Tag Archives: storytelling

The Surface starring Sean Astin and Chris Mulkey Premieres at Milwaukee Film Fest.

THESURFACE_poster_rs

“Cast and Crew, Friends and Fans and Film Goers made the World Premiere of producer screenwriter Jeff Gendelman’s and director Gil Cates Jr. ‘The Surface’ a big success!

The feature starring Sean Astin, Chris Mulkey and Mimi Rogers was the closing night movie at the Milwaukee Film Festival. Jeff, Gil and cast and crew had reason to celebrate and to feel proud as the Oriental Theater was completely sold out.

The Surface was shot entirely in Milwaukee, Wisconsin and mostly on Lake Michigan during August of 2013.

It is about the chance meeting of two men with nothing in common. However, the two discover that is not true while struggling to survive. Mulkey, portrays Kelly, a small aircraft pilot whose plane went into the lake and Mitch, played by Asitn, happens upon him in a small boat. Why and how and what happens I will leave to you to go find out when the movie opens at area Marcus Cinema Theaters October 31st.

Gil, Sean and Chris arrived from Los Angeles to attend the premiere. After the showing they joined Jeff and cinematographer producer Jimmy Sammarco on stage to answer questions from the audience led by festival director Jonathan Jackson.

It appeared to be a fun evening for all at the theater. Cast and crew and and others proceeded to an after party.

For me it was good to see friends from the coast and the local area. It made me feel good to witness Jeff’s and everyone’s hard work make this dream come true. Mr. Gendelman has been working for 18 years to bring his feature to the screen and succeeded.

It is exciting that an area film got the financing it needed to become a reality so kudos to all those who helped make it happen. I wish he and everyone a successful run with this fine film.

While shooting last summer I visited the set a number of times, prior to returning to L A during the later half of August and I could see, first hand, the difficult conditions, working 12 hours or more, on the water was for all. Despite that hardship and needing the weather to cooperate what I witnessed pleased me. The crew and cast were all dedicated and happy. When conditions are tough it is easy to get discouraged and grumbly but these fine filmmakers kept spirits high and made it through it all.

Jeff and Gil’s film has raised the bar on Wisconsin area filmmaking. Everyone involved can feel very proud to have been a part of it.” Rex Sikes

Visit: The Surface Official Web Site

I’ll try to post some pictures soon.

*** Please also visit Rex Sikes’ Movie Beat Official Website.

Stay up to date with the live shows on Rex Sikes’ Movie Beat. You can join us and listen live as the show records. You can hang in chat and ask questions. All shows are recorded and archived at the official site.

Updates will be posted at this blog,  at the official site,  on the RSMB Friends page on FB,  through twitter and elsewhere.  When you can’t join us live you can still  listen to archived show from official site, from blogtalk radio and you can subscribe to the podcast at itunes.

Over 400 hours of professional filmmakers share their expertise and tips and secrets with you. All discussion may be listened to live and archived from the Official Site too! Check the INTERVIEWS

Rex Sikes’ Movie Beat Official Site

Two Fantastic Wisconsin Film Festivals Coming Up In October and Novembe

logo (2) copy

Why I like Flyway Film Festival? Because the directors Rick and Diana Vaicius, VP Allison Lisk and Programmer Jim Brunzell, Lu Lippold and the rest of the staff love film and filmmakers. This is so obvious when you attend.It is a celebration of both.

Filmmakers mingle among fans and support, nurture, encourage each other. Some end up collaborating. It is the friendliest and most optimistic festival I have attended. It is a high spot of each year for me and I eagerly look forward to my time in Pepin.

The Programming is great and everyone goes out of their way to make sure all attending are enjoying and being looked after. There really is none other like it! It is also in Pepin, a little haven on the Mississippi that is wonderful. Great people, great festival, great food and a welcome experience.

UPCOMING LIVE: Tuesday October 21st, 2014 11aET 10aCT 8aPT TO LISTEN CLICK THE BOLDED Link Below:

Rex Sikes’ Movie Beat chats with FlyWay Film Festival director Rick Vaicius

If you are able to attend the Flyway Film Festival!   On Facebook: Flyway Film Festival.

The Flyway Film Festival October 23-26, 2014 Pepin, Wisconsin.

People have traveled from both coasts and overseas to be there. You should too.

wegabannerlogo

I am eager also to attend the upcoming Weyauwega International Film Festival November 12-15, 2014 in Weyauwega, Wisconsin.

Here too the directors Kathy Fehl and Ian Teal go a long way to make sure they program well, and that everyone has a wonderful time. I got to be there last year for the first time and was delightfully impressed.

Filmmakers from as far away as Japan and Alaska were in attendance. I enjoyed the programming and the food and the family atmosphere and the fun. I saw some really good films and met some talented and delightful filmmakers.

Weyauwega is in the middle of no where. Off Interstate 10 about 30 minutes west of Appleton one would drive right by never knowing that it is home to Wega Arts housed in a former Opera House. That makes a visit worthwhile to start with but on top of it Kathy and Ian bring arts and film and more to this little hamlet area throughout the year.

It is great to have all involved care so much for the well being of filmmakers and fans. I am looking forward to this fine festival coming up soon too. Check into it and I will see you here too!

UPCOMING LIVE: Thursday October 30th, 2014 11aET 10aCT 8aPT TO LISTEN CLICK THE BOLDED Link Below:

Rex Sikes’ Movie Beat chats w Kathy Fehl and Ian Teal Weyauwega International Film Festival

Facebook Page Weyauwega International Film Festival

If I am lucky I will see you at both of these festivals!

Subscribe and Follow Rex Sikes’ Movie Beat Blog!  Visit often & please share with others!

*** Please also visit Rex Sikes’ Movie Beat Official Website.

Stay up to date with the live shows on Rex Sikes’ Movie Beat. You can join us and listen live as the show records. You can hang in chat and ask questions. All shows are recorded and archived at the official site.

Updates will be posted at this blog,  at the official site,  on the RSMB Friends page on FB, through twitter and elsewhere.  When you can’t join us live you can still  listen to archived show from official site, from blogtalk radio and you can subscribe to the podcast at itunes.

Over 400 hours of professional filmmakers share their expertise and tips and secrets with you. All discussion may be listened to live and archived from the Official Site too! Check the INTERVIEWS

Rex Sikes’ Movie Beat Official Site

Debra Granik’s Stray Dog & Working With Actors Symposium | Christopher Emmons’ Serial Daters Anonymous at the 2014 Milwaukee Film Fesitval

STRAY DOG

Two delightful offerings from Academy Award Nominated Director Debra Granik at the 2014 Milwaukee Film Festival. Okay, actually three. Winter’s Bone played and if you have never seen this movie it is a must for filmmaker and fan alike. It is a riveting exploration or rural life and murder and mystery, fabulously well acted and the movie that brought Jennifer Lawrence to the world’s attention.So that certainly counts but Winter’s Bone is a couple years old now.

The movie Debra brought with her this year is her recent documentary Stray Dog about a motorcycling, dancing, PTSD, dog loving Vietnam Vet. It is a fascinating look at and ride along with delightful real life characters. I enjoyed this movie very much. I also enjoyed meeting some of the real life subjects of the film who were in attendance. Go see Stray Dog.

DebraGranik

What I found extra compelling and very valuable for the filmmaker was the afternoon symposium she conducted on working with actors. She she shared some of her thoughts, philosophy and methods for working with the actor to get their most realistic and captivating performance. She explained how she used this process too in writing and further developing the script prior to filming. She had four very apt and talented actors from the Milwaukee area to work with so audience members not only heard about what was important for Debra in working with actors and crafting the performance and the scene but we got to see it.

This workshop was excellent. Debra gave away a lot of great tips and advice that wise local directors would be willing to utilize and explore in their own work. It is this kind of panel, or symposium or workshop that is valuable to both the filmmaker attending the festival and the fan and Milwaukee Film Festival should continue to offer these type of programs when able. This workshop alone is worth the entire price of a full pass and it was provided for free. Kudos to all who helped make it possible the Milwaukee Film administrators and staff, Debra and the actors. Thanks!

sam page louise linton

Another event I enjoyed very much was the locally produced Serial Daters Anonymous feature film directed by Christopher Carson Emmons and Executive Produced by Sam Kozel. The film starred Louise Linton, Sam Page and Scotty Dickert along with local area cast members and local area crew. The DP is Nate Haban.

The film is enjoyable, I thought it looked great, was well acted in most all cases, and I really liked the musical score. I particularly applaud all these filmmakers (cast and crew) because I know the constraints they were under to get this film made and I am impressed with the job they turned out.

Louise Linton is delightful, and it is difficult to take your eyes off her.

Bravo to the Wisconsin area filmmakers for their turning out a well made local feature. There are some really nice performances from the local actors. If you get the chance to see it – see it!

It may or may not be your cup of tea, after all it is an unromantic comedy, but I am glad I saw it. I think you will be too.

SDA louise

Louise Linton’s character learns, at the alter on her wedding day that her fiancee cheated on her with her sister. She dumps him at the alter and then resumes her life attempting to recover from the shock and the hurt. What does she do to heal herself? Well, she decides to continue to meet men. When she does and they ask her out she grants them a single date, no sex and no second date. I guess that might make sense if you were upset with the male gender for betraying you. You might want to take some time to heal, to explore and to play the field before giving your heart to someone new. This is all understandable but she takes it a step further. She creates a blog and, post date, she writes about the man, but not in a very nice way.

Okay, well that sets the scene now it is up to you to go see it. It plays twice more at the 2014 festival.

Stray Dog shows again as well! Check the Film Festival calendar for dates and times. See you around!

Visit mkefilm.org for information on the film festival

Subscribe and Follow Rex Sikes’ Movie Beat Blog!  Visit often & please share with others!

*** Please also visit Rex Sikes’ Movie Beat Official Website.

Stay up to date with the live shows on Rex Sikes’ Movie Beat. You can join us and listen live as the show records. You can hang in chat and ask questions. All shows are recorded and archived at the official site.

Updates will be posted at this blog,  at the official site,  on the RSMB Friends page on FB,  through twitter and elsewhere.  When you can’t join us live you can still  listen to archived show from official site, from blogtalk radio and you can subscribe to the podcast at itunes.

Over 400 hours of professional filmmakers share their expertise and tips and secrets with you. All discussion may be listened to live and archived from the Official Site too! Check the INTERVIEWS

Rex Sikes’ Movie Beat Official Site

Rex Sikes’ Movie Beat chats with director Rex Piano on making TV movies – Thursday 10/2

rex piano directing

Rex graduated from NYU School of the Arts in 1981 as a film major – concentrating on writing, producing and directing. While there, he worked on several films and commercials, most notably: “Ms. 45” for director Abel Ferrara and “Mother’s Day” and “When Nature Calls” for director Charles Kaufman. Upon graduating, Rex worked as a 1st A.D. on dozens of commercials and films until he took a full time position at a NY Commercial Production Company.

UPCOMING LIVE: Thursday October 1 2014 11aE 10aC 8aP TO LISTEN CLICK  the bolded link below:

Rex Sikes’ Movie Beat chats with director Rex Piano PT 5

Previous Episodes: TO LISTEN CLICK the bolded link below:

Rex Sikes’ Movie Beat chats with director Rex Piano

Rex Sikes’ Movie Beat chats with director Rex Piano PT 2

Rex Sikes’ Movie Beat chats with director Rex Piano PT 3

Rex Sikes’ Movie Beat chats with director Rex Piano PT 4

In 1985 Rex became Head of Production for O’Quinn Productions where he produced numerous videos for Fangoria Magazine (O’Quinn’s creation) that were distributed by MPI and Paramount Home Video.

In 1987 Rex moved to Los Angeles and was Head of Production for Associated Television International. While there, Rex wrote, produced and/or directed several TV specials and numerous travel videos. Rex also co-wrote and line produced the feature film “Chill Factor,” starring Paul Williams, Patrick Macnee and Andrew Prine.

Rex line produced “Severed Ties” in 1991 for Fangoria Films and continued freelance production work until 1995 when he was hired to produce the syndicated TV show “High Tide,” starring singer Rick Springfield. Rex also directed two episodes that season which lead to him becoming one of the series’ rotating directors.

Rex continued directing episodic TV shows, including “Mike Hammer, Private Eye”, “Silk Stalkings”, “Born Free”, “Air America” and “Nightman.”

In 2000 Rex produced and directed the multi-award winning romantic comedy feature film “The Month Of August.” The film garnered nine Best Picture awards and ten Official Designations at various film festivals around the country.

Rex followed that film with the highly viewed and critically acclaimed TV movie “Hope Ranch” for The Animal Planet channel. Rex then began directing TV movies that aired on PAX and Lifetime Television.

To date, Rex has directed or produced 21 movies that have either aired on television, gone straight to DVD or have had limited theatrical distribution.

In 2007 Rex was the primary director on “ROME – The Rise and Fall of an Empire,” for the History Channel.

Rex continues to produce and direct TV shows and Independent films; the most recent being “The Littlest Angel,” an animated Christmas movie that comes out in 2011.

Rex is currently attached to direct/produce several films including “Storm Front”, “Pizza Face” and “Phylicia’s Final Fling,” to name a few. Rex continues to write screenplays, his most recent a comedy called “In A Gadda Da Vida,” is currently making the rounds in Hollywood.

Rex Piano Official Website

Subscribe and Follow Rex Sikes’ Movie Beat Blog!  Visit often & please share with others!

*** Please also visit Rex Sikes’ Movie Beat Official Website.

Stay up to date with the live shows on Rex Sikes’ Movie Beat. You can join us and listen live as the show records. You can hang in chat and ask questions. All shows are recorded and archived at the official site.

Updates will be posted at this blog,  at the official site,  on the RSMB Friends page on FB,  through twitter and elsewhere.  When you can’t join us live you can still  listen to archived show from official site, from blogtalk radio and you can subscribe to the podcast at itunes.

Over 400 hours of professional filmmakers share their expertise and tips and secrets with you. All discussion may be listened to live and archived from the Official Site too! Check the INTERVIEWS

Rex Sikes’ Movie Beat Official Site

Behind The Scenes Of “Full Circle” – reprinted from Project Famous

Full Circle Slate

BEHIND THE SCENES OF “FULL CIRCLE”

Written by Karla S. Bryant | Photography by Peter Langeness

It may be the only time someone at the Déjà Vu Martini Lounge in Appleton, WI was in conversation with another person when the words that popped into their head were, “This may be the priest I’ve been looking for.”

But that’s what happened when I was talking with actor, producer, and broadcaster Rex Sikes. My short story, “Full Circle,” had recently been published in a literary quarterly. The film production company I’m involved with, Madison-based Living Storm Productions, was planning on adapting it as a short film. Jeff Blankenship, who had been directing films for them, was on board from the start to direct it.

Director Jeff Blankenship discusses a scene with Rex Sikes and Gail Hafar.  Assistant Director Craig Olson looks on.

But there was one thing that worried all of us to varying degrees: whoever played the lead character of Fr. Kmichik would have to carry the film. Its success, to some degree, would depend on who was cast in the role. There were a few people in mind and we knew we’d hold auditions, of course. But at the moment, a number of Living Storm Productions members were at the Déjà Vu Lounge after-party for the Wildwood Film Festival, where their film, Freud (also directed by Blankenship), had been an “Official Participant.”

As I sipped my neon blue martini, I listened more closely as Rex talked. In my mind, he was already wearing a priest’s collar and making the no-nonsense, yet empathetic character come to life. I knew the casting decision wouldn’t be up to me, the writer. Still, a writer knows the characters she’s written better than anyone else.

But, that’s in the middle of the process of my story becoming a film. I’d initially meant to write “Full Circle” as a traditional ghost story. But, as the story and characters developed, it turned into something else. It turned into a story focused on forgiveness and redemption, not necessarily in the strictly religious sense, but still on a deeply spiritual level. In fact, in the story, the spiritual world behaves like an attention-seeking toddler… moving objects and throwing things and making noises to catch the attention of those currently living. Or, at least, the attention of one person currently living. I firmly believe that the truth always has a way of fighting its way to the surface. That, perhaps, is at the core of the story.

Joette Waters, Susan Rathke, Rex Sikes, and Chris Seurer get set up for another shot.

Just before moving to Madison last September, I received word that “Full Circle” had been accepted for publication in Dappled Things, a literary quarterly. I knew it was primarily a visual story and, with one short story already optioned by a film studio, I thought this one would also work well in a film adaptation. Things began to dovetail. Not everyone is aware that I went to high school with Blankenship in Eagle River, WI. The shy guy who sat next to me in American Lit and Drama class noticed on Facebook that I did some screenwriting and was moving to Madison. He had lived in the area for some time and was directing films for Living Storm Productions. He suggested I meet some people from the group.

Thirty-some years since we’d last seen each other, Jeff and I met and spoke about “Full Circle.” He was very interested in the story and he told me he’d love to take it on. As a director, Jeff wanted to know more and more about the characters’ back stories and motivations and, over the fall, we spent hours in discussion over it. Finally, he was satisfied that it all pieced together for him in a way that he could now envision just how the film would feel and look.

Blankenship and Sikes on set

By spring, because of the unique situation I was in as a new member of Living Storm Productions, I was fortunate to sit in on the auditions. For the first time I heard strangers speak the words I’d written for characters whom had been my imaginary friends for months. As different actors auditioned for the roles, I was fascinated by the varied interpretations of the characters. Really? I wondered. The paralegal had that kind of a personality? Well, she could and it could actually make her a more interesting character. It is eye-opening and humbling to see your characters develop beyond your own imagination.

We had a number of video submissions as well. One actress, Joette Waters, was so convincing as the elderly Helen Waldowksi that when we were making arrangements for her to take the bus from Chicago, I cautioned it shouldn’t be too late in the evening because of her age. Glancing then at her head shot, I was shocked she wasn’t elderly at all, just a very talented actress who had excellent make-up on for her audition tape. Yes, she got the role. We were fortunate to find gifted actors and actresses for all the supporting roles.

Props set the scene

And then came the auditions for Fr. Kmichik, the lead actor. In spite of my instinct about Rex Sikes being the man for the role, I tried to keep my mind open. In particular, there was another wonderful actor who auditioned, but he was much better suited for a role as an Anglican vicar in a BBC drama. Fr. Kmichik, the main character, is a Polish-American, earthy priest with a strong insight into people. Not a priest who would be troubled by protocol or talk about the weather. Not a priest who would be frightened by something unexplained, but a man who would take on the challenge to find the reason behind supernatural events.

When Rex auditioned via Skype, we ended up with one technical problem after another. Jeff’s audio didn’t work. At one point, he had to communicate with hastily written Post-It notes held up to the screen. Rex had a difficult time hearing me. Fortunately, we had no problem hearing or seeing him. Still, it was frustrating and distracting for everyone. Just as we were wondering if we should set something else up, Jeff gave Rex specific direction and, when he read the lines again, in spite of all the technological problems, Rex’s expression, pacing, and inflection were spot on. My gut instinct had been correct.

Blankenship and Director of Photography Steven Dean film a poignant scene.

Early scenes for a teaser trailer were shot in June and right now, most of the filming is done for the actual film.Living Storm Productions co-owner, actor, and producer, Bryan Royston, is juggling multiple roles throughout the production, along with managing the IndieGoGo campaign (which is bringing us much-needed funds for fixed expenses). Kelly Lajter is working tirelessly and creatively as Project Manager and Script Supervisor, along with Craig Olson as Assistant Director. Another Living Storm Productions co-owner and producer, Alex Contreras, is keeping everyone updated on details through emails and weekly meetings. Steven Dean brings his formidable talent as a cinematographer to the project. Experienced lighting expert, Justin Propp and audio technician, Ryan Meunier, are also on board. The production is fortunate to have a gifted make-up and hair artist, Joshua Harrison, to transform young actresses into elderly women and have it look completely believable.

What I’m learning as a writer on set for the first time is that, just as they say at award ceremonies, there are too many people in the cast and crew to thank them individually… each one of them is critical to the success of the film.

MakeUp Artist Joshua Harrison preps Joette Waters for a scene.

Getting a few peeks at the monitors, I saw for myself that Full Circle is beautifully shot and the acting is outstanding.  Right now, even though there are a few scenes that remain to be filmed and the post-production work lies ahead, I’m restless to see the finished project.

Full Circle

The last of filming is being scheduled.  Full Circle will start post-production work this fall.  The release date is currently TBD.  Keep up with Full Circle and Living Storm Productions on Facebook.

 Be sure to visit Project Famous and Subscribe!!!
Subscribe and Follow Rex Sikes’ Movie Beat Blog!  Visit often & please share with others!

*** Please also visit Rex Sikes’ Movie Beat Official Website.

Stay up to date with the live shows on Rex Sikes’ Movie Beat. You can join us and listen live as the show records. You can hang in chat and ask questions. All shows are recorded and archived at the official site.

Updates will be posted at this blog,  at the official site,  on the RSMB Friends page on FB,  through twitter and elsewhere.  When you can’t join us live you can still  listen to archived show from official site, from blogtalk radio and you can subscribe to the podcast at itunes.

Over 400 hours of professional filmmakers share their expertise and tips and secrets with you. All discussion may be listened to live and archived from the Official Site too! Check the INTERVIEWS

Rex Sikes’ Movie Beat Official Site

TO CROWDFUND OR NOT TO CROWDFUND? IS THAT THE QUESTION? Part 4

money pile

Some projects don’t get funded right away, some do and then lose funding. Any number of things can happen that can make the going tougher than one imagined but don’t you quit if this is truly important to you. When you stick with it, with the right attitude, you will find another way. Stay focused on the goal, the solutions and believe in yourself, your project, your team and that you will prevail.

Consider this: Movies get funded and made every day.

I repeat: MOVIES GET FUNDED AND MADE EVERY DAY!

Sure, it is tough but it happens. Projects get green lit from the studios, independent films find their funding, crowdfunded pictures get their money to move forward, and more….

Part 4 The Crowdfunding Psychology You Must Know

Raising money and crowdfunding revolves all around the mindset you have. In this post I’ll will discuss some important principles as it relates to crowdfunding.

As stated crowdfunding takes an inordinate amount of work for most everyone. Some celebrities may have an easier go of it for a number of reasons. Regardless, crowdfunding takes a massive amount of effort.

Raising money the traditional way takes an inordinate amount of effort. Long hard hours, over a long period of time, getting closer and closer, losing this investor, gaining that one, piecing it all together is a lot of work. It is a struggle and people have been doing variations on this in the film business for quite some time.

Traditional methods have changed through the decades.

I think crowdfunding runs the risk of burning people out. While only a fraction of the population may know about crowdfunding platforms the fraction that is aware of it gets bombarded over and over again.

New territory, new people needs to be found.

Some filmmakers naively think that they will lunch crowdfund campaign when the time is right for their project. Usually sometime between preproduction and production. Then they will put it out there on the internet using social media.

Crowdfunding is much more complex than that. I think it operates like this: Everyone out there in internet land (your target audience)  IS your uncle or your aunt. Why would I think this.

Your relatives, because they are related to you, may be more willing to help out, (or in some cases because they DO know you they may not be so inclined. Let’s hope the latter is not the case).

Obviously, your social media audience aren’t related to you but consider why relatives will give to and most strangers won’t.

Most likely relatives give or support your efforts because there is a connection to you, they may like or love you, they may feel obligated to help family because ‘blood is thinker than water’, they watched you grow up and took care of you or other family members. Whatever it the reasons may be it is because they have a history with you.

The two KEY concepts that I believe are necessary to have are connection and history. Your relatives help support you because they are connected to you and they share a history with you.

I believe successful crowdfunding is based on the same principles. This may be the reason why celebrities may have an easier time with crowdfunding. People know them, love them and have a history with them. They have watched them or followed their careers. They want contact with the celebrity, for whatever reasons, and they feel good collecting celebrity memorabilia. The connection (even though it may not be real or exist in reality) still is important. The fans feel they have a connection. They have a history together too. The fans know or are familiar with the celebrity and have been for years.

I repeat: I believe successful crowdfunding is based on the same.

Crowdfunding is based on having an established network or community of people who are interested in you, your work, your projects and who already know and trust you (at least they don’t distrust you).

The are fans, followers, friends whom you have been engaging with for awhile. They are not cold strangers. They are relatively warm enthusiasts for you and your movies. This is important to understand because you aren’t really reaching out to strangers when you crowdfund you are reaching out to people who know you already. Strangers aren’t inclined to help you but friends or family may.

You must work to establish a good connection with your social media friends. These are the people who are your target audience for your project. They may become potential contributors to your campaign but you must provide value to them LONG before you ever ask for anything in return.

You must engage them and get to know them and they have to get to know you. You must find a way to make communication with them a two-way street communication.You must take them on the journey with you and keep their interest all along the way. You have to figure out ways to attract them. You want to keep them interested and eager for you to make and complete your project and get it into their hands.

They are not interested because they will make money off your project, they are not investors. Although recently, investing through crowdfunding platforms has become possible. Your friends and followers, your fans have much different interests than traditional investors and you must appeal to their wants and needs and meet those if you want to be successful.

They do want something in return for their attention and their loyalty and their potential contribution. You must give them what they want prior to the launch of your campaign.

Then during your campaign you offer perks that are meaningful to your fans because you know took the time to discover what is they desire. Because of connection you have established you know what will appeal to them.

A basic principle in sales states that you succeed when you can meet a need, solve a problem and/or give the customer what they desire most. When you are able to fulfill these you may make a sale. Think of your audience as your customers because that is truly what they are. They are people who may buy from you once or many times. You may not want to hear it but as a filmmaker you need to learn about selling and making sales.

When you have ACTUALLY made a sale to your customer is not just the time they part with their money and leave with your goods. When you have really made the sale is when the person returns and wants to do it  with you again. It is this moment the sale is made because they are convinced that you have something they want.

It is much like dating. You go out on the first date. You know you have ‘made the sale’ when the other person wants a second and third date. At whatever point you stop meeting their needs they will lose interest. As long as you have a mutually fulfilling relationship you will stick together. This is true of the business relationship and the crowdfunded relationship.

When you have a repeat customer, so much of your work is done for you, it is amazing. The lion share of expense goes into generating new leads and converting new customers. When you have a fan base who is eager for each of your projects you have laid some really solid ground work. You have established an important connection and together you share a history.

The key to making the sale is not to think, ‘what is in this for me,  how do I get what I want’, but to think, ‘what is it they want that I can readily give them?’

You have to appeal to the other person’s wants and needs and find a way to meet those if you wish to be more successful. Your success comes from adding value to the other person first.

This takes thought, it takes planning, it takes work and it begins long before you make your movie.

Just as you plant a seed you first need to prepare the soil. Next, you plant the seed then you nurture the seed while it grows underground by providing the proper care. Later, much later, it sprouts. You must continue to nurture it, take out the weeds that may choke it and help it grow strong. Eventually, you harvest the crop from the seed you planted but that is at a much later date. For everything there is a season. You sow and then later you reap.

Some people try to reap without preparing or sowing and that rarely, if ever, works. You do your part first and foremost and then others may reciprocate. Of course, not everyone will, so don’t get your hopes up too high. It is a numbers game, you do what you can to grab the lion share.

As in baseball it is about upping your batting average. You get better percentages, but rarely do you get 100%. As long as you are moving in that direction you are doing okay. You increase your opportunities and your chances.

The basic work of crowdfunding IS everything you need to do long before harvest time.

There are these two phases: First, you plant seeds to attract the interested and keep them close by engaging with them. You have to offer them something first. Just as you use bait to lure a fish. You offer something of value to attract followers to you. You keep them close by continuing to give them things from time to time and by communicating with them.

Perhaps you give them a behind the scenes look at what you are doing, you give them photos or videos, you help them solve problems by writing articles or dispensing tips, advice or ideas. Maybe you share with them where they can get discounts or items they might not know where to go to. The point is you offer them things of value, things that they are interested it.

Since it is the age of social media one assumes you have a page dedicated to you and your projects, as well as Facebook, Twitter, Google Plus and any of the other platforms.

Second you launch the eventual campaign (in which you begin this planting process all over again). In this phase you again offer them something BUT in return for their support, their contribution and spreading the word. This is when you ask them to respond by giving back. Why will they give back. One reason is because you have been giving to them and they will want to reciprocate. The other reason is because they have a connection and history established with you and they want to see your movie. They actually want to see it!

During the Second Phase, you are requesting that they part with their money to support your efforts in return for VALUABLE perks. Perks are the items or opportunities you offer that they want to and must have. If they don’t want them then the perks are not valuable to them. This should be obvious, but for some reason it isn’t.

So in Phase One you attract and nurture your followers. You engage with them and provide them value for free. You give them things, you acknowledge them, you have dialogue so that they feel close to you and want to stick by you. In Phase Two you again provide things for them but in exchange for something they do for you. If Phase One is successful and you orchestrate Phase Two correctly you are more likely to succeed.

You attract the moths to the flame, capture them, take care of them, feed them and then when you are ready, you launch your campaign and hope the moths now will respond by contributing because you took such good care of them. During Phase Two strangers will get introduced to your campaign. They may not have the history with you because they just now are learning about you and your project. Your campaign should be structured and managed to help them feel right at home. A well run campaign should help them to connect to you thorough your video, photos, text, updates, engagement, credits, cast and crew. In Phase Two you hope to convert strangers to fans who will support your efforts.

When it comes to perks you need to think this through and get good advice. What is important and valuable to you may not be to someone else. So you want to research this area more. Remember, people are motivated by ‘What Is In It For Me?’ So to motivate your followers you must discover what they want when they think that about that question. 

You need price your perks smartly too. For example:  If most downloads sell between $1.99 and $14.99 don’t offer a download for $25.00.  Price it as the market place does. If you buy a DVD or Blue Ray for a certain amount don’t price yours higher than the lowest popular place they can obtain it. The only time your a perk like this could be higher prices is when you offer something else along with it. Perhaps, the jewel case, or the art work is signed by cast and crew. Something that makes it reasonable to be priced higher. Sometimes scarcity works. The price may be higher because you only have a few. 

Corporations spend billions of dollars every year targeting and appealing to consumers. They have it down to a science. Do your research and use the best methods they do tailored to your needs.

If you have an absolutely one of a kind valuable ‘must have it’ give away, it is rare and sought after by millions well, you may be able to name your price.

If you have something that most people don’t know who or what it is or could care less about it well giving it away could be difficult. People want what they perceive to be valuable and that is why celebrity swag is sought after. SO be smart about selling to your customers. By the way, that is precisely what a ticket holder is – a customer. All of your fans and friends and followers are customers. While it seems Corporate America has forgotten a  worthy tenant they used to adhere to don’t you forget it. Keep in mind, the customer is always right!!! Even if it is not always true it will serve you better if you act as if it were. Be driven to provide your customer what your customer wants most and you will succeed.

You must figure out ways to attract and capture your fan base. You want to engage them and create a connection and history together so that they want to want get more movies from you. You attract them, you hook them and then make them offers they find difficult to refuse. This is the basis of business and the basis of crowdfunding. It is about using psychology to get what you need to make your film project. Be smart about it and be wise. 

Make GOOD plans and then work the plans WELL.  You can succeed. Movies are funded all the time. You just have to find a way that works well for you.

All of what has been covered in this post and much more ARE some of the reasons why you need to be thorough in creating your campaign. Remember, it ALL begins BEFORE iyour campaign is officially launched. Take the time to do it well.

There are reasons why Business Plans exist. One reason is to show others; you potential partners, the bank, investors, etc. the plan for your intended business. It doesn’t yet exist so you need a crystal clear outline, a plan for what you will do, how you will do it, when and on and on. It is designed to leave NO stone unturned.

You have to think it through really well BEFORE you implement it. Never skimp on the planning phases of anything. Your crowdfunding campaign, traditional means of raising money, or your production. This is why good movie makers spend the right amount of time preparing during preproduction.

Consider this, professional sports teams take all the time off season preparing for the games. They practice offense and defense. They develop plans and strategies to use when playing. They rehearse. During game season they continue to prepare. Then they play the game. Whether they win or lose they return to analyze how to be better, and implement it. They continue to practice and rehearse.  Why should we think that we should do anything less than this when it comes to raising money for movies and getting good at it? As with anything you get better at it the more time you spend at it. Remember this point it is important!

How much money can you crowdfund? The upper limit is not yet known? More on all of this next time.” Rex SIkes

Have a great day!

Subscribe and Follow Rex Sikes’ Movie Beat Blog!  Visit often & please share with others!

*** Please also visit Rex Sikes’ Movie Beat Official Website.

Stay up to date with the live shows on Rex Sikes’ Movie Beat. You can join us and listen live as the show records. You can hang in chat and ask questions. All shows are recorded and archived at the official site.

Updates will be posted at this blog,  at the official site,  on the RSMB Friends page on FB,  through twitter and elsewhere.  When you can’t join us live you can still  listen to archived show from official site, from blogtalk radio and you can subscribe to the podcast at itunes.

Over 400 hours of professional filmmakers share their expertise and tips and secrets with you. All discussion may be listened to live and archived from the Official Site too! Check the INTERVIEWS

Rex Sikes’ Movie Beat Official Site

Milwaukee Film Festival: Marshall Curry; Debra Granik; Wesley Morris; Zucker, Abrahams, & Zucker, In Attendance

Winters Bone01

It makes a film festival much more enjoyable when one can listen and learn from the filmmakers. This year Milwaukee Film Fest is bringing in some fine filmmakers for panel discussions.  Marshall Curry; Debra Granik; Wesley Morris and Zucker, Abrahams and Zucker will be present to discuss some of their films. You will not want to miss out. I know I will be there.  Read on to learn more.

Two award-winning directors, a Pulitzer Prize-winning film critic, and Hollywood comedy legends will be in attendance!!!

The 2014 Tributes lineup: two-time Oscar-nominated documentarian, Marshall Curry (Racing Dreams, Street Fight), Oscar-nominated director and writer, Debra Granik (Winter’s Bone), Pulitzer Prize-winning film critic, Wesley Morris, and the three Hollywood comedy kingpins who originally hail from Milwaukee, David Zucker, Jim Abrahams, and Jerry Zucker (also known as “ZAZ”).

The Milwaukee Film Festival’s annual tributes celebrate the work of individuals who have contributed greatly to film culture through efforts in differing areas of the film world. Each tribute includes both a live appearance from the tribute’s recipient(s) and a screening of a film. In the case of Granik and Curry, their latest film is paired with a past one, exemplifying the scope of their work.

Each honoree will participate in an extended question and answer session following their featured films(s). Granik will also lead the panel “Working with Actors” in which she will discuss and demonstrate her process for auditioning and working with actors on set.

“We have a spectacular group of diverse honorees this year: two of the greatest film storytellers of our time–Marshall Curry and Debra Granik–whose documentary and narrative films have been vastly influential, along with the Pulitzer Prize winning film critic and presenter of our State of the Cinema keynote lecture, Wesley Morris, and finally, the legendary comedy team Zucker, Abrahams and Zucker,” explains Jonathan Jackson, Artistic and Executive Director for Milwaukee Film.

Returning to the Milwaukee Film Festival this year with his outstanding new documentary Point and Shoot, is director Marshall Curry. Curry’s Racing Dreams was the Opening Night film at the first Milwaukee Film Festival in 2009. Both Curry and Granik come to Milwaukee having just received major awards at two of the nation’s best film festivals: Curry’s Point and Shoot won the Best Documentary Award at the Tribeca Film Festival while Granik’s Stray Dog received the jury award for Best Documentary at the Los Angeles Film Festival.

Jackson continues, “It is exciting to have such a high-profile filmmaker as Marshall Curry return to our festival. We have grown quite a bit since that 2009 film festival and I can’t wait for him to come back and see what he helped inaugurate.”

2014 MILWAUKEE FILM FESTIVAL TRIBUTES

MARSHALL CURRY

MarshallCurry

Marshall Curry is one of the most important documentary filmmakers of our time, and he is an important person to Milwaukee Film. In 2009, his film Racing Dreams was the first to grace our festival screens on Opening Night at the inaugural Milwaukee Film Festival. Curry made his directorial debut in 2005 with Street Fight, a documentary that followed the campaign of the then-unknown Cory Booker, garnering his first Oscar nomination. Since that time, Curry directed If a Tree Falls: A Story of the Earth Liberation Front which tells the story of a radical environmentalist who faced life in prison for burning two Oregon timber facilities and won Curry his second Oscar nomination. Point and Shoot, Curry’s latest offering, is a documentary about a young Baltimore native who sets off for adventure and finds himself as part of the Libyan rebel army fighting dictator Muammar Gaddafi. Of Curry’s films, S.T. VanAirsdale (Movieline) said, “From vérité campaign-trail flashes in Street Fight to intimate dinner-table powwows in Racing Dreams to the candid, point-blank interviews in If a Tree Falls, his films take keen and unique advantage of both access and timing… getting down to the business of communicating without distraction, discrimination or guile. At heart, the films seek to detail the spectrum of grace.”

Marshall Curry is scheduled to attend selected screenings.

Point and Shoot

(USA / 2014 / Director: Marshall Curry)
Trailer: http://youtu.be/k8DUYyl1ods
Matthew VanDyke’s incredible personal odyssey from restless Baltimore native to Libyan rebel taking up arms against dictator Muammar Gaddafi is chronicled in the newest film from Oscar-nominated director Marshall Curry (Racing Dreams, MFF 2009). From his status as a young man diagnosed with OCD fresh out of graduate school, to his momentous international travel (a self-described “crash course in manhood”) that led him on a motorcycle trip across Northern Africa and the Middle East, to his eventual placement smack in the middle of the Arab Spring and Libyan revolution, VanDyke’s camera was always on—up until his capture and terrifying half-year spent in solitary confinement. This is a remarkable, sweeping story Curry tells in full.

Street Fight

(USA / 2005 / Director: Marshall Curry)
Trailer: http://youtu.be/fNrT2utrpAA

One of the greatest political documentaries of all time, Street Fight chronicles the very first political campaign of now-U.S. Senator Cory Booker as his grassroots campaign takes on the deeply entrenched political might of four-term incumbent Sharpe James for the mayoral seat in Newark, New Jersey. With the poverty-stricken streets as their battleground, 32-year-old Rhodes scholar/Yale Law School grad/Star Trek nerd Booker remains decent and straightforward despite the intimidation tactics and dirty politics (including claims that Booker’s background somehow makes him “less black”) employed by Sharpe. An edge-of-your-seat thriller even if you’re familiar with how this race ends, Street Fight is a wildly entertaining, modern-day Mr. Smith Goes to Washington.

 

DEBRA GRANIK

DebraGranik

Debra Granik is the Academy Award-nominated director and co-writer of Winter’s Bone, which was

nominated for four Oscars, including Best Picture, and won the Grand Jury Prize at the 2010 Sundance Film Festival. Granik’s first feature film, Down to the Bone, was awarded the Best Director prize at the 2004 Sundance Film Festival. She is known for her amazing work with actors, essentially launching the careers of both Vera Farmiga and Jennifer Lawrence. Her work is known for an instinctive, collaborative style that Granik describes as “late-breaking global neorealism.” Granik’s most recent offering, the documentary Stray Dog, began with a chance encounter while scouting and casting Winter’s Bone. Granik met Ron “Stray Dog” Hall in the Biker Church of Branson and cast him as the film’s estranged father, Thump Milton. Of her work she says, “The question I’ve had for most of my life is, ‘How are you coping?’ Some people have these small, positive schemes for survival, a kind of strength that I am attracted to, maybe because I’m prone to the blues.” In Hall she found a worthy subject—one whose humor and lack of self-consciousness had the potential to make the plight of Vietnam vets accessible to a broader audience.

Debra Granik is scheduled to attend selected screenings and events.

Stray Dog

(USA / 2014 / Director: Debra Granik)
Trailer: http://youtu.be/5UKrOhJ0NRw
Ron “Stray Dog” Hall, Harley-Davidson biker, Vietnam veteran, husband, and father, receives a portrait every bit the equal to his substantial personality from Debra Granik, director of the Oscar-nominated Winter’s Bone. Defying expectations at every turn, Stray Dog tells a story of rough edges that give way to an expansive and tender heart as we see Ron equally at home shooting the breeze with his battery mates as they sip moonshine as he is opening up to his therapist or traveling to military funerals to pay respect to those he never met. A welcome corrective to rural stereotypes, Stray Dog is a slice of unforgettable Americana.

Winter’s Bone

(USA / 2010 / Director: Debra Granik)
Trailer: http://youtu.be/5O8F8JtSVmI
Winter’s Bone is an Oscar-nominated pitch-black slice of Ozarks noir following a young woman’s journey to protect her family no matter the cost. Seventeen-year-old Ree (Jennifer Lawrence, in her breakout role) discovers that her father has skipped bail, threatening the house he used as collateral, and leaving them homeless. Armed only with the knowledge of his involvement in the local crystal meth trade, Ree and her Uncle Teardrop (the mesmerizing John Hawkes) aim to find him despite the ever-increasing resistance to their inquiries. Told with incredible authenticity, this tale of family loyalty features a heroine for the ages, with minimalist setting and dialogue that add to its mythic flavor.

***(I think anytime a filmmaker has the opportunity to explore the casting process and working with actors in set the filmmaker should take it. Auditioning and working WITH talent is one of the most critical aspects of a director’s job. It is equally important for others to understand and appreciate as well. I will see you there – Rex)***

Working with Actors
Access the process of one of today’s foremost directors as Oscar nominee Debra Granik (Winter’s Bone, Stray Dog) discusses and demonstrates her process for auditioning and working with actors on set. This is not to be missed by any filmmakers who plan to cast actors or actors who want to get into films.

 

WESLEY MORRIS

WesleyMorris

In 2012, upon winning the Pulitzer Prize for Criticism, Wesley Morris explained his attraction to film as an artistic medium with the following words: “Movies are visual, aural, they involve people, and life, and ideas and art, they are so elastic. They can hold anything, withstand everything, and make you feel anything. Other arts can do that, but movies are the only ones that can incorporate other media into cinema.” With those words, one can see easily why Morris earned this award—his writing is effortless, yet whip-smart, exuberant, yet precise. He is able to write about mainstream films as well as art house cinema, always compelling the reader toward a more nuanced understanding of the work at hand. Since 2013, Morris has been a cultural critic for the website Grantland; prior to that he wrote film criticism for The Boston

Globe (where he received his Pulitzer), San Francisco Chronicle, and San Francisco Examiner and contributed to Slate, Ebony, NPR, and Film Comment. Milwaukee Film is honored to present this tribute to Morris for his distinctive voice and remarkable career as a critic. As part of his visit, Morris will deliver our annual keynote address on the “State of Cinema,” followed by a presentation of Michael Haneke’s film Code Unknown: Incomplete Tales of Several Journeys.

 Wesley Morris is scheduled to attend the following:

 State of Cinema

Join us for our annual lecture on the “State of Cinema.” Each year we host a distinguished member of the cinematic community to reflect on the current position of the industry and possible futures for the medium. This year we host Wesley Morris, winner of the 2012 Pulitzer Prize for Criticism while at the Boston Globe, who now writes on film and culture at Grantland.com. The panel will conclude with a brief Q&A, after which patrons are invited to join Morris for a screening of Michael Haneke’s 2000 romantic drama, Code Unknown: Incomplete Tales of Several Journeys.

 

Code Unknown: Incomplete Tales of Several Journeys

(France, Germany, Romania / 2000 / Director: Michael Haneke)
Trailer: http://youtu.be/lNnwk7DSKb8

One of the many masterpieces created over the course of Michael Haneke’s career (Caché, Funny Games, the Oscar-winning Amour), Code Unknown chronicles the fleeting intersection of lives on a bustling Paris street corner. We see the fallout from this brief connection through an actress (Juliette Binoche), her photojournalist boyfriend, a young teacher of African descent, and a Romanian illegal immigrant. Able to wring unbearable amounts of tension from his frequent long takes, Haneke spins an emotionally complex tale of the simple ways in which we misunderstand one another on a daily basis. He spells nothing out and challenges viewers to decode these stories for themselves. Our 2014 Critic Tribute recipient, Wesley Morris, has selected this film to screen at our festival and is scheduled to participate in a Q&A with the audience after the screening.

 

ZUCKER, ABRAHAMS, ZUCKER

ZuckerAbrahamsZucker

The filmmaking team Zucker, Abrahams, and Zucker began their fortuitous union at Shorewood High School in Milwaukee, Wisconsin. After college at UW-Madison, David Zucker, his brother Jerry, and their friend Jim Abrahams created the Kentucky Fried Theater in the back of a bookstore in Madison with a borrowed videotape deck and a camera. In 1972, they moved the show to Los Angeles, where the trio that would come to be known as ZAZ became the most successful small theater group in Los Angeles history. Their groundbreaking style of outrageous sketch comedy was later immortalized in their film The Kentucky Fried Movie, and a new brand of comedy was born. This style featured hairbrained dialogue delivered by dramatic actors with deadpan sincerity and would earn the trio recognition as Hollywood comedy kingpins. In their illustrious careers, the ZAZ team has worked with actors such as Lloyd Bridges,

Robert Stack, and Leslie Nielsen, to name a few, and cultivated a whole new genre of film. Together, they have been responsible for ‘80s comedy cult classics Airplane!, Ruthless People, and The Naked Gun. Their streak of successful movies included the secret agent spoof and now cult classic Top Secret! starring Val Kilmer. This year Milwaukee Film honors these local legends by screening this 1984 film and welcomes them home with a tribute. The trio recently returned to their native roots by creating commercials in their signature style with the Wisconsin Department of Tourism in conjunction with Laughlin Constable.

Zucker, Abrahams, and Zucker are scheduled to attend the following screening:

Top Secret!
(USA, United Kingdom / 1984 / Directors: David Zucker, Jim Abrahams, Jerry Zucker)
Trailer: http://youtu.be/mKHLPtH2I30

After the wild success of their comedy classic Airplane!, the anarchic trio known as ZAZ (David Zucker, Jim Abrahams, and Jerry Zucker) set their sights on spy films and rock’ n’ roll musicals with the outrageous spoof Top Secret! In this film boasting the screen debut of Val Kilmer as a young secret agent tasked with crossing the Iron Curtain to rescue a scientist, ZAZ packs the proceedings with terrible puns, absurdist sight gags, and all the anachronism and political incorrectness that a breakneck 90-minute run time could contain. We proudly present this comedy classic on its 30th anniversary, in celebration of a film every bit the equal of its predecessor.

Note: All screening and panel times will be announced Saturday, September 6 at the Program Book Launch located at Cathedral Square Park from 9am-6pm.

The 2014 Milwaukee Film Festival runs September 25 – October 9, 2014 at the Landmark Oriental Theatre, Landmark Downer Theatre, Fox-Bay Cinema Grill and Times Cinema. Passes and ticket 6-Packs for the 2014 Milwaukee Film Festival are currently available at discounted rates exclusively online at mkefilm.org/tickets.

Tickets for individual screenings will be available through Milwaukee Film Festival Box Office starting September 10 for Milwaukee Film Members and September 11 for the General Public.

 

Subscribe and Follow Rex Sikes’ Movie Beat Blog!  Visit often & please share with others!

*** Please also visit Rex Sikes’ Movie Beat Official Website.

Stay up to date with the live shows on Rex Sikes’ Movie Beat. You can join us and listen live as the show records. You can hang in chat and ask questions. All shows are recorded and archived at the official site.

Updates will be posted at this blog,  at the official site,  on the RSMB Friends page on FB,  through twitter and elsewhere.  When you can’t join us live you can still  listen to archived show from official site, from blogtalk radio and you can subscribe to the podcast at itunes.

Over 400 hours of professional filmmakers share their expertise and tips and secrets with you. All discussion may be listened to live and archived from the Official Site too! Check the INTERVIEWS blog.

Rex Sikes’ Movie Beat Official Site

Persistence is the key to success.

I decided to republish a blog from my other site Daily Inspiration and Gratitude here: I have included the link to my other blog and I invite you to visit there and check it out if you haven’t yet. There are a lot of blog posts applicable to anyone in filmmaking.     Persistence is the key to success..

ambition-and-action-2-steps-to-success4

It is the consistent, persistent, daily actions that bring success in all things, you family, your health, your wealth and career, your life. Daily dedication to doing something positive that moves you closer to your goal makes all the difference.

You start with a clearly, well stated ‘burning desire’, the mental images of your ultimate goal. You envision it daily (as often as possible, but at least for sometime in the morning and before going to sleep) and infuse it with positive energy and enthusiasm. You keep at it no matter what. You do not give up! You keep at it until you get it. This IS your daily regime. Your mental nutrition.

Keep your goal alive and in sight. Keep it burning and stay passionate about it. Believe in your heart and know in your mind that you will have it, YOU will ATTAIN it, as long as you never give up. Once you quit it is over, so you must not stop. You keep the faith and keep going no matter what is going on or not going on around you. You do not let present circumstances distract you from getting the end game that you want.

Keep this goal burning hot in your mind each moment. Focus on things to be grateful for and feel good about because when you do you are opening up your mind to discovering greater opportunities, events, situations and people that can help you reach your goal.

Your mind awakens and you can think more clearly and easily about how you will make it happen. You form plans using your creativity, your intuition and you smarts. You may have to adjust the plan as you go along that is just part of the process. Each day you move forward and you make adjustments as necessary but no matter what you keep moving forward toward your ultimate destination.

YOU WILL GET THERE as long as you keep going toward it. No matter how long it takes or how many detours there happen to be you will get there if you just never stop.

Persistence means you keep going even when you may not feel like going.

That is why it is important to find things you appreciate, small and large miracles and good and new discoveries, and the best thoughts and feelings along the way, so that you stay inspired and dedicated.

The person who succeeds is the person who ‘wills’ it to happen not who wishes it to happen. You make all the changes inside of you to be better equipped to handle all those aspects outside you you, the challenges and opportunities that come your way. You make all the changes inside of you to better manage the inside of you so you are optimistic, positive, powerful and committed to your outcome. You won’t do it if you wimp out.

Yes, occasionally someone lucks into it but frankly, most people who ‘make it’, who succeed in their personal or professional lives do so because the go after it relentlessly until they succeed. These people pursue health, wealth and well being because it is the most important thing to them. They don’t let circumstances dictate or prevent them from prevailing. ‘When the going gets tough the tough get going’.

You must stick with it no matter how impossible it seems. Whatever hardship comes your way learn to overcome it. Go through it. You will find a way if you are determined to find a way.

Manage you mind and you emotions. Manage your time and your efforts. You will do it, when you believe you can. As Napoleon Hill stated, ‘If you can conceive it and believe it you can achieve it’. Just don’t stop.

If it is truly worth it and it makes your life better and the lives of those around you better and it does not harm anyone of prevent others from fulfilling themselves, go for it. Get on course, stay the course and find out how to make the journey most delightful. Whether you get closer by leaps and bounds or inch by inch you are getting closer. Stay positive and stay focused. It is completely UP TO YOU! So do it! Just do it!

What can you do today to keep yourself on track? How many marvelous feelings might you discover as you look into finding these within you frequently during this day? How much fun can you stand as you continue to pursue your dream? Hmmmm, I wonder… ” Rex Sikes

Find those special moments in this day and have an incredible one!

via Persistence is the key to success.. at Daily Inspiration and Gratitude. Subscribe to both blogs and enjoy.

Subscribe and Follow Rex Sikes’ Movie Beat Blog!  Visit often & please share with others!

*** Please also visit Rex Sikes’ Movie Beat Official Website.

Stay up to date with the live shows on Rex Sikes’ Movie Beat. You can join us and listen live as the show records. You can hang in chat and ask questions. All shows are recorded and archived at the official site.

Updates will be posted at this blog,  at the official site,  on the RSMB Friends page on FB,  through twitter and elsewhere.  When you can’t join us live you can still  listen to archived show from official site, from blogtalk radio and you can subscribe to the podcast at itunes.

Over 400 hours of professional filmmakers share their expertise and tips and secrets with you. All discussion may be listened to live and archived from the Official Site too! Check the INTERVIEWS

Rex Sikes’ Movie Beat Official Site

Brian Herskowitz Producer, Director, Screenwriter, Author ‘Process To Product’

shapeimage_2

For the last twenty years Brian Herskowitz has taught screenwriting, first with WRITER’S BOOT CAMP, then with UCLA EXTENSIONS, and for the last five years he has held the post of Lead Faculty for the prestigious BOSTON UNIVERSITY in LOS ANGELES WRITER IN HOLLYWOOD graduate degree program.  His script writing textbook, PROCESS TO PRODUCT: A PRACTICAL GUIDE TO SCREENWRITING, is available on Amazon.com and in bookstores.

As a writer, Brian has completed well over a dozen feature films. His first screenplay KAMI HITO E (THE THIN LINE) was based on his experience as an international Judo champion training in Tokyo.

TO LISTEN CLICK THE BOLDED link below:

Rex Sikes’ Movie Beat chats with Producer, Screenwriter, Director Brian Herskowitz

UPCOMING LIVE: TBA 11aE 10aC 8aP TO LISTEN LIVE CLICK THE BOLDED link below:

Rex Sikes’ Movie Beat chats with Producer, Screenwriter, Director Brian Herskowitz PT 2

From there he continued to write and his first produced feature was a low budget slasher titled DARKROOM. He wrote and directed the award winning short film ODESSA OR BUST starring SEINFELD’S Jason Alexander, ACADEMY AWARD WINNER Red Buttons, and RUSHMORE’S Jason Schwartzman. Brian wrote, directed, and produced the documentary 1736: SOMEWHERE TO TURN – about a family crisis center for domestic abuse victims, and the short film JOANNE – the story of a woman going through hard economic times and a mid-life crisis.

As a voice over artist he’s been heard in hundreds of films, games, and commercials including, FORREST GUMP, TOTAL RECALL (with Colin Ferrell), X-2, WOLVERINE, the hit video games DILBERTS DESKTOP GAMES, and MEDAL OF HONOR:AIRBORNE, as well as national commercials for Kentucky Fried Chicken, and Beringer Wine.

His voice has been heard in hundreds of hours of TV including the classic horror shows BUFFY THE VAMPIRE SLAYER and TRUE BLOOD.  Brian recently took on the duties of Voice Director for the new Animated Children’s series ANNIE SUNBEAM produced by Debbie Margolis-Horwitz.

Brian’s theatrical directing credits include the world premieres of I.A.N. (THE ITALIAN AMERICAN NETWORK), CONFESSION AND AVOIDANCE (based on the book of the same name written by his father, prolific biographer Mickey Herskowitz), JESSICA AND THE COUCH POTATO, the west coast premiere of  SHUFFLE OFF THIS MORTAL BUFFALO, and the recent hit CIRCLE OF WILL.

As a writer in TV his credits include a staff writing position on the NBC sit-com BLOSSOM, multiple episodes of the syndicated series HERCULES: THE LEGENDARY JOURNEYS, and ACAPULCO HEAT, the HBO hit comedy DREAM ON, CBS’s RENEGADE, THE EXILE, MURDER, SHE WROTE, the TV movie MURDER OF MY AUNT, the FOX Network’s YOUNG HERCULES, and CBS’s critically acclaimed was series TOUR OF DUTY (associate producer).

Brian co-wrote the FOX pilot MANTIC with Jason Alexander. In addition, he worked as a punch-up writer on BOB PATTERSON, and LISTEN UP.

Working with Co-Op Productions in New York (THE GUITAR, THIS REVOLUTION), Brian line produced Candace Bushnell’s web series THE BROADROOM, which starred JENNY GARTH, JENNIFER ESPOSITO, and TALIA BALSAM.

As a feature film producer Brian just finished principal photography on UNTIL SOMEONE GETS HURT (co-writer), and BUCKY AND THE SQUIRRELS a comedy from director-writer Allan Katz (M*A*S*H*, BIG MAN ON CAMPUS),  MUSICAL CHAIRS, directed by Susan Seidelman (DESPERATELY SEEKING SUSAN), TIO PAPI directed by Fro Rojas, which he co-wrote.  He will producing the feature films SUSPENDED and AN INVISIBLE MAN for Scatterbrained Media.

In addition, Brian has several producing/directing duties on the boards including the slacker comedy MARTY AND VAHE TAKE A RIDE, and the HEF supported projects SHE FEEDS, THE WHANGDOODLE, and CREATURE FEATURE:THE MOVIE MUSICAL.

In his personal life, Brian is married to actress Gina Hecht (Mork and Mindy, Seven Pounds), and has two amazing daughters.  A fourth degree black belt in Judo, Brian continues to compete in the martial arts and is the 2014 U.S. National Masters Champion in Judo and 2013 Pan American Champion in Jujitsu.  Brian is thrilled to be a part of the HEF team.

Subscribe and Follow Rex Sikes’ Movie Beat Blog!  Visit often & please share with others!

*** Please also visit Rex Sikes’ Movie Beat Official Website.

Stay up to date with the live shows on Rex Sikes’ Movie Beat. You can join us and listen live as the show records. You can hang in chat and ask questions. All shows are recorded and archived at the official site.

Updates will be posted at this blog,  at the official site,  on the RSMB Friends page on FB,  through twitter and elsewhere.  When you can’t join us live you can still  listen to archived show from official site, from blogtalk radio and you can subscribe to the podcast at itunes.

Over 400 hours of professional filmmakers share their expertise and tips and secrets with you. All discussion may be listened to live and archived from the Official Site too! Check the INTERVIEWS

Rex Sikes’ Movie Beat Official Site

UPCOMING: Milwaukee Film Festival: Late-night film program expands

dr-strangelove-1 riding the bomb

It seems there may be a little something for everyone Late Night at Milwaukee Film Festival. It runs from September 25 to October 9, 2014. Perhaps, I will see you there. Enjoy! Rex

2014 Milwaukee Film Festival Announces Cinema Hooligante Films

Late-night film program expands to include more science fiction, fantasy, and comedy

MILWAUKEE – Thursday, August 21, 2014 – The 6th Annual Milwaukee Film Festival, presented by the Milwaukee Journal Sentinel, announces its lineup for Cinema Hooligante. Now in its third year, the popular late-night film program expands to include more science fiction, fantasy, and comedy, alongside its traditional repertoire of horror, gore, and cult films. Embracing the mantra “where grown-ups come out to play,” Milwaukee Film adds variety to the mix through a more balanced offering of genres.

“Our vision for Cinema Hooligante this year was to focus on films that in some way pushed the boundaries of reality, with genres ranging from science fiction to oddball comedy. Two films that I’m especially excited to show are Mood Indigo and Patema Inverted, both of which are charmingly fantastical. They also both illustrate growth in the programming, one being Hooligante’s first romance film, and the other being its first anime film,” shares Kristen Coates, Operations Director and co-programmer for Cinema Hooligante.

Milwaukee Film Programming Manager and co-programmer for Cinema Hooligante, Jaclyn O’Grady adds: “We took the movies that live somewhere on the edges and outskirts of the festival and found a place for them with Cinema Hooligante. Wetlands is an example of such a film and one I’m really excited to show this year. It’s a really great story with excellent acting and it really pushes the envelope. If it wasn’t so disturbing at times, it could easily fit within another program at the festival. You’ll love it as long as you can get through it without throwing up.”

Also in the lineup this year are two classic films screening in 35mm. John Axford presents Stanley Kubrick’s satirical comedy, Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb in celebration of its 50th anniversary, (Axford presented Kubrick’s 2001: A Space Odyssey at MFF 2013). Rob Reiner’s acclaimed rockumentary, This is Spinal Tap, will also screen in celebration of its 30th anniversary.

For those Hooligante fans still recovering from the previous night’s midnight screening, the Milwaukee Film Festival and Milwaukee Record present Bloody Sunday at The Hotel Foster–a hangover party filled with specials on Bloody Marys, free cold pizza, and non-stop horror films on Sunday, September 28 from 11am to 3pm.

Media Sponsor: Milwaukee Record

2014 MILWAUKEE FILM FESTIVAL

CINEMA HOOLIGANTE
Each of these films will push the boundaries of reality, playing with the rules on fantasy, horror, science fiction, comedy, and the very best of cult cinema. Cinema Hooligante is where the grown-ups come out to play.

Dr. Strangelove01

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (USA, United Kingdom / 1964 / Director: Stanley Kubrick)
Trailer: http://youtu.be/1gXY3kuDvSU
Not just a great black comedy, but one of the greatest films of all time, Stanley Kubrick’s Dr. Strangelove is vicious and hilarious, a political satire that feels no less fresh and relevant now than it did upon its release 50 years ago. With the Soviet Union and U.S. on the verge of nuclear war, it only takes one loony general (Sterling Hayden) who believes that the Commies seek to destroy our “precious bodily fluids,” a Pentagon war room populated by maniacs (including an unhinged George C. Scott, with Peter Sellers playing both the president and a Nazi scientist), and a patriotic B-52 bomber pilot carrying an atomic payload (the iconic Slim Pickens) to assure our mutual destruction.

Mood Indigo01

Mood Indigo (L’ecume des Jours)
(France / 2013 / Director: Michel Gondry)
Trailer: http://youtu.be/dh3V-dFlmyk
Visionary director Michel Gondry returns to the visually spectacular surrealistic love story setting wherein he’s found his greatest success (Eternal Sunshine of the Spotless Mind, The Science of Sleep) with Mood Indigo. Colin (Romain Duris) engages in a whirlwind love affair with the beautiful Chloe (Audrey Tautou) only to find Chloe afflicted with a strange malady—a water lily growing in her lungs—that challenges both her health and their relationship. No director is capable of marrying the visually poetic with melancholy as effectively as Gondry, who captures the ecstatic highs and manic lows of love through a series of boundlessly creative sequences.

Patema Inverted

Patema Inverted (Sakasama No Patema)
(Japan / 2013 / Director: Yasuhiro Yoshiura)
Trailer: http://youtu.be/RQZAXLAV63s

This stunning anime revolves around a botched scientific experiment that has led to two dramatically different societies: the inverts who have lost their gravity and must live deep underground so as not to fall into the sky, and those who live above and are forbidden to look up for fear of these inverts. Underground princess Patema and rebellious surface-dweller Age refuse to believe in the totalitarian government’s status quo and find one another in this dynamic and intelligent sci-fi allegory. Intelligently exploring ideas about fear of the unknown and prejudice, the film follows Patema and Age as they look to bridge these upside-down worlds and discover the beautiful equilibrium that can come from coexistence.

The Raid 2 04

The Raid 2
(Indonesia / 2013 / Director: Gareth Evans)
Trailer: http://youtu.be/MG9uFX3uYq4
An unrelenting exercise in bone-crunching action, The Raid 2 is manna from action-lovers heaven. Undercover cop Rama infiltrates a burgeoning gang war between Arab and Japanese crime syndicates by befriending the son of crime boss Bangun while in prison, insinuating himself into an increasingly dangerous game of cat and mouse. The perfect antidote for anyone who thought The Departed could’ve done with more face-kicking, director Gareth Evans’ crime epic is packed with action sequences of exquisite intensity. The symphony of mayhem culminates with a nearly 30-minute finale that is among the best ever filmed—it practically demands to be seen on the big screen.

This Is Spinal Tap01

This Is Spinal Tap
(USA / 1984 / Director: Rob Reiner)
Trailer: http://youtu.be/N63XSUpe-0o

Turn it up to 11 at this year’s MFF with Rob Reiner’s all-time great rockumentary following the exploits of David St. Hubbins (Michael McKean), Nigel Tufnel (Christopher Guest), Derek Smalls (Harry Shearer), and an endless succession of deceased percussionists that form Spinal Tap. With the assistance of eerily accurate details supplied by real-life metal bands, we watch the hilarious exploits of this group on the wane as their misfortune begets smaller and smaller venues (including Milwaukee’s then-fictitious Shank Hall) and larger and funnier insults. An inspiration to every comedic mockumentary that has followed in its footsteps, This Is Spinal Tap hasn’t lost an iota of its verve and energy in the 30 years since its release.

Time Lapse 2014 movie pic5

Time Lapse
(USA / 2014 / Director: Bradley King)
Trailer: http://vimeo.com/88809713
Three friends (including MFF 2011 alum Matt O’Leary, Natural Selection) discover a remarkable machine that photographs events exactly 24 hours into the future in this twisting science-fiction action thriller. Found inside an abandoned neighboring apartment, this machine opens up a world of possibilities for the trio to cash in on, but their friendship is tested by an unstable criminal looking to exploit the machine for his own gains. In the proud tradition of past (or is it future?) time-traveling indies such as Timecrimes and Primer, Time Lapse is a film as much about ideas as thrills, combining action, humor, and philosophy with aplomb.

Wetlands

Wetlands (Feuchtgebiete)
(Germany / 2013 / Director: David Wnendt)
Trailer: http://vimeo.com/72133858
A film as unapologetic as the main character it portrays, Wetlands is the adaptation of a novel once thought unfilmable. We follow the explicit exploits of Helen, our skateboarding 18-year-old protagonist whose brazen interest in bodily fluids and female sexuality finds her sharing used tampons, masturbating with vegetables, and exploring all other manner of debauchery. An unfortunate shaving mishap lands her in the hospital with an anal fissure, so she whiles away the hours by scheming to reunite her divorced parents and engaging in ribald flirtation with her handsome male nurse. Unashamed and uncompromising, but filled with infectious energy and a show stopping lead performance, Wetlands is an unforgettable film experience.

Witching And Bitching

Witching and Bitching (Las Brujas de Zugarramurdi)
(Spain, France / 2013 / Director: Álex de la Iglesia)
Trailer: http://youtu.be/ISqG3zjZZVk

Alex de la Iglesia (The Last Circus, MFF 2011) is back with his latest go-for-broke genre mash-up, following a group of robbers who hide out in the Basque countryside in the aftermath of an audacious daytime robbery. Little do they know they’ve happened upon the infamous village of Zugarramurdi, home to a coven of vengeful witches—and the robbers happen to be just in time for an ancient ceremony that requires the ultimate sacrifice from its unwilling male participants. Iglesia fills his madcap supernatural spectacle with copious amounts of sex, gore, and comedy, living up to his reputation as Spain’s preeminent master of gonzo filmmaking.

The 2014 Milwaukee Film Festival runs September 25 – October 9, 2014 at the Landmark Oriental Theatre, Landmark Downer Theatre, Fox-Bay Cinema Grill and Times Cinema. Passes and ticket 6-Packs for the 2014 Milwaukee Film Festival are currently available at discounted rates exclusively online at mkefilm.org/tickets.

Tickets for individual screenings will be available through Milwaukee Film Festival Box Office starting September 10 for Milwaukee Film Members and September 11 for the General Public.

 

Subscribe and Follow Rex Sikes’ Movie Beat Blog!  Visit often & please share with others!

*** Please also visit Rex Sikes’ Movie Beat Official Website.

Stay up to date with the live shows on Rex Sikes’ Movie Beat. You can join us and listen live as the show records. You can hang in chat and ask questions. All shows are recorded and archived at the official site.

Updates will be posted at this blog,  at the official site,  on the RSMB Friends page on FB,  through twitter and elsewhere.  When you can’t join us live you can still  listen to archived show from official site, from blogtalk radio and you can subscribe to the podcast at itunes.

Over 400 hours of professional filmmakers share their expertise and tips and secrets with you. All discussion may be listened to live and archived from the Official Site too! Check the INTERVIEWS

Rex Sikes’ Movie Beat Official Site