theater.

Cadet (Belgium / 2013 / Director: Kevin Meul)

Gnarly in Pink – Featuring the Pink Helmet Posse (USA / 2014 / Directors: Benjamin Mullinkosson, Kristelle Laroche)

The High Five (USA / 2014 / Director: Michael Jacobs)
The Immaculate Reception (USA / 2014 / Director: Charlotte Glynn)

Strike: the Greatest Bowling Story Ever Told (USA / 2014 / Director: Joey Daoud)

Tennis Elbow (France / 2012 / Director: Vital Philippot)

Untucked (USA / 2013 / Director: Danny Pudi)

 

Shorts: Stories We Tell

Total running time: 84 min
Everybody’s got a story to tell—be it a nightmare landlord, the mysterious woman who just wouldn’t leave, a body covered in tattoos, or the most fun one can have chaperoning a school dance. This collection of nine personal stories true and fictional and the storytellers behind them will leave you satisfied and engaged.

The Chaperone (Canada / 2013 / Directors: Fraser Munden, Neil Rathbone)

CRIME: The Animated Series (Marcus McGhee) (USA, Canada / 2013 / Directors: Sam Chou, Alix Lambert)
Funnel (USA / 2013 / Director: Andre Hyland)

Maikaru (USA / 2014 / Director: Amanda Harryman)

One Is Listening Anymore! (Australia / 2013 / Director: Romi Trower)

One Year Lease (USA / 2014 / Director: Brian Bolster)

Person to Person (USA / 2014 / Director: Dustin Guy Defa)
Yearbook (USA / 2013 /  Director: Bernardo Britto)
You Won’t Regret That Tattoo (Canada / 2013 / Director: Angie Bird)

 

Shorts: Stranger Than Fiction

Total running time: 94 min

Subjects that simply beggar belief are the currency this program trades in, be it the Olympics of taxidermy (featuring Milwaukee’s own “Samson” the gorilla), a man finding the humor in his quadrilateral amputation, or the world’s largest pope statue. These documentaries are equal parts fascinating and entertaining, telling stories that are strange but true!

The Chilean Elvis (Chile / 2013 / Director: Marcelo Kiwi)

The Last Days of Peter Bergmann (Ireland / 2013 / Director: Ciaran Cassidy)

A Paradise (Un Paraíso) (Cuba / 2013 / Director: Jayisha Patel)
Stumped (USA / 2014 / Director: Robin Berghaus)
The Supreme (Najwyższy) (Poland / 2013 / Director: Katarzyna Gondek)

Taxidermists (USA / 2012 / Director: Nicole Triche)

The 2014 Milwaukee Film Festival runs September 25 – October 9, 2014 at the Landmark Oriental Theatre, Landmark Downer Theatre, Fox-Bay Cinema Grill and Times Cinema. Passes and ticket 6-Packs for the 2014 Milwaukee Film Festival are currently available at discounted rates exclusively online at mkefilm.org/tickets.

Tickets for individual screenings will be available through Milwaukee Film Festival Box Office starting September 10 for Milwaukee Film Members and September 11 for the General Public.

Enjoy!

Subscribe and Follow Rex Sikes’ Movie Beat Blog!  Visit often & please share with others!

*** Please also visit Rex Sikes’ Movie Beat Official Website.

Stay up to date with the live shows on Rex Sikes’ Movie Beat. You can join us and listen live as the show records. You can hang in chat and ask questions. All shows are recorded and archived at the official site.

Updates will be posted at this blog,  at the official site,  on the RSMB Friends page on FB,  through twitter and elsewhere.  When you can’t join us live you can still  listen to archived show from official site, from blogtalk radio and you can subscribe to the podcast at itunes.

Over 400 hours of professional filmmakers share their expertise and tips and secrets with you. All discussion may be listened to live and archived from the Official Site too! Check the INTERVIEWS blog.

Rex Sikes’ Movie Beat Official Site

 

Persistence is the key to success.

I decided to republish a blog from my other site Daily Inspiration and Gratitude here: I have included the link to my other blog and I invite you to visit there and check it out if you haven’t yet. There are a lot of blog posts applicable to anyone in filmmaking.     Persistence is the key to success..

ambition-and-action-2-steps-to-success4

It is the consistent, persistent, daily actions that bring success in all things, you family, your health, your wealth and career, your life. Daily dedication to doing something positive that moves you closer to your goal makes all the difference.

You start with a clearly, well stated ‘burning desire’, the mental images of your ultimate goal. You envision it daily (as often as possible, but at least for sometime in the morning and before going to sleep) and infuse it with positive energy and enthusiasm. You keep at it no matter what. You do not give up! You keep at it until you get it. This IS your daily regime. Your mental nutrition.

Keep your goal alive and in sight. Keep it burning and stay passionate about it. Believe in your heart and know in your mind that you will have it, YOU will ATTAIN it, as long as you never give up. Once you quit it is over, so you must not stop. You keep the faith and keep going no matter what is going on or not going on around you. You do not let present circumstances distract you from getting the end game that you want.

Keep this goal burning hot in your mind each moment. Focus on things to be grateful for and feel good about because when you do you are opening up your mind to discovering greater opportunities, events, situations and people that can help you reach your goal.

Your mind awakens and you can think more clearly and easily about how you will make it happen. You form plans using your creativity, your intuition and you smarts. You may have to adjust the plan as you go along that is just part of the process. Each day you move forward and you make adjustments as necessary but no matter what you keep moving forward toward your ultimate destination.

YOU WILL GET THERE as long as you keep going toward it. No matter how long it takes or how many detours there happen to be you will get there if you just never stop.

Persistence means you keep going even when you may not feel like going.

That is why it is important to find things you appreciate, small and large miracles and good and new discoveries, and the best thoughts and feelings along the way, so that you stay inspired and dedicated.

The person who succeeds is the person who ‘wills’ it to happen not who wishes it to happen. You make all the changes inside of you to be better equipped to handle all those aspects outside you you, the challenges and opportunities that come your way. You make all the changes inside of you to better manage the inside of you so you are optimistic, positive, powerful and committed to your outcome. You won’t do it if you wimp out.

Yes, occasionally someone lucks into it but frankly, most people who ‘make it’, who succeed in their personal or professional lives do so because the go after it relentlessly until they succeed. These people pursue health, wealth and well being because it is the most important thing to them. They don’t let circumstances dictate or prevent them from prevailing. ‘When the going gets tough the tough get going’.

You must stick with it no matter how impossible it seems. Whatever hardship comes your way learn to overcome it. Go through it. You will find a way if you are determined to find a way.

Manage you mind and you emotions. Manage your time and your efforts. You will do it, when you believe you can. As Napoleon Hill stated, ‘If you can conceive it and believe it you can achieve it’. Just don’t stop.

If it is truly worth it and it makes your life better and the lives of those around you better and it does not harm anyone of prevent others from fulfilling themselves, go for it. Get on course, stay the course and find out how to make the journey most delightful. Whether you get closer by leaps and bounds or inch by inch you are getting closer. Stay positive and stay focused. It is completely UP TO YOU! So do it! Just do it!

What can you do today to keep yourself on track? How many marvelous feelings might you discover as you look into finding these within you frequently during this day? How much fun can you stand as you continue to pursue your dream? Hmmmm, I wonder… ” Rex Sikes

Find those special moments in this day and have an incredible one!

via Persistence is the key to success.. at Daily Inspiration and Gratitude. Subscribe to both blogs and enjoy.

Subscribe and Follow Rex Sikes’ Movie Beat Blog!  Visit often & please share with others!

*** Please also visit Rex Sikes’ Movie Beat Official Website.

Stay up to date with the live shows on Rex Sikes’ Movie Beat. You can join us and listen live as the show records. You can hang in chat and ask questions. All shows are recorded and archived at the official site.

Updates will be posted at this blog,  at the official site,  on the RSMB Friends page on FB,  through twitter and elsewhere.  When you can’t join us live you can still  listen to archived show from official site, from blogtalk radio and you can subscribe to the podcast at itunes.

Over 400 hours of professional filmmakers share their expertise and tips and secrets with you. All discussion may be listened to live and archived from the Official Site too! Check the INTERVIEWS

Rex Sikes’ Movie Beat Official Site

UPCOMING: Milwaukee Film Festival: Late-night film program expands

dr-strangelove-1 riding the bomb

It seems there may be a little something for everyone Late Night at Milwaukee Film Festival. It runs from September 25 to October 9, 2014. Perhaps, I will see you there. Enjoy! Rex

2014 Milwaukee Film Festival Announces Cinema Hooligante Films

Late-night film program expands to include more science fiction, fantasy, and comedy

MILWAUKEE – Thursday, August 21, 2014 – The 6th Annual Milwaukee Film Festival, presented by the Milwaukee Journal Sentinel, announces its lineup for Cinema Hooligante. Now in its third year, the popular late-night film program expands to include more science fiction, fantasy, and comedy, alongside its traditional repertoire of horror, gore, and cult films. Embracing the mantra “where grown-ups come out to play,” Milwaukee Film adds variety to the mix through a more balanced offering of genres.

“Our vision for Cinema Hooligante this year was to focus on films that in some way pushed the boundaries of reality, with genres ranging from science fiction to oddball comedy. Two films that I’m especially excited to show are Mood Indigo and Patema Inverted, both of which are charmingly fantastical. They also both illustrate growth in the programming, one being Hooligante’s first romance film, and the other being its first anime film,” shares Kristen Coates, Operations Director and co-programmer for Cinema Hooligante.

Milwaukee Film Programming Manager and co-programmer for Cinema Hooligante, Jaclyn O’Grady adds: “We took the movies that live somewhere on the edges and outskirts of the festival and found a place for them with Cinema Hooligante. Wetlands is an example of such a film and one I’m really excited to show this year. It’s a really great story with excellent acting and it really pushes the envelope. If it wasn’t so disturbing at times, it could easily fit within another program at the festival. You’ll love it as long as you can get through it without throwing up.”

Also in the lineup this year are two classic films screening in 35mm. John Axford presents Stanley Kubrick’s satirical comedy, Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb in celebration of its 50th anniversary, (Axford presented Kubrick’s 2001: A Space Odyssey at MFF 2013). Rob Reiner’s acclaimed rockumentary, This is Spinal Tap, will also screen in celebration of its 30th anniversary.

For those Hooligante fans still recovering from the previous night’s midnight screening, the Milwaukee Film Festival and Milwaukee Record present Bloody Sunday at The Hotel Foster–a hangover party filled with specials on Bloody Marys, free cold pizza, and non-stop horror films on Sunday, September 28 from 11am to 3pm.

Media Sponsor: Milwaukee Record

2014 MILWAUKEE FILM FESTIVAL

CINEMA HOOLIGANTE
Each of these films will push the boundaries of reality, playing with the rules on fantasy, horror, science fiction, comedy, and the very best of cult cinema. Cinema Hooligante is where the grown-ups come out to play.

Dr. Strangelove01

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (USA, United Kingdom / 1964 / Director: Stanley Kubrick)
Trailer: http://youtu.be/1gXY3kuDvSU
Not just a great black comedy, but one of the greatest films of all time, Stanley Kubrick’s Dr. Strangelove is vicious and hilarious, a political satire that feels no less fresh and relevant now than it did upon its release 50 years ago. With the Soviet Union and U.S. on the verge of nuclear war, it only takes one loony general (Sterling Hayden) who believes that the Commies seek to destroy our “precious bodily fluids,” a Pentagon war room populated by maniacs (including an unhinged George C. Scott, with Peter Sellers playing both the president and a Nazi scientist), and a patriotic B-52 bomber pilot carrying an atomic payload (the iconic Slim Pickens) to assure our mutual destruction.

Mood Indigo01

Mood Indigo (L’ecume des Jours)
(France / 2013 / Director: Michel Gondry)
Trailer: http://youtu.be/dh3V-dFlmyk
Visionary director Michel Gondry returns to the visually spectacular surrealistic love story setting wherein he’s found his greatest success (Eternal Sunshine of the Spotless Mind, The Science of Sleep) with Mood Indigo. Colin (Romain Duris) engages in a whirlwind love affair with the beautiful Chloe (Audrey Tautou) only to find Chloe afflicted with a strange malady—a water lily growing in her lungs—that challenges both her health and their relationship. No director is capable of marrying the visually poetic with melancholy as effectively as Gondry, who captures the ecstatic highs and manic lows of love through a series of boundlessly creative sequences.

Patema Inverted

Patema Inverted (Sakasama No Patema)
(Japan / 2013 / Director: Yasuhiro Yoshiura)
Trailer: http://youtu.be/RQZAXLAV63s

This stunning anime revolves around a botched scientific experiment that has led to two dramatically different societies: the inverts who have lost their gravity and must live deep underground so as not to fall into the sky, and those who live above and are forbidden to look up for fear of these inverts. Underground princess Patema and rebellious surface-dweller Age refuse to believe in the totalitarian government’s status quo and find one another in this dynamic and intelligent sci-fi allegory. Intelligently exploring ideas about fear of the unknown and prejudice, the film follows Patema and Age as they look to bridge these upside-down worlds and discover the beautiful equilibrium that can come from coexistence.

The Raid 2 04

The Raid 2
(Indonesia / 2013 / Director: Gareth Evans)
Trailer: http://youtu.be/MG9uFX3uYq4
An unrelenting exercise in bone-crunching action, The Raid 2 is manna from action-lovers heaven. Undercover cop Rama infiltrates a burgeoning gang war between Arab and Japanese crime syndicates by befriending the son of crime boss Bangun while in prison, insinuating himself into an increasingly dangerous game of cat and mouse. The perfect antidote for anyone who thought The Departed could’ve done with more face-kicking, director Gareth Evans’ crime epic is packed with action sequences of exquisite intensity. The symphony of mayhem culminates with a nearly 30-minute finale that is among the best ever filmed—it practically demands to be seen on the big screen.

This Is Spinal Tap01

This Is Spinal Tap
(USA / 1984 / Director: Rob Reiner)
Trailer: http://youtu.be/N63XSUpe-0o

Turn it up to 11 at this year’s MFF with Rob Reiner’s all-time great rockumentary following the exploits of David St. Hubbins (Michael McKean), Nigel Tufnel (Christopher Guest), Derek Smalls (Harry Shearer), and an endless succession of deceased percussionists that form Spinal Tap. With the assistance of eerily accurate details supplied by real-life metal bands, we watch the hilarious exploits of this group on the wane as their misfortune begets smaller and smaller venues (including Milwaukee’s then-fictitious Shank Hall) and larger and funnier insults. An inspiration to every comedic mockumentary that has followed in its footsteps, This Is Spinal Tap hasn’t lost an iota of its verve and energy in the 30 years since its release.

Time Lapse 2014 movie pic5

Time Lapse
(USA / 2014 / Director: Bradley King)
Trailer: http://vimeo.com/88809713
Three friends (including MFF 2011 alum Matt O’Leary, Natural Selection) discover a remarkable machine that photographs events exactly 24 hours into the future in this twisting science-fiction action thriller. Found inside an abandoned neighboring apartment, this machine opens up a world of possibilities for the trio to cash in on, but their friendship is tested by an unstable criminal looking to exploit the machine for his own gains. In the proud tradition of past (or is it future?) time-traveling indies such as Timecrimes and Primer, Time Lapse is a film as much about ideas as thrills, combining action, humor, and philosophy with aplomb.

Wetlands

Wetlands (Feuchtgebiete)
(Germany / 2013 / Director: David Wnendt)
Trailer: http://vimeo.com/72133858
A film as unapologetic as the main character it portrays, Wetlands is the adaptation of a novel once thought unfilmable. We follow the explicit exploits of Helen, our skateboarding 18-year-old protagonist whose brazen interest in bodily fluids and female sexuality finds her sharing used tampons, masturbating with vegetables, and exploring all other manner of debauchery. An unfortunate shaving mishap lands her in the hospital with an anal fissure, so she whiles away the hours by scheming to reunite her divorced parents and engaging in ribald flirtation with her handsome male nurse. Unashamed and uncompromising, but filled with infectious energy and a show stopping lead performance, Wetlands is an unforgettable film experience.

Witching And Bitching

Witching and Bitching (Las Brujas de Zugarramurdi)
(Spain, France / 2013 / Director: Álex de la Iglesia)
Trailer: http://youtu.be/ISqG3zjZZVk

Alex de la Iglesia (The Last Circus, MFF 2011) is back with his latest go-for-broke genre mash-up, following a group of robbers who hide out in the Basque countryside in the aftermath of an audacious daytime robbery. Little do they know they’ve happened upon the infamous village of Zugarramurdi, home to a coven of vengeful witches—and the robbers happen to be just in time for an ancient ceremony that requires the ultimate sacrifice from its unwilling male participants. Iglesia fills his madcap supernatural spectacle with copious amounts of sex, gore, and comedy, living up to his reputation as Spain’s preeminent master of gonzo filmmaking.

The 2014 Milwaukee Film Festival runs September 25 – October 9, 2014 at the Landmark Oriental Theatre, Landmark Downer Theatre, Fox-Bay Cinema Grill and Times Cinema. Passes and ticket 6-Packs for the 2014 Milwaukee Film Festival are currently available at discounted rates exclusively online at mkefilm.org/tickets.

Tickets for individual screenings will be available through Milwaukee Film Festival Box Office starting September 10 for Milwaukee Film Members and September 11 for the General Public.

 

Subscribe and Follow Rex Sikes’ Movie Beat Blog!  Visit often & please share with others!

*** Please also visit Rex Sikes’ Movie Beat Official Website.

Stay up to date with the live shows on Rex Sikes’ Movie Beat. You can join us and listen live as the show records. You can hang in chat and ask questions. All shows are recorded and archived at the official site.

Updates will be posted at this blog,  at the official site,  on the RSMB Friends page on FB,  through twitter and elsewhere.  When you can’t join us live you can still  listen to archived show from official site, from blogtalk radio and you can subscribe to the podcast at itunes.

Over 400 hours of professional filmmakers share their expertise and tips and secrets with you. All discussion may be listened to live and archived from the Official Site too! Check the INTERVIEWS

Rex Sikes’ Movie Beat Official Site

Daniel Veluzat | Executive Producer | Director | Actor | StuntMan | Studio Manager | Movie Set | Ranch Owner

daniel veluzat

Daniel Veluzat is an entrepreneur like no other. He started off in the entertainment business over 30 years ago. As a young boy Daniel grew up on movie / television sets such as 1941 starring John Belushi, Baba Black Sheep starring Robert Conrad, McMillian and Wife starring Rock Hudson, and Maverick – The Lazy Ace starring James Garner.

Daniel has had such unique opportunities as visiting “Fantasy Island”, spending the day on “Gilligan’s Island”, and cruising the streets of Hazzard County in his family owned General Lee’s from “Duke’s of Hazzard”. His family built many vehicles for television and movies. He rode in General Lee’s, Army tanks, Kit from “Knight Rider” and even the “A-Team” van.

TO LISTEN CLICK THE BOLDED LINK Below:

Rex Sikes’ Movie Beat chats with producer Daniel Veluzat PT 3

TO LISTEN CLICK THE BOLDED LINK Below:

Rex Sikes’ Movie Beat chats with producer Daniel Veluzat

Rex Sikes’ Movie Beat chats with producer Daniel Veluzat PT 2

As Daniel Veluzat became a young man his experiences in the film industry continued to grow. He owns and helps run The Veluzat Motion Picture Ranch and Melody Ranch Studios located in the Santa Clarita Valley area.

Both Motion Picture Ranches have been the backdrop where countless movies, television shows, commercials and music videos have been filmed. Daniel has worked on the ranches as a location liaison on many television shows. Daniel has a great love for music seeing how he fronted his own Heavy Metal band “Untaymd” and he has been able to continue being around music as he has been able work on music videos for many artists.

Daniel has been part of working on some of Hollywood’s biggest films. He has been a part of over 150 film and television productions and has also had the privilege to work alongside many of Hollywood’s most famous people.

He has worked as a Executive and Co Executive producer, Director, Actor, location liaison, studio manager, Stage Manager, stunt man, production designer, art director, set dresser and more! Daniel has also provided equipment to the industry such as motion picture vehicles, water trucks, production trailers, props and set dressing.

Official Veluzat ‘s Melody Ranch Studios Website

Veluzat Motion Picture Ranch Official Website

Veluzat’s Melody Ranch Motion Picture Studios FaceBook Page

Veluzat Motion Picture Studios FaceBook Page

Yellow Rock Official Website

Director Nick Vallelonga Yellow Rock interview on Rex Sikes’ Movie Beat

Yellow Rock Co-stars Eddie & Michael Spears Interview on Rex Sikes’ Movie Beat

Yellow Rock Producers and Writers Lenore Andriel & Steve Doucette Interview on Rex Sikes’ Movie Beat

Subscribe and Follow Rex Sikes’ Movie Beat Blog!  Visit often & please share with others!

*** Please also visit Rex Sikes’ Movie Beat Official Website.

Stay up to date with the live shows on Rex Sikes’ Movie Beat. You can join us and listen live as the show records. You can hang in chat and ask questions. All shows are recorded and archived at the official site.

Updates will be posted at this blog,  at the official site,  on the RSMB Friends page on FB,  through twitter and elsewhere.  When you can’t join us live you can still  listen to archived show from official site, from blogtalk radio and you can subscribe to the podcast at itunes.

Over 400 hours of professional filmmakers share their expertise and tips and secrets with you. All discussion may be listened to live and archived from the Official Site too! Check the INTERVIEWS

Rex Sikes’ Movie Beat Official Site

To Crowdfund or Not To Crowdfund? Is That The Question?

money pile

Some people swear by Crowdfunding. Some people vehemently oppose it. Some people think it should be left for the ‘little person’ to utilize and benefit from while other’s think it is okay that celebrities utilize crowdfunding too. Some people favor securing finances the more conventional route by private means or investment opportunity.

Personally, I think we should get our movies and projects made by whatever legitimate means available! There is not one right way nor one best way. There different ways and we can use any.

At the end of the day, the point of all discussion on financing IS TO GET OUR PROJECTS MADE.  However we legally finance these projects the point is to make a movie, TV show, web series or some other form of content. The end product IS our goal.

Times are changing it is true. It is obvious. Times always change.

The process of change seems to run like this: We attempt things and we don’t know if they will work when we try first try them. We never know this when taking the first groundbreaking steps. When we discover a method that works we use it then others come along later and copy the process, or use the process to get similar results.

When we find a way that works we repeat it over and over again until it doesn’t work. Okay, it is true, some people keep trying to do the same thing over again even when it has stopped working.

When things begin to slow down or stop working we usually scramble to find new methods to make things work. Sometimes we are successful right away. Sometimes there may be a gap or a lag as  the ‘new way’ isn’t completely settled yet.  Ultimately, a new method is found that works.  This process repeats. This is how things change, innovate and evolve.

We we find a way of doing things and stick with it until it is replaced by a better way of doing things. Hopefully.

None of this occurs in isolation as there may be a number of successful approaches co-existing at any one time, and a number falling out of favor as well. This is great news because it means there are a variety of ways to move forward at any given moment. We are not limited by what we can attempt, utilize or accomplish.

Whether we are aware of these different approaches makes a big difference in what we may be able to do. If we don’t know about a method, or how it works, it is obvious we can’t benefit from it until we do. What we are willing to do, or what we are not willing to try, makes a big difference too. Some people think things too difficult so they don’t bother. They may miss out because they just don’t want to effort too much.

When Edison invented the light bulb after 1000’s of tries you would think that people would have heralded him and sung his praises. Wouldn’t you?

What an incredible invention! Yet, many people from the public to some civic leaders did not want to use it. They thought it was too costly, perhaps unreliable, and there was always gas or the candle. to burn. I would think every one would have jumped on the band wagon the instant, instant on and off electric light became available. Not so.

There are many inventions similarly resisted, but I will leave it to you if interested, to do your own research.

We can search through history only to discover that ‘experts’ frequently resisted innovation. It was not just the public. The leading scientific and political and philosophical minds weren’t prepared to have their paradigm shifted. They were not ready to accept whatever new means and methods came their way. From Copernicus and Galileo to today’s experts resistance prior to acceptance is usually the norm.

Take science for example: “WHAT???!!!???” , what you say “…does this all have to do with filmmaking???” Hang in there you will see.

One or more scientists come up with a theory. Then they legitimately test it, hopefully legitimately.  And, yes hopefully, they actually test it too.

Assuming that, hopefully, they test it by well constructed means to insure that the theory addresses (and the test addresses) what they purport it does.

The real scientist actually attempt to disprove the theory. If they are unable to disprove the theory, through many tests and much effort, only then do they accept it. Then they publish their findings for peer review where it may be well received or not, lauded or criticized. It may even be suppressed because it goes against the main philosophy of the publisher, or the funding agencies. Consider that for a second.  Politics and profits exist much in the scientific community too.

Once the theory is advanced it is accepted by some and rejected others including many ‘authorities’.Some people find it difficult to change their thinking to accommodate new information, often, experts the most.

Eventually, the new theory is accepted and replaces the older theories. Those who are really smart understand that we do not have the actual, accurate, final answer about anything.  We do not have the truth. We only have theories for how things work We have best guesses based on study.

Those best guesses are just that, the best that we currently have at the moment.  If we come up with a better, more accurate description or a  more reliable interpretation of what we are theorizing about then we put forth a new theory. In theory if the new one holds up then we embrace it, loosely. Pun intended.

If we are wise people we move forward in our new thinking and approaches. It does not mean we were dead wrong in the past. We had a theory that we thought summed things up as nicely as possible. When new data came along we were able to update our thinking.

What I have described is how science is supposed to work. Supposed to.

Researchers come up with a theory and legitimately test it. If it is replicable by them and others and researchers collectively are unable to disprove it the theory gets advanced. Researchers legitimately report findings and publishers legitimately publish the findings. The new theory is continually utilized.  Eventually, the new theory gets gradual acceptance on grander scale.  Ultimately it replaces the old theory. This one is then replaced when a better theory becomes available.

Good science uses rigorous, honest methods and accurate reporting  to update our views of what is going on. We should not believe in science any more than anything else, it is fallible even while some of its proponents act as if it is not.

We use the best to get results. What we used in the past, even if incomplete and inaccurate still got us results. Hopefully, the new understanding and methods will bring us better results too. If not, we adapt and make the necessary changes.

It is kind of like replacing a worn out pair of shoes. The old shoes served you well but now there are newer better ones.

Times change.  Extraordinary circumstances call for extraordinary measures.

The world today calls for intelligent, novel approaches and tried and true means and methods in many areas.

Now back to filmmaking. The same applies to filmmaking and any of its phases. Whether it is financing, development, production and production tools and methods, sales and acquisition, distribution and marketing tried and true methods are challenged, resisted, and replaced when outdated. Proponents for change herald the new while others are proponents for the tried and true.

Some people fight for the rules others fight to break them. Neither is inherently true. There is no gospel here.

I believe there is room enough for all. There are means for everyone at various levels of professional involvement. Some people, experts at what they do will resist new changes because they are successful at what they do. They are great at what they have accomplished, they have gotten results so they may have an opinion against the next new wave heading our way.  OR they could embrace it. Either way we just need to keep in mind that it is only their opinion.

It is an opinion based on successes so we should listen to and respect their opinions because there can be  a lot of valuable things to learn from them. What they did served them well. It worked. We always want learn about what has worked don’t we?

What we should not do is give up, or not try, because someone has a contrary opinion. People prove others wrong all the time, without gloating. Another person may push ahead, in spite of considerable resistance or opposition, and break through and be wildly successful.

So listen, take advice and suggestions! Study what worked in the past and what works currently. Gather facts. Seek wise counsel. Do your homework, do the research and then implement what you consider the best way to get what you want.

Be smart, be wise and be willing to make it work. It just might! If it doesn’t, at least you tried and you didn’t give up.  Be like Thomas Edison! If it doesn’t work, BE LIKE EDISION. adjust what you need to, incorporate what you have learned and move forward again. Keep going you can do it! Never give up just be flexible in your plans and efforts.

So what does any of this have to do with  crowdfunding?

Okay, okay I am getting there.

I hope that the goal, for most filmmakers, is to create a project that is incredibly good. I hope you want to make an AWESOME movie!!!

If not, please don’t make one.  Do anything else instead. Please!!! If your goal isn’t to be the best there is then don’t bother us with you what come up with. Who wants to see a mediocre movie? My guess, none of us. Still, mediocre movies abound.

If you aren’t out to capture the imagination of your audience and entertain them, if you don’t want to take them on the best ride of their lives, then what on earth are you doing this for?

Your goal must be to make the most incredible movie you can make with the resources you have available. You need to show  a marvelous story, exceptionally well cast & performed. You need to tell it extremely well. Then you need it well marketed and publicized.

I left out an important point in this process. You want to get it SOLD. Most likely it will sell IF and WHEN you deliver a great movie.

BUT if it does get picked up for distribution you still need to publicize and market your product. For you to have any possible commercial, financial, critical success your movie has to make it out there to the widest possible audience, or to the most dedicated niche audience.

I hope that the purpose of your creation IS to entertain first and foremost. I hope the reason you made it IS to sell. I hope that  you want it to profit.

I hope YOUR purpose IS to put people to work and pay them living wages and elevate everyone’s career standing. That is my hope if you wish to be a professional filmmaker. If you only make films as a hobby then you may have different financial and marketing criteria but I still hope your goal is to be the best and impact your audience and deliver the goods.

Okay, so not everyone else has those goals. That is obvious. Some do and some just want to make a movie. Not everyone is a professional but not everyone claims to be. Still, there is room for anyone to do whatever they wish. There are those features that become part of the larger industry and business and there are countless others out there floating around.

In the professional market there is an established means of acquiring product. The acquisition process  changes too at different times.

Acquisition and sales are subject to stodgy bean counters saying ‘no’, ‘pass’ or ‘are you kidding me NEVER!!!’ just as there is a gatekeeping process in getting projects green lit in this business. A simple view of the process is from idea to script, from reader to producer, from producer to a ‘yes’ or ‘no’, to development, pre-pro, production, post, sales & acquisition, to audience by  PR and marketing.  Now days this process includes social networking from as early on as possible.

Our movie business includes those who pass on nearly everything out of fear to the  wild eyed mavericks who love to pick up some rare, obscure, marvelous little gem and catapult it into financial, perhaps critical success.

Keep in mind that while you may be a nobody right now – you are a always a nobody to the big fish until you become a somebody in their minds. The power brokers are busy brokering power they haven’t got time for those that don’t have any. Profits have power.

These power brokers won’t give you a second thought any given day. BUT  IF your project breaks through due to social media, or a maverick picks it up for distribution, promotes it and it is a hit,  or you act in a break out movie THEN, ONLY THEN, BUT RIGHT THEN these powers will be very happy to  exploit anything and everything about you to make another buck. They will exploit your success all the way to the bank. Riches will come hurtling towards you. You will have arrived. People will know your name. (At least for 15 minutes). This is capitalism after all. This is show biz!

So your little crowdfunded no pay movie could be picked up and launched into a successful career path. It is not at all likely, it is not the norm, but it DOES happen. The same can be said of a independent low budget, traditionally funded project.

A lot of money can be spent to go nowhere or SURPRISE someone liked it and launched it.  ‘Overnight’ success stories are rare but remember we live and work in ‘the dream factory’. We seek success in Hollywood where dreams can come true.

We think that if we just get it made, if we can only get it to the right person,  then we will be discovered and we will be on Easy Street ever after.

IT COULD happen like that!!!  Just don’t count on it. Do diligence instead. Work it, do what it takes. Make an incredible movie and nothing less.

SO yes, live the dream!!!

Make great movies and get them to an audience. Write good scripts, produce and direct the best scripts you are able to. Be picky, for goodness sake, please be picky. Think of your audience when deciding things. I am not stating this is your only consideration but you should at least consider your audience when making a movie or show. What do they like, want and are buying? Some useful questions and there are many more.

There is room for all different kinds of movie making approaches, various styles, and genres.  This is wonderful. The door is wide open for us as filmmakers. It may be true that anything goes.

Remember, Hollywood rewards those who do a good job by exploiting them. This industry is more readily interested in filmmakers and talents whole already have found  a cult like following. Why? Because it is easier to exploit and less expensive when one has a ready made platform to market to.

If you already have a large audience that enjoys your work and wants the next offering from you that is awesome! That makes crowdfunding potentially easier and it makes it more likely that the Hollywood powers may be interested. Having as vast a network and dedicated a fan base as possible is certainly something we all need to develop as storytellers.  Think long and hard about developing this.” Rex Sikes

(Disclaimer: I do not purport to be an expert in crowdfunding or traditional means of financing. No am I able to dispense legal advice. Filmmakers are best served by finding a qualified entertainment attorney to work with and guide them in these areas. I bring up the topic to share a viewpoint and to encourage thinking and discussion).

We will continue this discussion on crowdfunding in the next blog Part 2.

Subscribe and Follow Rex Sikes’ Movie Beat Blog!  Visit often & please share with others!

*** Please also visit Rex Sikes’ Movie Beat Official Website.

Stay up to date with the live shows on Rex Sikes’ Movie Beat. You can join us and listen live as the show records. You can hang in chat and ask questions. All shows are recorded and archived at the official site.

Updates will be posted at this blog,  at the official site,  on the RSMB Friends page on FB,  through twitter and elsewhere.  When you can’t join us live you can still  listen to archived show from official site, from blogtalk radio and you can subscribe to the podcast at itunes.

Over 400 hours of professional filmmakers share their expertise and tips and secrets with you. All discussion may be listened to live and archived from the Official Site too! Check the INTERVIEWS

Rex Sikes’ Movie Beat Official Site