Weyauwega International Film Festival – Day 3 Nov 13

film reels weyauwega window

The 3rd official day, as I report, begins with breakfast conversation with Marie, Jacob, director Nathan Deming and myself. Food and coffee is marvelous at our wonderful B&B. I posted an awkward angle photo of a portion of my room on Facebook, just because.

Conversation was great. We learned a lot about Nathan’s project, screened yesterday and a feature he is currently in production on. Plus, lots about the Zimbabwe culture, and our filmmaker’s  stay there. Fascinating morning talk.

It is now after 1pm and the afternoon, Friday the 13th horror shorts and features began. Since Wednesday I haven’t seen a film I haven’t enjoyed. I don’t review movies, as a filmmaker, I prefer to enjoy other’s work because I know the effort that goes into projects.

I will point out one I did just enjoy. From Switzerland, the short film ‘Alekto’, was impressive in scope and effects for a 20 minute short. The afternoon horror shorts definitely creepy so far. Good stuff all around.

Nelson Oliveras, director of ‘A Dubious Night’, and his writer producer Mark Koch just arrived. Nice to say hello.  I happen to be in the short film so it is fun to be at the festival have some work shown too, this year. Nelson, Mark and I were called up for Q & A.

Question and Answers with documentary director Michael Brown followed his film, ‘Haunted State: Whispers From History Past’. Both shared haunting experiences while filming and investigating haunted historic buildings in Wisconsin.

Producer David Williams shared tales as well. They have a twelve person team of filmmaker investigators. Some of the locations included, The Pabst Brewery in Milwaukee,

The Stone Cellar in Appleton, as well as locations in Wisconsin Rapids and Merrill, Wisconsin.  The used a number of high tech investigator tools.

They point out that the film comprises the greatest hits, so to speak. They may sit in a room for over eight hours and end up with 20 minutes of material they then edit into a film. Lot of waiting and wondering during that time. Film fan s benefit from the editing.

Both filmmakers seem quite adamant about their experiences and not screwing around with these things. Both explained that they have been genuinely frightened while looking into these matters.

Spoke briefly with the director Brown and turned to see long time friend R. Michael Gull and son sitting at table. Michael appears in the Wisconsin made narrative feature ‘The Scarapist’ written and directed by Jeanne Marie Spicuzza who also stars. Based on a true story.

Michael received deserved audience accolades and answered questions at the film’s end. A disturbing movie to say the least! I got to chat again with Michael on the way to grab some food between flicks.

Then, I met, said hello to New York film director, M. Louis Gordon, just prior to the start of his short ‘Girl In The Chair’ shot on 16mm.

HIs film opens,  oddly reminiscent of Speilberg, Harryhausen, and ‘The Sound of Music’ if you can imagine such a blend. Clever, and fascinating mix of live action and animation.

Based on a true story, Louis stated he did not want to make a standard biopic. His blend, I described above, he said was inspired by and an homage to the Quay Brothers. I’ll say no more it is up to you to see it.

The narrative feature, ‘In The Dark’ directed by David Spaltro followed. Well acted possession horror. Wisconsin’s  Slasher Studio, ‘Dimembering Christmas’ directed by Austin Bosley was next in line.

I very much enjoyed the camera work in this feature. NIcely entertaining. Three of the filmmakers answered questions afterwards. Kevin Sommerfield, Marla Van Lanen and Zachary Allen.

They addressed shooting in winter, surviving the cold, the steadicam and actors on ice and more. One steadicam shot/scene was 5 plus minutes, timed and rehearsed; took 4 takes to get right. Fun film and good Q & A. I enjoyed chatting with Kevin and Zachary afterwards.

Closing the evening films is a Canadian feature ‘Luciferous’. Profoundly disturbing. It is after midnight and the festival resumes 10am tomorrow with panels and more!

Keep checking back – use this link – I will post updates throughout the day. Enjoy!

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Weyauwega International Film Festival Day 2 – Nov 12

compulsion

Year five, day two of the Weyauwega International Film Festival is underway.

The day began with breakfast at the B &B with English Documentary filmmakers Jacob Hesmondhalgh and Marie Josephine Hobson. Their film ‘The Family and The Animals’ was filmed in Zimbabwe.

The we went super market shopping so they could by snacks and enjoy local flare, Wisconsin cheese and more.

It is now 1pm and the Gerold Opera Hostel is bustling. This afternoon starts off with a presentation from film historian Dr. Jack Rhodes. He presents the 1959 movie ‘Compulsion’ starring Orson Welles, Diana Varsi, Dean Stockwell and Bradford Dillman.

Directed by Richard Fleischer, Compulsion is set in 1924 Chicago and is based on the historic Leopold and Loeb murder trial. I saw it as a child and many times since. I am looking forward to the presentation.

Lot’s of food, snacks, drinks, popcorn and candy sold as film fans and filmmakers make their way into the theater.

Dr Rhodes stated he wanted to include this movie showing because his area of expertise in film is from the 20-60s. Edgy, different, studio releases from the classics period. Plus, it is the 100th anniversary of the birth of Kenosha, Wisconsin native Orson Welles.

Cannes Film Festival divided best actor among the three, Welles, Stockwell and Dillman. Welles appears at about 67 minutes into the film and has one of the longest uninterrupted courtroom speeches in film history.

Similar to television series, Law and Order the first half of the film is about the crime, ‘the crime of the century’; the second half ‘the trial of the century’ the trial. Film also includes recently passed Martin Milner as a featured character in the movie. Other notables include E.G Marshall and Richard Anderson and Gavin McLeod.

Made during the era of the production code filmmakers had to find alternative ways to let audience know that the criminal partners were life partners.

Watch for the oval cupids in background during the staircase scene, or the dutch angels meaning tilted, and in one scene one literally exists the closet, meaning coming out of the closet. Dialogue, ‘are you ditching me for some girl?’ ‘Well, I couldn’t find you for three days.’

Daryl F. Zanuck producer chose black and white purposefully and recreated old world Chicago. Checkout the Art Direction and Production Design.

The Art Director, Lyle Wheeler,  won 5 Academy Awards out of 24 nominations. These were, ‘Gone with the Wind’, Anna And the Kind of Siam’, ‘The Robe’, ‘The King and I’, and ‘The Diary of Anne Frank’.

Willian C Mellor, Academy Winner, for Place in the Sun and Anne Frank. Check the credits for all the notable filmmakers who made this film. Among his notable credits is George Steven’s ‘Giant’.

Knock yourself out looking everyone up on IMDB.com Then, make sure you check out the film. A wonderful introduction by Dr Jack Rhodes.

Dr Rhodes conducted a fun post movie Q & A with other great tirvia coming forth. Welles, admits at his age he could not remember all the dialogue so he used a teleprompter. The difficulty keeping the prompter off camera. Proudly, Welles, asserts, ‘I did it in one take!’

That plus much more made it a fun afternoon of vintage movie watching. Short program begins in a bit!

Just met Milwaukee area author, director Ron Faiola and his producer John Prudlow prior to the screening of their short ‘Tilt-A-Whirls, Cowbells and Beer’ an exploration of Milwaukee area church festivals.

Slogan seems to be ‘Drinking for Jesus!’ This is Wisconsin and no one needs a reason to drink OR any reason will do. But ‘drinking for Jesus’ will now remain close to my heart.

Faiola is also known for ‘Wisconsin Supper Clubs’ film and the book and ‘Fish Fry Night Milwaukee’. Ron has become known as the filmmaker chronicling Wisconsin and unique Wisconsin happenings and rituals.

Ron and Jack fielded questions after the shorts segment. They discussed topics in the film; cost of festivals, weather, safety, dwindling numbers of festivals as a result, drinking, feeding, gaming. and more.

Wisconsin has it’s own way of entertaining itself. 10 years ago there were over 200 festivals. Today, that number is down around 120. What is next?

The USA/Australian Documentary feature ‘Polyfaces’ features one of the world’s best farms in action.  Workers from the farm answered questions during the Q & A. Great discussion on nutrition and sustainable farming practices.

These people now have relocated to a new farm in Princeton, Wisconsin. They have a much smaller farm and follow the tenants of Polyfaces. They cater special events and weddings with healthy food.

Today represented the 2nd US showing of Polyfaces. It is the first showing since it’s premiere and they chose Weyauwega. It is  a fascinating film and following discussion about how we could be eating healthier more often if more farms had conscientious healthy practices.

Shorts followed. Director Nathan Deming was in attendance answering questions about his short ‘Dog Days’. The film was his thesis project for the London Film School, in England. Crew working on Dog Days  came from Wisconsin, California, Norway, Spain and Lebanon.

Deming, graduated the film school and is now working on his first narrative feature about a young man caught up inn a religious organization.

Closing the evening will be the documentary feature ‘Peace Officer’ about the increasingly militarized state of American police, as told by former sheriff Dub Lawrence.

Lawrence established and trained his rural state’s first SWAT team who later shot and killed his son-in-law 30 years later. A sad, disturbing film on the use or misuse of deadly force.

The film ends. Conversation ensues as people make their way out of the Gerold which ends day 2. My English companions Jacob and Marie and I make our way back to the B & B. Turns out Nathan is staying there as well. Perhaps, all four of us will have breakfast tomorrow. I’ll report day 3 tomorrow, similarly as I have today.

Tomorrow, Friday the 13th brings out the Spooky movies at Weyauwega International Film Festival and begins the weekend.

Come and join the rest of us filmmakers and fans if you can!

I’LL UPDATE THROUGHOUT THE DAY SO CHECK BACK IF YOU’D LIKE TO STAY UP TO DATE WITH SOME OF THE HAPPENINGS HERE.

 

Weyauwega International Film Festival Day 1 – Nov 11

weauwega sudeince from back 2014

Weyauwega International Film Festival is underway. Shorts have been showing. Nice programming. I’m having an incredibly tasty pulled pork sandwich, cole slaw, and drink at moment. They make good food at the festival.

Short subjects began at 4pm. The are presented in blocks. I am eating while waiting for the next short series to begin.

Feature begins at 7:30 pm. So far so good. Festival is off to a great start. If you aren’t here you should be. We are at the Gerold Opera Hourse in Weyauwega Wisconsin – just west of Appleton. Come on out! Schedule and info at website link I provided.

Http://www.wegaarts.com

I finished teaching today at UWM. My guest writer, director Todd Robinson added incredible value to my students and me, and all those who will watch our discussion on youtube. A must!

Packed up. Said bye to the students. Left campus and drove a couple hours to Weyauwega. One of the most disappointing moments occurred along the way. I was planning on dining at a friends fabulous Soup Brothers restaurant before leaving Milwaukee, mmmmm; Richard’s food is awesome.

I opted instead to drive over an hour and stop at an incredible truck stop diner along the way. There I would enjoy their sumptuous truck driver fare! I’d have breakfast midday and I could barely wait to get some coffee in me too.

I pulled into the diner. Walked in. Horror of Horrors. I discover that about 2 months ago they tore it out and converted to a fast food pizza chain. UNBELIEVABLE! I can’t imagine these hungry, burly truck drivers are happy about this. Or anyone else for that matter.

WOW and I could have had wonderful soup!

Oh well, life goes on. I ate elsewhere, at another small diner along the way. No where near as tasty as the one that vanished but I got some food. A little while later I arrived at the B&B and slept until almost 4 when fest began.

I love this B&B. I’ll tell you about it in my last blog post. I know in one of the rooms next to me is or are filmmaker/s from the UK.

The food at the festival is delicious. I said that right. WOW this blog is a lot about food. I guess my shock at the diner is unrequited.

Drinks come in alcohol and non-alcohol varieties. The people are  fans and filmmakers. The films long, short, narrative, and documentary. There is something here for everyone. Friday the 13th is horror film day.

The shorts are very entertaining. If you can be here you should be. The cost is right, the films are right, the people right too! You will enjoy yourself, but only if you come on out! Hope to see you!

Riley Dayne & Rex Sikes Inside The Film Business: making movies, money, and marketing

the abundance factor

Riley Dayne & Rex Sikes Inside The Film Business: making movies, money, and marketing

New Filmmaker Video: Inside The Film Business: Riley Dayne​ is the writer, producer & host of the hot new documentary ‘The Abundance Factor’.

The Abundance Factor Takes You On An Unprecedented Journey into The Minds of The Worlds Most Knowledgeable Experts on the Subject of Abundance and Prosperity.

Dayne’s and Sikes’ discussion is filled with valuable information for today’s filmmaker business person!! Watch it today! IF you are interested in Abundance you want to watch to this too!

To watch click the bolded link below:

Riley Dayne & Rex Sikes Inside The Film Business

Riley has produced and directed numerous short films and independent documentary projects during his brief time in the feature film world.

Riley’s love of film started in the 5th grade when he shot and directed his first comedy film, “The Blair Ball Project” – a parody of the well-known 90’s found footage film, “The Blair Witch Project.”

Shortly after graduating high school with several academic rewards in both the theatrical arts and multimedia production, Riley’s career in the entertainment business began in Los Angeles, where he spent his time studying at the world renowned New York Film Academy.

Having graduated from the Digital Filmmaking program (Learning Cinematography, Direction, Screenwriting and Photography), Riley has continued working on his craft by producing & directing various independent  film projects.

How To Work with Professional Performers on your ULTRA LOW BUDGET Feature Film and Short Films

sag logo

Have you ever wanted to Work with Professional Performers on your  ULTRA LOW BUDGET Feature Film and Short Films?

Come down University of Wisconsin Milwaukee – Mitchell Hall Room B91 on Sunday November 8th to find out how you, can have SAG actors in you’re projects! All filmmakers and filmmaking students welcome!

This Workshop presented by SAG-AFTRA Chicago and Kathy Byrne, (Director, SAG-AFTRA Chicago) will show how you, yes, you, can afford to use professional actors in your low budget feature film!

“There is a contract for every budget level. Feature films made for under $250,000 are covered under the SAG-AFTRA Ultra Low Budget Agreement – come find out how easy it is to work with this contract. We also have simple agreements that you can sign to use professional actors in your short films and webisodes as well! If You’ve ever wanted to work with SAG-AFTRA and Equity actors this is a can’t miss event!” Kathy Byrne.

UWM campus in Mitchell B91 on Sunday, November 8th at 2 PM. Mitchell Hall is the large building on the NW corner of Downer & Kenwood. Free Street parking or pay parking at UWM Union Parking Structure on Campus.

This FREE workshop will provide you a service to highlight the benefits and ease of casting professional actors.

SPACE IS LIMITED! Please RSVP by Wednesday, November 4, 2015 to Kathy Byrne at kathy.byrne@sagaftra.org.

QUESTIONS? (312) 867-5508

SAG/AFTRA 1 E. Erie, #650 Chicago, IL 60611

Join Us! RSVP Today!!!

Weyauwega International Film Festival November 11-14, 2015

WIFF LOGO 2015 WEB

The Weyauwega International Film Festival will be returning November 11-14 to the Gerold Opera House in Weyauwega for it’s fifth year of films from around the globe.

This year the festival presented by Wega Arts will be screening forty-three films representing seventeen different countries. Many of the films were either made in Wisconsin or have Wisconsin connections.

This year Friday at the festival happens to fall on the 13th of the month which of course invites an opportunity to screen horror films.

Use Bolded Link Below To Listen

Rex Sikes’ Movie Beat chats with festival co-director Ian Teal

The Weyauwega International Film Festival (WIFF) has seized this opportunity to satisfy the horror hounds in Central Wisconsin and will be screening horror films and thrillers all day on Friday the 13th in what they are calling a “Friday the 13th Fright Fest”.

Most notable in this line up is the world theatrical premiere of the new feature film DISMEMBERING CHRISTMAS by local filmmakers Steve Golz and Kevin Sommerfield of Slasher Studios. They will be on hand to present their twisted Christmas tale at 9pm.

Another Wisconsin film screening on Friday is HAUNTED STATE, a blood chilling documentary which explores the hauntings of several locations in Wisconsin including the Stone Cellar Brew Pub in Appleton, the Pabst Mansion in Milwaukee and locations in Wisconsin Rapids and Merrill. The filmmakers including director Michael Brown of Appleton will be in attendance for the screening of HAUNTED STATE at 3:30pm on Friday.

The other Wisconsin film is the psychological thriller THE SCARAPIST which tells the tale of a distraught women who is let astray by a very demented therapist. The writer, director and star of the film, Jeanne Marie Spicuzza is expected to be in attendance for this entertaining thriller which screens at 5:15pm on Friday.

For those looking for a good possession tale there are two offerings. IN THE DARK by New York filmmaker David Spaltro offers a very spooky and original demonic possession tale featuring a mostly female cast which screens at 7pm.

At 10:30pm LUCIFEROUS promises to raise the chill factor with it’s story about a family that is being tormented by a very nasty entity. This unique tale features a real couple and their daughter as the onscreen family. This especially creepy film has lately been honored with several awards on the festival circuit.

Of course WIFF is not all about horror films. Some great feature films and documentaries as well as a wide variety of short films will be screened this year.

Wednesday’s lineup includes the documentary THE GOSPEL ACCORDING TO CHARLIE at 5pm about outsider artist Charlie van Ness who started out making a wide variety of art objects featuring phalluses. The filmmaker follows Charlie for several years and his persistence pays off as there are some very unexpected and harrowing developments in Charlie’s life.

At 7:30pm on Wednesday the Sci-Fi film EMBERS screens. EMBERS is set in a post apocalyptic world where a global virus has wiped out the memory of everyone it infects. This is no zombie or Mad Max marauder flick, it is a very thought provoking and touching existential tale of identity and what it is to be human.

The films follows several characters as each morning they awake with no recollection of the day before or who they are. This film is a real conversation starter and is also beautifully filmed. EMBERS has an encore screening on Saturday, November 14th at 2:15pm.

Thursday features the classic 1959 court room thriller COMPULSION about the Leopold-Loeb murder case starring Orson Welles screening at 1:30pm.

The film will be introduced by noted Film Historian Dr. Jack Rhodes and it is also a free screening. The documentary POLYFACES screens at 5:15pm and examines the unique and highly sustainable farming practices at the Polyfaces Farm in Virginia.

This film is a real eye opener about the potential of sustainable farming and should be a must see for anyone environmentally or agriculturally minded.

At 8pm the extremely timely documentary PEACE OFFICER examines the results of the recent surge in the militarization of our police forces.

In Utah, a crime scene investigator offers clear and insightful examinations of several extremely violent cases involving SWAT teams. In a sad note of irony, this examiner’s family also becomes the victim of an SWAT raid gone wrong.

This film is one of those ‘Must See’ films for anyone who is a citizen of this world.

Saturday starts with a filmmaker seminar with local filmmakers Dan Davies, Craig Knitt and Rex Sikes at 10am.

An encore screening of the previously mentioned EMBERS screens at 2:15pm. The very entertaining romantic comedy DIRTY BEAUTIFUL screens at 4pm.

The documentary about Wisconsin Supper Clubs, OLD FASHIONED screens at 6pm with the filmmakers Holly L. De Ruyter & Brian Risselada will be in attendance and of course Old Fashioneds will be featured at the Gerold Opera House’s full bar.

The closing night film is a documentary about the state of photojournalism in Afghanistan. During the Taliban regime all photography was banned and women were severely oppressed. FRAME BY FRAME follows several young Afghani photojournalists who are again facing the threat of another uprising by the Taliban.

This film shows a truly beautiful side of Afghanistan that is rarely seen while simultaneously illuminating the dark reality and horror of oppression in a society that seems to be forever doomed.

This is an outstanding film and festival director Ian Teal states that this is a ‘must see’ of the fest. FRAME BY FRAME screens at 7:30pm and will be followed by an awards ceremony and reception with complimentary appetizers and of course, conversations about film.

The historic Gerold Opera House is celebrating it’s one hundredth year in 2015 and is only about a 25 minute drive West of the valley in Weyauwega and is conveniently located off of HWY 10. There will be soup and sandwiches available for purchase as well as fresh popcorn and a full bar so plan to make a day of it.

Tickets are $12 for a day pass which are good for any one film or a whole day of films. Festival passes are $30 and are good for the whole festival and also include a free large popcorn!

The full schedule can be found at wegaarts.org. Festival passes can also be found online and at the Book Cellar in Waupaca & at Rural Relics Antiques in Weyauwega. The box office can be reached at 920-867-4888. See you at the Gerold!

Flyway Film Festival #8 – Workshops – Days 1 And 2

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SPECIAL POST FLYWAY NOTE: PLEASE READ!!!

Those who attended the festival this year – PLEASE share your experience. What is/was your favorite memory, film, conversation, moment, etc. Let us all share with each other. I really want to hear from attendees. When I post I can only post what I experience, but if we each take a moment we can create a fuller living memory of the event.

Plus,those from past years who couldn’t make it this year can share what they liked from the time/s they did attend. In this fashion we can all enjoy and support flyway even after the festival. SO please start sharing everyone!!!

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Summary of Workshops Flyway # 8

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THE ART OF THE PITCH – UPDATE – 10:30 am.  Workshop with Erica Anderson. Main points, whether pitching for attaching director or cast, TV or film project, or financing:

  1. Stand for something. Care about it. People respond to your passion.
  2. What is your end game? Where is it going? Where will it end up?
  3. Who is your audience? Pitch differs according to who you are pitching. Tailor it to whom you are pitching.

Erica covered many excellent points. What are you offering the people you are pitching? Research the people you pitch. What have they done? Know who they are and their interests are so that your offer is meaningful. Practice your pitch and hone it.

Four NeedsWhy are you qualified? Why should you be doing this project?  Why is this project important? Why should it happen right now? Why should they get involved.

She covered the basics of a ‘money’ or ‘project’ pitch. She discussed elements of body language and how to conduct yourself  as a professional during the pitch.

Workshop attendees then had the opportunity to construct and practice pitches with Erica so that by the conclusion of the workshop they each had at least 1, 1-2 minute pitches they could use in the real world. All in all an excellent workshop. Well worth the time.

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MAKE A SERIES DAMN IT! – UPDATE – 1:30pm workshop with Julie Keck and Jessica King. Julie & Jessica have produced approximately 20 niche web series. Covered during the workshop:

  1. How to develop a series concept for the web.
  2. How and why to target an audience.
  3. Options for funding and distribution.

The workshop started off with a discussion of successful comedic web series. First Rule is to put your audience first. Know your target audience. Understand your audience so you know how to market to them.

They suggested you consider whose stories are being told in mainstream film and television. People gather online to discuss topics and these are ripe for story development. What haven’t you seen? What can you blend or mix that would be new and unique? Is there a place online for these?

Second Rule is think small. You aren’t a studio production. Keep it small. Use Only a few characters and a few locations. Keep it simple. Consider too the different platforms the consumers watch on, phones, computers, notebooks, tablets.

Rule Three how easy is it to share? Spreading it through social media. You want it to be cool enough that people share it.

Discussion followed on funding options: Independently funded.; Sponsored and product placement. Hand in hand with knowing your audience is knowing companies who are interested or cater to your audience. Crowdfunding.

Jessica and Julia spoke to distribution methods. Direct Distribution means you release your product through established channels. Do It Yourself (DIY) release to your own audience in a variety of ways.

The afternoon workshop ended. It proved to be an informative workshop for filmmakers on creating, financing and distributing web series. Great questions and answers followed.

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LOCATION LOCATION LOCATION – Panel 10:30 am Oct 23 What does a location manager do? To give everyone on crew a drama  free production. No surprises. Primary liaizon between location owner and production company. Always mind reading because they may received descriptions of room size and footage for dolly runs and type of equipment planned to be used.

The Location Scout receives story board, mood photos or description from producers and tries to match up with real world locales. Finding the location is part of the process. Gaining permission is the job of the location manager.

Charolette and Steve showed slides of samples of their work. Also must make sure location is returned not damaged and returned to its prior state when shoot is concluded. The L.M. notifies police and neighbors that film crew is shooting so everyone is aware.

From director Kristjan the location is not merely a place where things happens but also a character in the movie. Always visit location prior to shoot, between scout and shoot, to see what it is like in real life. How does it speak to you? It isn’t just for knowing benefits and issues of location but to get a feel for it.

Emily discussed permits and paperwork options in different cities and countries and addressed location schedule based on budget. Her recent film shot in Hong Kong which required government permissions and permission from the Triad. Her inspiration was to present Hong Kong through loving eyes as opposed to who it traditionally portrayed in film.

Nora spoke to shooting with low budget and keeping the story riveting. Here recent documentary was shot in India. She spoke about shooting in India without insurance or permits and how after these agreements were made, the producer tried to shake her down for money not agreed on. Filming always carries with it risks and caveats especially in other countries.

All in all a robust discussion from all panelists on making your location choices work for you. A fun and informative discussion with enjoyable visual samples.

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Crowdfunding To Build An Audience – UPDATE 1:30 pm Oct 23 with Erica Anderson

Focuses on crowdfunding but provides you the skills to build a sustainable career. Materials available for free on the Seed & Spark website.

Seed & Spark is a Crowdfunding and Integrated Distribution Site.

Seed & Spark wants better stories on the screen. In order to have better stories make it to screen you need to be a better business person. The workshop is to help you become a more successful independent business person filmmaker with an engaged crowdfunding audience.

Some points from the workshop follow. Time to think about:

 1. What things cost. You must consider cost in advance or needing the funds.

2. Who is your audience? Where are they? How do you get their email address?

3. Your audience must know and understand what your end goal is. Your end goal is the film project. They need to know that is why you engage them.

4. You can survey your followers and social media friends and followers. Crowdfunding begins long before your campaign begins.

5. You set the tone and must be consistent. Persist. You must create momentum and keep going for it. Need to ask realistic budget questions – how much will project cost? how much will incentives cost?

6. It is important that you succeed in your goal so you can deliver the film you promised you are going to make.

7. Think hard about incentives that matter to your audience. Have first day only incentives to start your campaign off with a bang. First week incentives, 2nd week etc.  Incentives can be delivered from the start of campaign until after the campaign.

8. People want to see the movie. How will you get it to them? When, where and how. Figure it out early on because people want to see your movie

9. Pitch video: The first 15 seconds are for your movie’s audience. Tease your audience with 15 seconds of what you movie is like. Comedy, horror, thriller, action. You have 90 seconds to say everything. Personal appeal is important.

10. Schedule your campaign in advance of it. Stick to your schedule.

Remember, this is a business. Learn the business approach and treat everything with that in mind.

There were many more important points that Erica made. Questions were answer. A valuable approach that filmmakers can utilize.

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Listen To festival director Rick Vaicius and me discuss this years program:

Rick Vaicius On Rex Sikes Movie Beat Live

Visit Flyway Film Festival Official Website:

Visit Rex SIkes’ Movie Beat Official Site

Enjoy! I will!!! AND I did, very much!

I INVITE Festival Attendees to post comments in the comment section about what their favorite parts of Flyway Film Fest are. Who they saw, films they saw, panels they attended, what they did, where they ate, how drunk they got… you know all the good stuff! Leave some comments here and enjoy!

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