Category Archives: pre-production

Rex Sikes’ Movie Beat chats with ‘The Surface’ producer writer Jeff Gendleman

Jeff Gendelman headshot - 2013 copy 2

Jeff Gendelman is a Writer and Producer. He wrote and produced The Surface, an 18-year journey of perseverance from idea to production. The film stars Sean Astin, Chris Mulkey and Mimi Rogers. It was directed by Gil Cates Jr. and premiered October 9, 2014. It is soon to be in theatrical release. See below* Jeff also produced and directed the award-winning short film, In Passing. He produced the Los Angeles world premiere of the play, The Letter Writer, and then developed it to be made into a film. He produced and directed two science documentaries, and a pilot for a syndicated TV series.

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Rex Sikes’ Movie Beat chats with producer writer Jeff Gendleman

As an actor, Jeff co-starred with Christopher Lambert in the feature film, Splitsville. He had a supporting role opposite Robert Forster and Donnie Wahlberg in the feature film, Diamond Men. His TV work includes guest-starring roles on NBC’s Law and Order and he was featured on Beverly Hills 90210. Jeff was also a series regular on the television dramas One Life to Live, Guiding Light and Loving (nominated for Outstanding Actor in a daytime TV series).

He studied in film classes at the American Film Institute (Los Angeles), New YorkUniversity, USC, and at the BBC (London).

Jeff has also been involved with the theater since age 10. After graduating from the University of Minnesota he went to train in the American Conservatory Theater Advanced Actor Program in San Francisco. He has acted and directed at theaters throughout the United States and Japan, including Old Globe Shakespeare Company (San Diego), Milwaukee Repertory, Mark Taper Forum (Los Angeles), and Riverside Shakespeare Company (New York City).

Jeff is a graduate of Outward Bound Survival School. Additionally, he has been involved with martial arts for over 40 years and has achieved advanced ranks in 4 different styles. In addition to being a lecturer at the University of Wisconsin in Milwaukee, Jeff is a principal with the renowned J.K. Lee Black Belt Academy.

*The Surface opens at Marcus Cinema Theaters in the Milwaukee, WI area the weekend of October 31st. Check your newspaper for more information.

Also visit The SurfaceMovie Official Website for more!

*** Please also visit Rex Sikes’ Movie Beat Official Website.

Stay up to date with the live shows on Rex Sikes’ Movie Beat. You can join us and listen live as the show records. You can hang in chat and ask questions. All shows are recorded and archived at the official site.

Updates will be posted at this blog,  at the official site,  on the RSMB Friends page on FB,  through twitter and elsewhere.  When you can’t join us live you can still  listen to archived show from official site, from blogtalk radio and you can subscribe to the podcast at itunes.

Over 400 hours of professional filmmakers share their expertise and tips and secrets with you. All discussion may be listened to live and archived from the Official Site too! Check the INTERVIEWS

Rex Sikes’ Movie Beat Official Site

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Rex Sikes’ Movie Beat chats with director Peter D Marshall

peter d marshall

Peter Marshall so far has had a 35-year career and has worked as a PA, dolly grip, electrician, assistant cameraman, commercial production manager, first assistant director, TV series creative consultant, television producer and director.  

He has worked on many different types of productions, from industrial films to documentaries; television commercials to music videos; Emmy Award nominated TV series to Hollywood feature films.

Peter has directed over 30 episodes of Television Drama and written, directed or produced over 50 hours of documentary and educational programs. His documentaries and dramas have won, or been nominated for, 14 International film awards.

UPCOMING LIVE: Thursday Dec 4, 2014  11aE 10AC 8aP TO LISTEN CLICK THE BOLDED LINK BELOW:

Rex Sikes’ Movie Beat chats with Director Peter Marshall Pt 30

Peter has some incredible products for the director and 1st AD a his website. He also organizes thoughts and materials in an incredible easy way for filmmakers to use and apply. I asked Peter to discuss the criteria necessary to be a good director. In this series we go over elements and priciples critical to apply when preparing to direct and when directing. Enjoy this nuts and bolts Director Series with Peter D. Marshall.

***The Directors Series on Rex Sikes’ Movie Beat is listed in descending order from first aired to last episode.***

TO LISTEN RIGHT NOW – CLICK BOLDED LINK BELOW:

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As a First Assistant Director he’s worked on 12 Feature Films, 15 Television Movies, 6 Television Series, 4 TV Pilots & over 20 Commercials. He’s  worked for directors such as Zack Snyder, John Woo, Ed Wick, Phillip Noyce, John Balham, Roger Adam, Anne Wheeler, Bobby Roth &  Kim Manners.

He has worked with talented actors including Michelle Pfeiffer, Kevin Spacey, Morgan Freeman, John Travolta, Mel Gibson, Kathy Bates, Adam Sandler and Peter O’Toole.

He has co-ordinated huge WW1 battle scenes, planned complicated visual FX scenes, managed large groups of extras & directed intimate emotional scenes between two actors. 

His first major series as 1st Assistant Director was Steven J. Cannel’s “Stingray” in 1986 after having been the 1st AD on a Canadian TV series called “Hamilton’s Quest”.

Thereafter he worked on several more TV series with Cannell and became 1st AD on “Wiseguy.” which he worked for two years. He  got his directing break on this series & directed a couple of episodes.

“The Fly 2.” was his move into feature films as a 1st AD. Other credits include “Happy Gilmore”, “Dawn of the Dead”, “The Butterfly effect”, “Lizzie McGuire Movie”,  “Look Who’s Talking Now”, “Bird on a Wire”,  scores of television series as 1st AD & as a director.

Peter Marshall Official Web Site  Peter has incredible learning products, ezine, workshops, blog and services. Check into these.

*** Please also visit Rex Sikes’ Movie Beat Official Website.

Stay up to date with the live shows on Rex Sikes’ Movie Beat. You can join us and listen live as the show records. You can hang in chat and ask questions. All shows are recorded and archived at the official site.

Updates will be posted at this blog,  at the official site,  on the RSMB Friends page on FB,  through twitter and elsewhere.  When you can’t join us live you can still  listen to archived show from official site, from blogtalk radio and you can subscribe to the podcast at itunes.

Over 400 hours of professional filmmakers share their expertise and tips and secrets with you. All discussion may be listened to live and archived from the Official Site too! Check the INTERVIEWS

Rex Sikes’ Movie Beat Official Site

To Crowdfund Or Not To Crowdfund? Is That The Question? Part 3

“…Consider this: Movies get funded and made every day. I repeat: MOVIES GET FUNDED AND MADE EVERY DAY!Sure, it is tough but it happens. Projects get green lit from the  studios, independent films find their funding, crowdfunded pictures get their money to move forward, and more. These happen all the time.  It all boils down to a simple thought: If others can do it so can you! Keep the faith.”

Crowdfunding Part 3

“In my book the single most important ingredient for hoping to get a project launched IS to have a great movie to make.  It makes it much more likely you will be able to move ahead when you start with something that has incredible value. You should have an excellent script. Top of the line!

First and foremost here is what you need to consider and ask yourself: Do you have a film project worth investing your time, money and energy in? Do you have a film project worth another person investing their time, money and energy in? Do you have a film project worth an audience investing their time, money and energy in? Well, do you? Be honest.

These are important questions. Do you have something great that is worth making? If you can honestly answer yes, you may be on your way. If you cannot, keep looking for a great project.

No one wants mediocre or just okay? Everyone wants to be captivated, they want their attention grabbed and they want to go on a two hour roller coster ride. They want to laugh or cry or both. They want to be involved and live through the characters.

Movies are supposed to be for escape so people can forget the drudgery of their circumstances for a while and be transported somewhere more fun, enjoyable or even terrifying. They want to be entertained and not wonder why they wasted minutes of their life. Make sure your film project is worthy of you, your funders and the people it is intended to please – your audience.

It is true that even with the best script, the best director and the best available cast, the movie still may not get made.  There are many factors in getting a movie produced and all need to line up for it to go. That is the art of juggling a production. There are so many things to work on all at once it IS  like trying to keep a number of balls in the air. Some  productions will make it some will not. This is critical whether crowdfunding or using more traditional methods.

It is important to put together the best possible project so start with. You start with the best script. You seek the best producing team, the best cast and the best crew. You may or may not need any of these ‘attached’ to seek funds but ultimately you want to have the best to work with regardless. Often, you raise seed money first to be able to launch your LLC, set up a bank account and hire on the others.

It is important to have a good entertainment attorney who can advise you when and how to certain things. For example, when DO you launch you LLC,? Some say that should come first, (as I just described) get some money and incorporate.  Others advise that you wait, you don’t need to set up an LLC until you have funds coming from your sources. Investors understand the LLC will follow.

Savvy investors know the all the steps you should too. Seek wise, legitimate, experienced legal counsel. This is not an area you want to skimp on.

Even though some movies do not get made  the money out there for movies is still plentiful.  The proof that there is more than enough money to go around  IS this: even mediocre and terrible movies get funded and released. Haven’t we all wondered, ‘how on earth did this ever get made?’

Whatever  the reasoning behind the financing of a ‘bad movie’, which may have reasons, (often  tax shelters) the movie still got made and released. Most of us like to think that filmmakers don’t set out to make a bad movie but that is simply not the case, there are those who do.

My point is funds can be found! Money is plentiful! Bad movies are part of the  proof that the money is available if the conditions are right.

What are the right conditions that got the movie made regardless of whether  it was a good or bad. It was the ‘deal’,  the tax shelter, a vanity project, it was for any other reasons that some people invested. Apparently, it was to make money or to lose money but it was not to release a great movie. Funny, you wouldn’t think it to be the case but bottom line rules. Good or bad movies are financed because the investors saw fit to invest.

Funds exists. You just have to tap into them.  You are better served if you do everything smart and right from the get-go. Aim high! Make a really good movie. Make a great movie. If you are going to put all this time and work into it you should absolutely love it.

The attitude a filmmaker needs is to maintain is a positive attitude. You should have a great script you are passionate about, that you believe in 1000 per cent.  If you absolutely believe in it and are passionate about it others can jump on board because the believe in you and trust in your commitment. If you have a great script and great package it makes it more likely others will be interested too.

So chose something you will still be passionate about years from now because it could be a long road. It can be easy but it usually isn’t. Raising money is an art and a science that you should learn to do well if you want to produce your own projects.

Once you have  your budget and your producer package together you need to plan how to get financed either by traditional means, crowdfunding, both or by some new novel approach.

The bottom line is that you will have to be dedicated and you will have to know where to look. Fund raising can begin anytime you have a legitimate project to fund raise for.

You will need to know where to look for your money. Perhaps, your investors will be those who are in the field, or interested in the field you movie is about. Perhaps, they are medical people. law enforcement, attorneys, scientists, bankers, who have money and are interested in your topic. Perhaps, they are financial people who have no actual interest in your topic but like a well put together project that has potential.

You could piece them together from all over or it could mostly come from a few or even from one source. You will have to do the leg work to find out who and from what walks of life your investors come from. This is another area where a smart entertainment attorney may be of some help. Sometimes attorneys know people whom they can put you in touch with who are looking for investments. The entertainment attorney may be a useful resource in this area.

Besides a great script/project you REALLY need to know and understand people. You need to understand why and how people invest.  You want to get inside the investor or contributor mindset. You need to understand them to know how to approach them, to pitch them and to sell them. You not only have to know how to do these things you have to know when and how to close them.

Your first thought should be about getting to know these people and understanding their wants and needs. You need to learn how to create rapport with others and how to add value to them.

If you know why they invest and in what they invest you help yourself out in many ways.  As a producer you will spend more of your time raising money than making movies so you ought to understand how the people think that you are trying to get money from. This may be more  important than anything else for you to appreciate and know.

Savvy investors, if they even give you the time of day, will see you coming miles away. They will size you and your project up within seconds of first contact. This is the world of finance! It is not art. This is the world of business. No one cares about you as much as they care about their bottom line. So be prepared. Be professional!  You must have something they want. Be able to speak to them in the language that they speak (finance – not their native tongue) and in the world they understand.

At the very same time understand if you have a great project you may have something of value others will want. YOU also have to qualify investors just as investors will qualify you. Not everyone you approach or who approaches you is worth your time. You will want to learn how to separate the legitimate investor from the person who will waste your time because it makes them feel good to act the big shot around town. Getting legitimate investments is a two-way street.

You have to understand the laws and the rules too. You do not want to violate any in this area. Trust me, you don’t.  Do your homework.

As filmmakers we all want to just make films. In order to do that and make and pay living wages we need to finance our projects. You would be best served to read everything you can. Find someone who will mentor you in the art of financing or fund raising.

Today, filmmakers may be better off getting an MBA and going to business school than going to film school.  At the end of the day it is the business part of show business that rules and that determines who is successful and who isn’t.

Crowdfunding, at least for the time being, may be a way around all the legalities of traditional investing. Still, you have a responsibility to the funding platform, your ‘funders’, your team to be ethical, honest,  and completely above board. Be transparent so people know who you are and what you are all about.

Remember, HOWEVER, you raise funds it takes an enormous amount of energy, planning and working the process.  It is a lot of hard work. The people best suited for it may be the people who already have a passion for it. Perhaps, if this is not an area that you are drawn to you can partner up with someone who is. It requires dedication, passion, know-how and commitment. It requires being both smart and wise.

DO NOT EVER use the funds except as specified and when specified. They should be in escrow or considered escrowed in the case of crowdfunding. You owe perks to you funders always make sure you raise enough for what you intend to do and then some.

So when it comes to getting funded you have to do your homework More about all this next time.” Rex Sikes

Enjoy your day!

(Disclaimer: I do not purport to be an expert in crowdfunding or traditional means of financing. Nor am I able to dispense legal advice. Filmmakers are best served by finding a qualified entertainment attorney to work with and guide them in these areas. I bring up the topic to share a viewpoint and to encourage thinking and discussion).

Subscribe and Follow Rex Sikes’ Movie Beat Blog!  Visit often & please share with others!

*** Please also visit Rex Sikes’ Movie Beat Official Website.

Stay up to date with the live shows on Rex Sikes’ Movie Beat. You can join us and listen live as the show records. You can hang in chat and ask questions. All shows are recorded and archived at the official site.

Updates will be posted at this blog,  at the official site,  on the RSMB Friends page on FB,  through twitter and elsewhere.  When you can’t join us live you can still  listen to archived show from official site, from blogtalk radio and you can subscribe to the podcast at itunes.

Over 400 hours of professional filmmakers share their expertise and tips and secrets with you. All discussion may be listened to live and archived from the Official Site too! Check the INTERVIEWS blog.

Rex Sikes’ Movie Beat Official Site

Brian Herskowitz Producer, Director, Screenwriter, Author ‘Process To Product’

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For the last twenty years Brian Herskowitz has taught screenwriting, first with WRITER’S BOOT CAMP, then with UCLA EXTENSIONS, and for the last five years he has held the post of Lead Faculty for the prestigious BOSTON UNIVERSITY in LOS ANGELES WRITER IN HOLLYWOOD graduate degree program.  His script writing textbook, PROCESS TO PRODUCT: A PRACTICAL GUIDE TO SCREENWRITING, is available on Amazon.com and in bookstores.

As a writer, Brian has completed well over a dozen feature films. His first screenplay KAMI HITO E (THE THIN LINE) was based on his experience as an international Judo champion training in Tokyo.

TO LISTEN CLICK THE BOLDED link below:

Rex Sikes’ Movie Beat chats with Producer, Screenwriter, Director Brian Herskowitz

UPCOMING LIVE: TBA 11aE 10aC 8aP TO LISTEN LIVE CLICK THE BOLDED link below:

Rex Sikes’ Movie Beat chats with Producer, Screenwriter, Director Brian Herskowitz PT 2

From there he continued to write and his first produced feature was a low budget slasher titled DARKROOM. He wrote and directed the award winning short film ODESSA OR BUST starring SEINFELD’S Jason Alexander, ACADEMY AWARD WINNER Red Buttons, and RUSHMORE’S Jason Schwartzman. Brian wrote, directed, and produced the documentary 1736: SOMEWHERE TO TURN – about a family crisis center for domestic abuse victims, and the short film JOANNE – the story of a woman going through hard economic times and a mid-life crisis.

As a voice over artist he’s been heard in hundreds of films, games, and commercials including, FORREST GUMP, TOTAL RECALL (with Colin Ferrell), X-2, WOLVERINE, the hit video games DILBERTS DESKTOP GAMES, and MEDAL OF HONOR:AIRBORNE, as well as national commercials for Kentucky Fried Chicken, and Beringer Wine.

His voice has been heard in hundreds of hours of TV including the classic horror shows BUFFY THE VAMPIRE SLAYER and TRUE BLOOD.  Brian recently took on the duties of Voice Director for the new Animated Children’s series ANNIE SUNBEAM produced by Debbie Margolis-Horwitz.

Brian’s theatrical directing credits include the world premieres of I.A.N. (THE ITALIAN AMERICAN NETWORK), CONFESSION AND AVOIDANCE (based on the book of the same name written by his father, prolific biographer Mickey Herskowitz), JESSICA AND THE COUCH POTATO, the west coast premiere of  SHUFFLE OFF THIS MORTAL BUFFALO, and the recent hit CIRCLE OF WILL.

As a writer in TV his credits include a staff writing position on the NBC sit-com BLOSSOM, multiple episodes of the syndicated series HERCULES: THE LEGENDARY JOURNEYS, and ACAPULCO HEAT, the HBO hit comedy DREAM ON, CBS’s RENEGADE, THE EXILE, MURDER, SHE WROTE, the TV movie MURDER OF MY AUNT, the FOX Network’s YOUNG HERCULES, and CBS’s critically acclaimed was series TOUR OF DUTY (associate producer).

Brian co-wrote the FOX pilot MANTIC with Jason Alexander. In addition, he worked as a punch-up writer on BOB PATTERSON, and LISTEN UP.

Working with Co-Op Productions in New York (THE GUITAR, THIS REVOLUTION), Brian line produced Candace Bushnell’s web series THE BROADROOM, which starred JENNY GARTH, JENNIFER ESPOSITO, and TALIA BALSAM.

As a feature film producer Brian just finished principal photography on UNTIL SOMEONE GETS HURT (co-writer), and BUCKY AND THE SQUIRRELS a comedy from director-writer Allan Katz (M*A*S*H*, BIG MAN ON CAMPUS),  MUSICAL CHAIRS, directed by Susan Seidelman (DESPERATELY SEEKING SUSAN), TIO PAPI directed by Fro Rojas, which he co-wrote.  He will producing the feature films SUSPENDED and AN INVISIBLE MAN for Scatterbrained Media.

In addition, Brian has several producing/directing duties on the boards including the slacker comedy MARTY AND VAHE TAKE A RIDE, and the HEF supported projects SHE FEEDS, THE WHANGDOODLE, and CREATURE FEATURE:THE MOVIE MUSICAL.

In his personal life, Brian is married to actress Gina Hecht (Mork and Mindy, Seven Pounds), and has two amazing daughters.  A fourth degree black belt in Judo, Brian continues to compete in the martial arts and is the 2014 U.S. National Masters Champion in Judo and 2013 Pan American Champion in Jujitsu.  Brian is thrilled to be a part of the HEF team.

Subscribe and Follow Rex Sikes’ Movie Beat Blog!  Visit often & please share with others!

*** Please also visit Rex Sikes’ Movie Beat Official Website.

Stay up to date with the live shows on Rex Sikes’ Movie Beat. You can join us and listen live as the show records. You can hang in chat and ask questions. All shows are recorded and archived at the official site.

Updates will be posted at this blog,  at the official site,  on the RSMB Friends page on FB,  through twitter and elsewhere.  When you can’t join us live you can still  listen to archived show from official site, from blogtalk radio and you can subscribe to the podcast at itunes.

Over 400 hours of professional filmmakers share their expertise and tips and secrets with you. All discussion may be listened to live and archived from the Official Site too! Check the INTERVIEWS

Rex Sikes’ Movie Beat Official Site

Michael Frost Beckner (RSMB Screenwriter Series)

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Michael Frost Beckner launched his writing career in the early 1990’s with three record-making “spec” script sales: “Texas Lead & Gold,” “Cutthroat Island,” “Hunchback of Notre Dame.”

Today, with dozens of screenplays and rewrites for major studios, twenty pilots for commercial and cable networks, numerous episodes for network television, Beckner has—from his first original film, “Sniper,” that introduced the phrase “One shot, one kill” to the public vernacular and spawned three sequels—built a reputation as a film and television writer of realistic, character-based historical, military and espionage dramas.

The Screenwriter Series on Movie Beat with Michael Frost Beckner IS BELOW!

UPCOMING LIVE: Wednesday October 8, 2014 11aET, 10aCT, 8aPT TO LISTEN CLICK THE BOLDED LINK Below

Rex Sikes’ Movie Beat chats with screenwriter producer Michael Frost Beckner WS7

Discussions with Michael on Mini-series he is producing To Appomattox. TO LISTEN CLICK THE BOLDED LINK Below

Rex Sikes’ Movie Beat chats with screenwriter producer Michael Frost Beckner

Rex Sikes’ Movie Beat chats with screenwriter producer Michael Frost Beckner PT 2

****NEWS!!!  Michael and I are conducting a writer’s series. Tips, suggestions, secrets, on writing, selling and getting your screenplay made. Stay tuned!!! More to come!

***** THE SCREENWRITER SERIES with Michael Frost Beckner & Rex. How to write, pitch, sell and produce your screenplay. SCROLL DOWN FOR UPCOMING EPISODES *****

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Episode 1. We discuss – idea, generating ideas, plot, how to develop plot, story and what makes it important. The importance of Characters to the story and how these all relate to creating a strong project and selling it. (Show Note – cable company cut cable 3 minutes from end of show – ends abruptly but we will continue the conversation topic in Episode 2.

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Episode 2 We picked up where we left off and continued to explore story and character development. Michael talked about creating character backstory and how you screenplay story emanates from the character not the other way around. We discussed rewriting to keep it a page turner and began discussing crafting your opening, and how important theme is, plus much more.

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Episode 3 We continue the discussion where we left off and began to significantly the notion of THEME in your writing. Why and how  it is important and what it means to the reader and audience.

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Episode 4 We will pick up where we left off and continue to explore these and new topics. How to Pitch Studio executives and producers. Michael provided valuable tips and suggestions for how to pitch and what to do.

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Episode 5 Continues the exploration and discussion on pitching and selling your screenplay. The conversation includes studio, independent production, television and features. Incredible information you can use is in each episode.

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Episode 6 Michael and I discuss pitching your feature or spec film and how it differs from pitching Television executives. We discuss the necessity of networking and career success.

ENJOY THE SCREENWRITER SERIES

Beckner’s major big-screen success came with the Universal Pictures, Tony Scott directed film of Beckner’s spec script, “Spy Game” (2001) starring Robert Redford and Brad Pitt.  The release of that film coincided with the debut Beckner’s CBS series, “The Agency” (Creator, Executive Producer, Writer; 2001-2003).  This pilot holds the distinction of being the only dramatic series ever allowed to film at CIA Headquarters in Langley, Virginia.

Beckner began his career as Academy Award winning director, Barry Levinson’s Writing Assistant working with the director on “Good Morning, Vietnam” and “Rain Man.”  From 1997 to 2008, he worked extensively with Academy Award winning director, Sydney Pollack, adapting John Le Carre’s “The Night Manager” and writing two more films and developing two television series; Beckner considers Mr. Pollack his mentor and the greatest influence on his writing and his career.

Recent writing credits include: “CSI: Crime Scene Investigators” (CBS) and “Gold Fever” (Discovery), and is preparing the “Spy Game” prequel “Muir’s Gambit” for production and has adapted his novel “Berlin Mesa” into a 4 hour mini-series for AMC.

Beckner has also developed a working profile in European television writing the miniseries “The Plan” (UK; Purecom Entertainment and Freemantle) based on Alex Dryden’s bestsellers “Red to Black” and “Moscow Sting,” as well as “The Sleepwalkers” based on Christopher Clark’s international bestseller of the same title (Germany;Odeon/H&V Productions).  Beckner is currently working on “City of Lies” which continues his creative partnership with director Wolfgang Petersen they began with “The Agency” (Radiant Productions/Endemol).

As a personality and commentator on American espionage he has appeared on CNN, Fox New, TF1 in France, and was a featured guest on Bill Maher’s “Politically Incorrect.”  As a Civil War speaker, he has spoken at universities and to private organizations on the history behind his upcoming Civil War Event Mini-Series “To Appomattox.”

He is one of three children of Olympic gymnast, coach and judge, and NCAA champion (University of Southern California) Jack Beckner and Barbara Beckner; he attended USC and received a degree in novel writing under the tutelage of award-winning novelist T.C. Boyle; the father of five children, Beckner makes his home in Montrose, California.

Subscribe and Follow Rex Sikes’ Movie Beat Blog!  Visit often & please share with others!

*** Please also visit Rex Sikes’ Movie Beat Official Website.

Stay up to date with the live shows on Rex Sikes’ Movie Beat. You can join us and listen live as the show records. You can hang in chat and ask questions. All shows are recorded and archived at the official site.

Updates will be posted at this blog,  at the official site,  on the RSMB Friends page on FB,  through twitter and elsewhere.  When you can’t join us live you can still  listen to archived show from official site, from blogtalk radio and you can subscribe to the podcast at itunes.

Over 400 hours of professional filmmakers share their expertise and tips and secrets with you. All discussion may be listened to live and archived from the Official Site too! Check the INTERVIEWS

Rex Sikes’ Movie Beat Official Site

 

Must Listen To Show With Lenore Andriel producer, writer, actor

LENORE ANDRIEL & STEVE DOUCETTE

Lenore Andriel (pictured with producing partner Steve Doucette) is one of those rare spirits who, if you are lucky enough, you get to encounter at least once in a life time. Creative, talented, hard working, dedicated, inspirational, optimistic and a good loyal ‘do unto others’ friend. I am lucky enough to count her as a friend, as well as a guest on my show.

If you have not already listened to her on my show you will want to. I adore Lenore, and I know you will too!  Use the link below to listen to our most recent discussion together:

Lenore Andriel Episode 3 on Rex Sikes’ Movie Beat

We began the exploration about her movie ‘Yellow Rock’ due to our mutual friend Director, Musician, Peter Foldy who provided us  an introduction.

Lenore wrote with co-writer Steve Doucette. She produced, Steve and Anthony Lawrence were executive producers,  along with Nick Vallelonga, who also directed, Daniel Veluzat and others a fascinating feature film. The movie stars Michael Bien, James Russo, Lenore, and Michael and Eddie Spears among others.

Visit her bio page with co-writer, Executive Producer Steve Doucette using green link below:

Click Here Official Rex Sikes’ Movie Beat site: Lenore Andriel Episodes & Bio

The film has been distributed Worldwide and won 18 Awards, including the prestigious “Wrangler Awards”, in every category from the National Cowboy and Western Heritage Museum, in Oklahoma. Lenore personally won her bronze “Wrangler” for Producing and “Best Picture” with her partners Steve Doucette, Daniel Veluzat, & Nick Vallelonga, as well the “Best Screenplay” with her partner Steve Douctte. She also won “Best Actress” Starring in the film, alongside her Co-Stars Michael Biehn, James Russo, and Michael & Eddie Spears.

She is in good company, since “Wranglers” have been awarded in the same categories, to Clint Eastwood (for “Forgiven”), Kevin Costner (for “Dances With Wolves”), and Annette Benning for “Open Range”. She also won in the same categories from many film festivals across the country, including the Red Nation Film Festival, Lake Arrowhead Film Fest, and the Native American Film & Video Fest of the Southeast, to name just a few.

The show on Thursday 8/7 with Lenore is one of many shows we have done on ‘Yellow Rock’. I’ve discussed the movie with Nick the director, Lenore and Steve, Daniel Veluzat of Veluzat Motion Picture Ranch, producer and location liaison, Catherine Ellhoffer producer and wardrobe supervisor, Peter Sherayko, props and Western consultant, Randy Miller, composer and orchestra leader, and both Michael and Eddie Spears, Native American actors and consultants.

I was so pleased when Lenore agreed that we could explore making and marketing Yellow Rock from a variety of vantage points so listeners could learn from each what goes into producing and releasing a independent feature film. We continue this exploration with Lenore and will also have other quests coming up who are new as well as returning quests.

All of the previous interviews are available at the archives in the INTERVIEW blog at Rex Sikes’ Movie Beat any time 24/7. Use this link to go to the archives  http://www.rexsikes.com . They are also available at blogtalkradio and at Itunes as podcasts for free.

Listen and enjoy all the discussion I have with professional filmmakers, there are over 400 hours recorded, especially these discussions with the fine people on ‘Yellow Rock’.

When shows record live you can join other listeners in the chat and ask questions of my guests.

Lenore is a fountain of energy and information. You are going to want to listen to the show whenever you can. Listen to all the shows on ‘Yellow Rock’. AND Stay with us as we continue to discuss important topics in the future. Lenore will be returning and there will be visits from past guests and new guests too.

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Over 400 hours of professional filmmakers share their expertise and tips and secrets with you. All discussion may be listened to live and archived from the Official Site too! Check the INTERVIEWS

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