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‘MASSACRE AT CENTRAL HIGH’: ‘LORD OF THE FLIES’ 70S STYLE’ reprinted

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MACHPosterArt

It’s great to come across these reviews. I reprinted it from dangerousminds.net for you below. Enjoy! —

There is the old adage that the more things change, the more they stay the same.Cliched? Absolutely. Trite? Perhaps. Accurate? Sadly yes and nowhere is it more apparent than in Rene Daalder’s brilliant and bleak 1976 film, Massacre at Central High. It is considered to be a huge influence on Michael Lehmann’s Heathers, but while the darkness of that film is cushioned by some exquisitely played gallows humor,Massacre at Central High is truly the unrelenting real deal.

The film begins with a young nerdish hippie type, Spoony (Robert Carradine), who is painting a swastika on the locker of one of his bullies. In fact, the bullies of Central High, Bruce (Ray Underwood), Craig (Steve Bond) and Paul (Damon Douglas), referred to by one character as “the little league Gestapo,” are more than just your garden variety jocks and mean kids. They rule the roost, complete with exclusive use of the student lounge and the more cherry part of the parking lot. The adults are neutered and the kids are all too scared and beaten down to challenge them. (Sound familiar?)

A young Robert Carradine being bullied.

Their harassment of Spoony is interrupted by David (Derrel Maury), the new kid at school, who is trying to find the student lounge. (Not knowing yet that it is alpha-douchebag territory.) The guys tell him to all but get lost and other students ignore his query until the sweet-faced, flaxen-haired Theresa (Kimberley Beck) offers to walk him there. He is then greeted by his old friend, Mark (Andrew Stevens), who is telling him how “he’ll never have any trouble again.” As if on cue, the asshole trio saunter in and let Mark know that they all have already met. They soon leave and sensing the already growing tension, Mark warns David “to drop the loner shit” and that this could be like their own country club.

Turns out that David once did Mark a favor at their old school. The exact specs are never quite told, but enough is said to infer that basically, David protected Mark from the same exact kind of cretin that he is now hanging out with. Except that David didn’t even know him at the time. Speaking of cretins, the five of them hang out after school and go out for a joyride until they spot poor Rodney (Rex Steven Sikes),driving along in his sputtering, barely running vehicle. Considering his car’s existence within their vicinity a personal affront, they end up stopping and all pile into his vehicle, where they proceed to wreck it until it is as dead as Rodney’s sense of self-esteem. David’s quiet but Mark senses that he is not pleased about this incident.

This feeling builds, as David witnesses the trio kicking and brutally tormenting chubby Oscar (Jeffrey Winner), during gym class. Mark tries to excuse it, saying that they are ultimately helping him. David starts asking the same question a lot of viewers may be thinking, which is why isn’t anyone stopping these guys? The have-nots far out number them, but yet much of the student body walk around like whooped animals, lest they be the next targets for abuse. To hear Jane (Lani O’Grady) and Mary (Cheryl “Rainbeaux” Smith) tell it “they get to everyone sooner or later.”

The bullies hassle the student librarian.

David begins actively talking to their assorted victims, starting with Rodney and offers to help him fix up his car. He also helps Arthur (Dennis Kort), the partially-deaf student librarian, after the gang shove him around and tear apart the library. Appreciating his friend’s act of kindness, Mark tells David that “he is playing with fire.” David’s response? “You tell them the same thing.” None of this endears David at all to Mark’s buddies, though he is temporarily spared, for the time being, due to Mark’s pleading. The really heartbreaking thing about all this is Arthur telling David that he is “breaking a long school tradition.” There’s the really terrifying thing, the fact that bullies are not just a school institutional trope but in fact can be a multi-generational culture.

Things continue to fester, with Paul, Craig and Bruce, after observing Alice and Mary earlier in the film, calling them “dykes” and stating “that all they need is a couple of good fucks,” decide to “teach something” to the two unwilling girls, dragging them in an empty classroom. Mark meets with Theresa in the parking lot while this going on. He gets pissy with Theresa’s lack of being social and suggests that maybe she would rather go “party” with the boys, just like her friends Alice and Mary. Sensing something is foul, she immediately goes on the run, looking for the girls. She manages to find them and starts chastising the boys, with things escalating from verbal to physical. One the bullies ends up restraining her, while the other two are still trying to execute the rape. Hearing commotion, David bursts in and efficiently pummels the three attackers, before anything can get even worse. Theresa runs off and Alice and Mary, looking stunned, turn down his offer of a ride home.

David and Theresa

Worried, he follows Theresa, who is at first disturbed by his violent actions, but ends up being glad that he stood up to the terrors of the school. They go down to the beach where David reveals that he has a lot of inner rage, stating that “anger just builds up inside.” But his fix for it is going for a run. Meanwhile, Bruce, Craig and Paul are beaten and foaming at the mouth for some revenge. Mark tries to save things, stating that if David was able to single-handedly kick their collective asses, that he could be a good ally. Grudgingly they agree, but only if Mark can talk some sense into him. Seeing David’s jeep near the beach, he goes down there only to see his friend and girlfriend skinny dipping in the ocean. Hurt, he goes back to his “friends” and lies, saying that David said no. Being the complete coward that he is, Mark all but okays their retaliation, just as long as he is not directly involved.

Mark realizes something bad is on the horizon.

The result is the gang harass David while he is working on Rodney’s car. One of them kicks the carjack in, propelling the blunt force of the car onto one of his knees. The “accident” ends up leaving David with a permanent limp and having him return to school looking like a veteran of the psychic war. What ends up resulting is a series of violence that turns out in ways that are both expected and completely unexpected, with the ending leaving you with the a taste of one grim Lord of the Flies meets La Ronde experience.

Massacre at Central High is one of the best films about high school life and what happens when no one looks out for the students. It is absolutely telling that you do not see one adult in the whole film until the climax at the school dance. Even then the adults are just there, as ineffectual in presence as they were absent. Which is part of the real life problem with bullying is that the adults that should be there to help guide, educate and protect students either turn a blind eye, especially if it’s just a “boys will be boys” kind of situation or even worse, aid and abet it. (I actually had a teacher in junior high snicker as some kids picked on this one boy who was both dirt poor and developmentally disabled. Sartre said hell is other people, but I would argue that junior high is right next to it.)

Mark and Theresa at the Dance.

The film is almost forty years old and yet all the same problems are there. The only real difference is if Massacre at Central High was made nowadays, one of the bullies would be shooting video of their various attacks on their cell phones and uploading it to YouTube and Twitter. The ghosts of Steubenville are still omnipresent and bully culture thrives long and strong.

One of the many smart moves that director Daalder made with this film is that the reactionary violence is neither condemned nor endorsed. It is there, all for you as a viewer to soak in and process and think about. With a film like this, cliché and heavy-handedness would be the easiest twain approach but Daalder skillfully avoids both. The only real misstep is the awful MOR theme song which sounds like something David Soul would have expectorated out. No surprise that this was a powers-that-be decision, reportedly making Daadler not being able to stomach seeing his own film for three decades. The film is too solid to be ruined by such a trite song, but it is bad enough to where one can completely sympathize with the director.

The fracas with the music was only the beginning, between a weird print of the film being released as Sexy Jeans (?!?) in Italy with hardcore inserts that are visibly not the actual actors and the fact that the film remains unreleased on either DVD or Blu Ray in America. (Though cross your fingers, since there is word that Cult Epics, who have also released Daalder’s incredible apocalyptic, post-punk musical Population 1 as well as his more recent feature, Hysteria, are prepping to release it later this year.) There was a DVD release in the United Kingdom with the cover art looking like something out of a bargain basement slasher film, which is beyond misleading.

Awful UK DVD release Cover Art

Further proof of the film’s punch is that while it was originally scheduled to air on Turner Classics Movies “Underground” segment back in 2009, it ended up getting pulled, reportedly due to it being excessively violent. While there is undoubtedly violence in the film, it is no more brutal than some of the other films that have gone on to air on “Underground,” including Blue Velvet and Herschell Gordon Lewis’ gore classic, Blood Feast. One cannot help but suspect that the subject of school related violence has made this film more taboo now than it was back when it was theatrically released. And it’s a taboo that needs to be broken, not just because this is a smart, strong film, which it is to the nth degree, but also because the less we communicate as a culture, the more we are damned to repeat what hurts us. Art is considered a mirror for a very good reason. Massacre at Central High is one of those reasons.

Posted by Heather Drain (Reprinted from Dangerousminds.net)

Subscribe and Follow Rex Sikes’ Movie Beat Blog!  Visit often & please share with others!

*** Please also visit Rex Sikes’ Movie Beat Official Website.

Stay up to date with the live shows on Rex Sikes’ Movie Beat. You can join us and listen live as the show records. You can hang in chat and ask questions. All shows are recorded and archived at the official site.

Updates will be posted at this blog,  at the official site,  on the RSMB Friends page on FB,  through twitter and elsewhere.  When you can’t join us live you can still  listen to archived show from official site, from blogtalk radio and you can subscribe to the podcast at itunes.

Over 400 hours of professional filmmakers share their expertise and tips and secrets with you. All discussion may be listened to live and archived from the Official Site too! Check the INTERVIEWS

Rex Sikes’ Movie Beat Official Site

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Rex Sikes’ Movie Beat chats with Producer Director Gil Cates Jr

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gil catesAugust 05- 201329-1 copy

Director Producer Gil Cates Jr will be attending the Milwaukee Film Festival Premiere of ‘The Surface’ shot entirely in Milwaukee on Lake Michigan. The movie stars Sean Astin, Chris Mulkey (both will be in attendance) and Mimi Rogers. Tickets are on sale now for the Thursday October 9th Premiere at the Oriental Theater on Farwell Avenue.

GIL CATES, JR. , Director / Producer  has produced and directed many films and documentaries.  His motion picture directorial debut was the 1997 short film Screening. With an ensemble cast including Morgan Freeman, the film played at numerous film festivals and was subsequently purchased by Showtime and The Sundance Channel.

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Rex Sikes’ Movie Beat chats with producer director Gil Cates Jr.

Following up on the success of the short, Gil wrote and directed his debut feature film $pent, a serio-comic look at life, love, and addictions. The film stars Jason London (“Dazed and Confused”) and was distributed by Regent Entertainment in the summer of 2000.

In 2002, Gil wrapped the twisted comedy The Mesmerist, based on an Edgar Allan Poe short story. The film, released by Seventh Arts Releasing, stars Neil Patrick Harris and Jessica Capshaw, and was Executive Produced by Barbara De Fina (“Casino”).

In 2003, Gil completed the ensemble A Midsummer Night’s Rave, released by THINKFilm. “Rave” features Andrew Keegan (“10 Things I Hate About You”), Chad Lindberg (“The Fast and The Furious”), Sunny Mabrey (“XXX 2”), and Carrie Fisher.

In 2005, Gil shot the documentary feature Life After Tomorrow, which follows the girls that were in the original productions of Annie on Broadway. The film won Best Documentary and Best Director at the Phoenix Film Festival and had its premiere on Christmas Eve of 2006 on Showtime.

In 2006, Gil directed the feature Deal, which he co-wrote with Marc Weinstock. The film stars Burt Reynolds as an ex-gambler who is sucked back into the popular game of Texas Hold’em. The film, shot in New Orleans, also stars Bret Harrison, Shannon Elizabeth, and Charles Durning, and was released by MGM in the spring of 2008.

In 2008, Gil produced the indie feature Order of Chaos, starring Rhys Coiro, Milo Ventimiglia, Samantha Mathis, and Mimi Rogers. The film, directed by Vince Vieluf, was released February 12th, 2010.

In 2010, Gil directed the feature Lucky. The film, a dark comedy about a serial killer who wins the lottery, stars Colin Hanks, Ari Graynor, Ann-Margret and Jeffrey Tambor and was released by Phase 4 Films in the summer of 2011.

In 2012, Gil co-produced the feature film Jobs, starring Ashton Kutcher, Matthew Modine, Josh Gad, Dermot Mulroney, and J.K. Simmons. The film, which tells the story of Steve Jobs’ ascension from college dropout into one of our most revered creative entrepreneurs, was released by Open Road in the summer of 2013.

In 2013, Gil directed the feature The Surface, starring Sean Astin, Chris Mulkey, and Mimi Rogers. The indie drama, about two strangers who meet in the unpredictable waters of Lake Michigan, recently completed post-production and will be released in the winter of 2014.

Gil also made his TV directorial debut in 2007 with an episode of the NBC comedy, Joey,starring Emmy winner Matt LeBlanc.

**** NEWS NOTE: Gil will be attending the Milwaukee Film Festival Premiere of ‘The Surface’ shot entirely in Milwaukee on Lake Michigan. The movie stars Sean Astin, Chris Mulkey and Mimi Rogers.  Tickets are on sale now for the Thursday October 9th Premiere at the Oriental Theater on Farwell Avenue.

Subscribe and Follow Rex Sikes’ Movie Beat Blog!  Visit often & please share with others!

*** Please also visit Rex Sikes’ Movie Beat Official Website.

Stay up to date with the live shows on Rex Sikes’ Movie Beat. You can join us and listen live as the show records. You can hang in chat and ask questions. All shows are recorded and archived at the official site.

Updates will be posted at this blog,  at the official site,  on the RSMB Friends page on FB,  through twitter and elsewhere.  When you can’t join us live you can still  listen to archived show from official site, from blogtalk radio and you can subscribe to the podcast at itunes.

Over 400 hours of professional filmmakers share their expertise and tips and secrets with you. All discussion may be listened to live and archived from the Official Site too! Check the INTERVIEWS

Rex Sikes’ Movie Beat Official Site

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Milwaukee Film 2014 Festival|Record Number Of Special Guests Will Attend!

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mkefilmfest sept

The Milwaukee Film Festival has announced a record number of guests visiting Milwaukee and attending the film festival. These guests include critically-acclaimed directors Debra Granik and Marshall Curry to attend with film subjects;  Director Gil Cates Jr and actors Sean Astin and Chris Mulkey attending Closing Night Film

On top of that the stats on the number of guests up – an increase of 37% from last year.  A total of 113 out-of-town guests are confirmed.

“The opportunity for audience members to interact with the creators and stars of the films is one of the most unique aspects of the film festival experience. It adds a deeper level of connection and engagement between our audience and films, and that has always been one of our goals,” shares Jonathan Jackson, Artistic and Executive Director at Milwaukee Film.

Attending the festival and adding significantly to audience interaction are the directors and subjects for two of the year’s most critically acclaimed documentaries–Debra Granik’s Stray Dog and Marshall Curry’s Point and Shoot*** (See Program Note at end of blog).  Both Oscar-nominated filmmakers are scheduled to attend screenings and participate in question and answer sessions with their respective film’s subjects, Ron “Stray Dog” Hall, of Stray Dog, and Matthew VanDyke, of Point and Shoot.

Both Opening and Closing Night films boast a record number of guests and filmmakers. The riveting documentary opening the festival, 1971, screens with director Johanna Hamilton and four film subjects in attendance, and will include an extended question and answer session following the film.

I have a special place in my heart for the Milwaukee-made Closing Night film, The Surface. It celebrates its world premiere at the Milwaukee Film Festival, with cast, crew, and star of the film, Sean Astin of The Lord of the Rings, Rudy, and The Goonies fame. Director Gil Cates, Jr.*** (special program note see info at bottom) writer, producer, and Milwaukee native, Jeff Gendelman, cinematographer and co-producer, Jimmy Sammarco, and actors Astin, Chris Mulkey (Captain Phillips, First Blood), and Megan Lorie will also be in attendance.

Pulitzer Prize-winning film critic, Wesley Morris (presenting the festival’s State of the Cinema address), and comedy kingpins originally from Milwaukee, Jim Abraham and Jerry Zucker (Top Secret!), previously announced as part of Tributes, are all scheduled to attend select film screenings.

Wisconsin native Jerry Harrison (Talking Heads, Stop Making Sense, Take Me to the River) is also among notable guests attending this year’s festival.

The extensive list of scheduled guests also includes at least one guest for each film in the festival’s new Black Lens program, including Robert Townsend, director, writer, and star of the 1987 classic comedy, Hollywood Shuffle, for a total of ten Black Lens guests.

For the first time since launching its Passport program, Milwaukee Film has secured a filmmaker for this program. Passport: Mexico director Rodrigo Reyes (Purgatorio: A Journey Into the Heart of the Border) is scheduled to attend the festival.

FILMS SCHEDULED TO APPEAR AT THE 2014 MILWAUKEE FILM FESTIVAL:

1971
Sep. 25, 7PM | Oriental Theatre (Opening Night Film)
Sep. 27, 1:45PM | Oriental Theatre
Johanna Hamilton: Director Bonnie Raines: Film Subject John Raines: Film Subject Athan Theoharis: Film Subject Betty Medsger: Film Subject

25 to Life
 Oct. 4, 7PM | Times Cinema
Oct. 7, 11AM | Oriental Theatre
Leah Natasha Thomas: Producer Khaliah Neal: Producer William Brawner: ­Film Subject

Anchovies (Prefeature for Serial Daters Anonymous)
Oct. 3, 7PM | Times Cinema
Annabelle Attanasio: Director

Art and Craft
Oct. 6, 7:15PM | Downer Theatre Mark Becker: Director Mark Landis: Film Subject

Carnival of the Animals (Prefeature for Psychopath)
Sep. 26, 9:30PM | Oriental Theatre
Sitora Takanaev: Director

Cairo Drive
Oct. 4, 9:45PM | Oriental Theatre
Sherief Elkatsha: Director

The Case Against 8
Oct. 4, 6:30PM | Oriental Theatre
Oct. 5, 1:30PM | Fox Bay Cinema
Kris Perry: Film Subject Sandy Stier: Film Subject

The Chaperone (Shorts: Stories We Tell)
Sep. 28, 4PM | Oriental Theatre
Fraser Munden: Director

Code Unknown: Incomplete Tales of Several Journeys
Sep. 27, 4:15PM | Oriental Theatre
Wesley Morris: Film Critic

Cootie Contagion (Kids Shorts: Size Large)
Sep. 27, 10:45AM | Oriental Theatre
Sep. 28, 11:30AM | Fox Bay Cinema
Josh Smooha: Director

CRU
Sep. 28, 4:30PM | Times Cinema
Sep. 30, 7:45PM | Oriental Theatre
Antwon Tanner: Actor

DEAR MKE
(Oct. 9, 5:30PM | Oriental Theatre) Jack Turner: Executive Producer Ryan Dembroski: Executive Producer Rob Schoonover: Producer Barry Poltermann: Story Supervisor Dan Didier: Post Supervisor, Editorial Assistant

All in the Family
Sam Macon: Director Jessamy Meyer: Editor

BuildMoto
Matt Mixon: Director Matthew Prekop: Editor Ian Anderson: Editor

Come Sail Away
Jack Davidson: Director

Cooking with Kumar
Frankie Latina: Director

High Art
Chris Thompson: Director Matthew Prekop: Editor

Lo with the Fro
Jessica Farrell: Director Dave Myszewski: Editor

Mondo Lucha
Sam Macon: Director Travis Auclair: Cinematographer Alex Youngen: Editor

The Right Ingredients
Matt Mixon: Director Dave Myszewski: Editor

Rory: Milwaukee’s Most Famous Cab Driver
Frankie Latina: Director Vinnie Besasie: Cinematographer  Randy Russel: Unit Production Manager

To See What You Can Do
Jack Davidson: Director

Tour de Space
Blyth Meier: Director Dave Myszewski: Editor

The Truck Driver
Matt Mixon: Director

Underwater Harvey
Steve Farr: Director Steve Roeder: Producer

Evolution of a Criminal
Sept. 30, 3PM | Oriental Theatre
Darius Clark Monroe: Director

The Forgotten Kingdom
Oct. 4, 7PM | Downer Theatre
Oct. 5, 1:15PM | Oriental Theatre
Andrew Mudge: Director

Freedom Summer
Sept. 26, 4:15PM | Oriental Theatre
Cyndee Readdean: Producer

Funnel (Shorts: Stories We Tell)
Sept. 28, 4PM | Oriental Theatre
Andre Hyland: Director

Give It Up For the Girl (Prefeature for Pester)
Oct. 5, 10PM | Oriental Theatre
Carol Brandt: Director John Roberts: Executive Producer Martin Kaszubowski: Producer

Gnarly in Pink (Kids Shorts: Size Medium)
Oct. 3, 2PM | Oriental Theatre (Shorts: Sports Shorts. Shorts about Sports.)
Oct. 4, 11:30AM | Times Cinema
Oct. 5, 11AM | Oriental Theatre
Ben Mullinkosson: Director

Goose Trouble (Kids Shorts: Size Small)
Oct. 4, 11AM | Oriental Theatre
Oct. 5, 11:30AM | Fox Bay Cinema
Monika Downer: Director

Hairy Who & The Chicago Imagists
Sep. 26, 4:30PM | Downer Theatre
Brian Ashby: Producer, Cinematographer, Editor Suellen Rocca: Artist, Film Subject Jim Falconer: Artist, Film Subject

Hamlet A.D.D.
Sep. 27, 9:45PM | Oriental Theatre
Oct. 7, 9:30PM | Times Cinema
Andrew Swant: Director, Actor Bobby Ciraldo: Director, Actor Evan Maruszewski: Animator Mark Borchardt: Actor  Eric Gerber: Actor Drew Rosas: Actor

Hollywood Shuffle
Oct. 3, 7PM | Oriental Theatre
Robert Townsend: Director

An Honest Liar
Oct. 5, 4:15PM | Downer Theatre
Tyler Measom: Director James Randi: Film Subject Deyvi Pena: Film Subject

The Immaculate Reception (Shorts: Sports Shorts. Shorts about Sports.) Oct. 3, 2PM | Oriental Theatre
Charlotte Glynn: Director

Kids For Cash
Sep. 26, 7PM | Fox Bay Cinema
Robert May: Director

Life Partners
Oct. 5, 7:15PM | Oriental Theatre
Susanna Fogel: Director, Co-Writer Jordana Mollick: Producer

Man With a Movie Camera
Sept. 30, PM | Oriental Theatre
Alloy Orchestra

Meet The Patels
Sep. 28, 7:45PM | Oriental Theatre
Sep. 29, 5:30PM | Oriental Theatre
Vasant Patel: Film Subject Champa Patel: Film Subject

THE MILWAUKEE SHOW I (Sep. 29, 8PM | Oriental Theatre)

The Death of Corey Stingley
Spencer Chumbley: Director Erik Ljung: Producer Craig Stingley: Film Subject

An Evening at Angelo’s
Kara Mulrooney: Director Tate Bunker: Additional Camera Angelo Mortellaro: Film Subject Jerry Grillo: Singer Ginni Smith: Singer Bobby Baker: Singer Joe Kral: Piano John Hefter: Piano Danny Keegan: Singer Mario Crivello: Bartender

The Harpist
Erica Thompson: Director Bethany Michaels: Producer Ellie Wells: Writer

The Kenny Dennis
Wes Tank: Director

Little America
Kurt Raether: Director

New Planet
James Tindell: DirectorShaun Hosseini: Assistant Producer

Settlers
Nathaniel Heuer: Director Timm Gable: Producer Erik Ljung: Cinematographer Sean Williamson: Assistant Director Diana Ehlers: Casting/Costume Heather Hass: Editor Joe Kirschling: Photography Eileen Blom: Actor Amelinda Burich: Actor Ahris Kim: Actor Margaret Muza: Actor Laura Theissen: Actor Michelle Warren: Actor Jen White: Actor Erin Wolf: Actor Shawn Stephany: Band Member Marielle Allschwang: Band member

THE MILWAUKEE SHOW II (Oct. 6, 7PM | Oriental Theatre)

Balloons
Sitora Takanaev: Director

Geoffrey Broughe Handles Confrontation Poorly
Jon Phillips: Director Quinn Hester: Cinematographer Casey Harris: Costume Designer Peter Batchelder: Sound Engineer, Compose Matthew Balz: Art Director  Ricardo De Herrera: Actor Matt Nichols: Actor

MECCA: The Floor That Made Milwaukee Famous
Chris James Thompson: Director Andy Gorzalski: Producer Jack Turner: Producer Travis Auclair: Cinematographer  Michael T. Vollmann: Editor Barry Poltermann: Story Editor Jannell Gorzalski: Film Subject Stephen Marcus: Film Subject Ben Koller: Film Subject Hal Koller: Film Subject Judie Koller: Film Subject George Gonis: Film Subject Robert Byrd: Film Subject

One Week Vacation
Brendan T. Jones: Director Jenny Vanderheiden: Art Director Ryan Lowe: Actor Evan Koepnick: Actor Angie Campbell: Actor Kenny Somerville: Actor

Smoky Places
Michael DiMilo: Director Jeff Stehr: Music Director Tom Plutshack: Guitar Dave Bolyard: Percussion

This is Jackie.
Anna Sampers: Director

Tis the Season
Kirsten Stuck: Director

To Hold In The Heart
Pang Her: Director Jean Yang: Camera

The Waystation in the Stars
Brandon Morissey: Director, Producer, Writer Lyssa Kay: Producer Dagmar Weaver-Madsen: Cinematographer

THE MILWAUKEE YOUTH SHOW (Sep. 28, 10:30AM | Oriental Theatre)

200,000
Gavin White, Tyler Matthews, Jeremy LeCleir, Scott Meade: Directors

Assist Bhopal
Megan Sai Dogra: Director

The Autumn Vignette
Serbata Tarrer: Director

Counting the Dead
Alexandra Van Den Heuvel: Director

Get Real People
Griffin Anderson, Mitch Dykstra, Tanner Dykstra, Ronnie Al-Ramahi: Directors

Iero
Gabriella Avila, Alexia Jaso: Directors

If You Weren’t Here
LaVarnway Boys & Girls Club workshop participants: Directors

La Decisiones de Tu Vida Alondra Mercado, Ana Ornelas: Directors:

Let the Children Live
Clarke Street Boys & Girls Club workshop participants: Directors

Media and Mental Illness
Eden Raduege, Mikayla Bell: Directors

Protect Yourself
Youth from Townsend CLC Boys & Girls Clubs of Greater Milwaukee: Directors

Wake Up and Pay Attention
Youth from the Daniels-Mardak Boys & Girls Clubs of Greater Milwaukee: Directors

My Prairie Home
Sep. 26, 10PM | Oriental Theatre
Chelsea McMullan: Director

No One Is Listening Anymore! (Shorts: Stories We Tell)
Sep. 28, 4PM | Oriental Theatre  Oct. 1, 10:30PM | Oriental Theatre
Romi Trower: Director

The Other One
Oct. 1, 7PM | Times Cinema
Oct. 7, PM | Oriental Theatre
Joe Steiff: Director Grace McPhilips: Producer, Actor

The Overnighters
Oct. 4, 9:30PM | Downer Theatre
Jay Reinke: Film Subject Keegan Edwards: Film Subject

Person to Person (Shorts: Stories We Tell) Sep. 28, 4PM | Oriental Theatre
Dustin Defa: Director

Pester
Sep. 28, 6:45PM | Times Cinema
Oct. 5, 10PM | Oriental Theatre
Eric Gerber: Director, Writer, Producer Drew Rosas: Producer Andrew Swant: Actor, Consulting Producer

Point and Shoot
Oct. 7, 7PM | Oriental Theatre
Marshall Curry: Director Matthew VanDyke: Producer, Film Subject

Psychopath
Sep. 26, 9:30PM | Oriental Theatre
Sep. 28, 2PM | Fox Bay Cinema
Oct. 4, 4:15PM | Times Cinema
Manny Marquez: Director Victor Marquez: Film Subject Suezette Marquez: Film Subject

Purgatorio: A Journey Into the Heart of the Border
Sep. 27, 2:15PM Downer Theatre
Rodrigo Reyes: Director

Revenge of The Mekons
Sep. 27, 9:45PM | Downer Theatre
Sep. 30, 4:30PM | Times Cinema
Joe Angio: Director Sally Timms: Film Subject (Only Sep. 27th screening) Jon Langford: Film Subject (Only Sep. 27th screening)

The Starfish Throwers
Attendance date TBD
Pete Tedrow: Outreach & Festival Coordinator

Secundaria
Oct. 8, 7PM | Downer Theatre
Mary Jane Doherty: Director

Serial Daters Anonymous
Sep. 27, 9:45PM | Fox Bay Cinema
Oct. 1, 4PM | Oriental Theatre
Oct. 3, 7PM | Times Cinema
Christopher Carson Emmons: Director Sam Kozel: Executive Producer

She’s Beautiful When She’s Angry
Oct. 2, 4:30PM | Times Cinema
Oct. 4, 1:30PM | Oriental Theatre
Mary Dore: Director Nancy Kennedy: Producer Mary Jean Collins: Film Subject Fran Beal: Film Subject

Stop Making Sense
Oct. 4, 10:30pm Oriental Theatre
Jerry Harrison: Film Subject

Stray Dog
Sep. 27, 7:15PM | Oriental Theatre
Sep. 29, 4:15PM | Times Cinema
Debra Granik: Director Tory Stewart: Co-Producer/Editor Ron “Stray Dog” Hall: Film Subject Freddie Strickland: Film Subject Robin Smith: Film Subject

Street Fight
Oct. 7, 4:15PM | Oriental Theatre
Marshall Curry: Director

Strike: The Greatest Bowling Story Ever Told (Shorts: Sports Shorts. Shorts about Sports.)
Oct. 3, 2PM | Oriental Theatre
Joey Daoud: Director

Stumped (Shorts: Stranger Than Fiction)
Oct. 6, 4:45PM | Downer Theatre
Robin Berghaus: Director

The Surface (Closing Night Film)
Oct. 9, 8PM | Oriental Theatre
Gil Cates, Jr.: Director
Jeff Gendelman: Writer/Producer
Jimmy Sammarco: Cinematographer, Co-Producer
Sean Astin: Actor Chris Mulkey: Actor Megan Lorie: Actor

Take Me to the River
Attendance Dates TBD

Martin Shore: Director Jerry Harrison: Producer Lawrence “Boo” Mitchell: Subject Frayser Boy: Film Subject William Bell: Film Subject

Taxidermists (Shorts: Stranger Than Fiction)
Oct. 2, 2PM | Times Cinema
Nicole Triche: Director Wendy Christensen: Film Subject

Things Never Said
Oct. 1, 7:30PM | Oriental Theatre
Oct. 2, 1PM | Oriental Theatre
Charles Murray: Director

This May Be the Last Time
Oct. 4, 4:15PM | Oriental Theatre
Sterlin Harjo: Director

Through a Lens Darkly: Black Photographers and the Emergence of a People
Oct. 9, 7:30PM | Oriental Theatre
Don Perry: Co-Producer, Co-Writer

‘Til Infinity: Celebrating 20 Years of the Souls of Mischief Sep. 27, 9PM | Oriental Theatre
Shomari Smith: Director

Time Lapse
Sep. 26, 9:30PM | Times Cinema
Bradley King: Director

Top Secret!
Oct. 1, 7PM | Oriental Theatre
Jim Abrahams: Director Jerry Zucker: Director

The Vanquishing of the Witch Baba Yaga
Sep. 28, 7:30PM | Downer Theatre
Jessica Oreck: Director

Vessel
Oct. 3, 4:45PM | Downer Theatre
Diana Whitten: Director

Watchers of the Sky
Sep. 29, 10:45PM | Oriental Theatre
Elizabeth Bohart: Executive Producer

Winter’s Bone
Sept 27, 11:30AM | Downer Theatre
Debra Granik: Director 

Years (Prefeature for The Other One)
Oct. 1, 7PM | Times Cinema
Rose Curley: Director Nora Burlo: Actor

PANELS
Keynote: State of Cinema
Sep. 27, Noon | Colectivo Prospect

Wesley Morris: 2012 Pulitzer Prize winner for Criticism; Film and Culture writer for Grantland.com

Working with Actors
Sep. 27, 2:30PM | Colectivo Prospect
Debra Granik: Writer, Director (Winter’s Bone, Stray Dog)

Mex-ciné: Mexican Filmmaking, Production, and Consumption in the 21st Century Sep. 27, 5PM | Colectivo Prospect
Dr. Frederick Luis Aldama: Arts & Humanities Distinguished Professor, The Ohio State University

Memory & the Arts
Sep. 28, 5PM | Colectivo Prospect
Mary Louise Schumacher: Milwaukee Journal Sentinel

Nancy Armitage: Alzheimer’s Association of Southeastern Wisconsin

Dr. Anne Basting: University of Wisconsin-Milwaukee
Diane Knight: Alverno College

After 1971: Media, Freedom of Information, and the Public’s Right to Know Monday, Sep 29 | 12:15 PM | Eckstein Hall, Marquette University
Mike Gousha: Marquette University Law School
Daniel Bice: Milwaukee Journal Sentinel
Christa Westerberg: Wisconsin Freedom of Information Council and Wisconsin Center for Investigative Journalism
Ben Wizner: American Civil Liberties Union

Pitch Us Your Doc! Contest
Saturday, Oct 4 | 12PM | Colectivo Prospect
Kim Nguyen: War Witch (MFF 2013 Competition Award Winner) Michael Raisler: Cinereach, Beasts of the Southern Wild

Laurie Scheer: The Writer’s Advantage: A Toolkit for Mastering Your Genre (2014)

Film Financing Panel
Saturday, Oct 4 | 2:30PM | Colectivo Prospect
Tyler Measom: An Honest Liar 
Jordana Mollick: Life Partners

MKE At Risk: Feeding Our Community
Saturday, Oct 4 | 5PM | Colectivo Prospect
Mitch Teich: WUWM Milwaukee Public Radio 89.7FM
Sharon Adams:  Walnut Way Conservation Corp.
Larry Adams: Walnut Way Conservation Corp.
Nicole Angresano: United Way of Greater Milwaukee
Dr. Jennifer Jordan: University of Wisconsin-Milwaukee
Young Kim: Fondy Food Center
Sherrie Tussler: Hunger Task Force

JURORS

Herzfeld Competition Jury
David Fear, Rolling Stone
Theresa Scandiffio, Toronto International Film Festival
Mike Maggiore, Film Forum

Cream City Cinema Jury
Sam Adams, IndieWire
Justine Nagan, Kartemquin Films
Jim Brunzell III, Twin Cities Daily Planet

Shorter Is Better Jury
Dan Doody, Seattle International Film Festival
Jessica Farrell, Filmmaker Spencer Gillis, Filmmaker

Rated K: For Kids Jury
Octavia Grimes Piper Grimes Quinn Hammerlund Julian Singh Anna Weiss

I will see you there! Be sure to come up and say hello. Enjoy the festival and all these wonderful activities and guests.

The 2014 Milwaukee Film Festival runs September 25 – October 9, 2014 at the Landmark Oriental Theatre, Landmark Downer Theatre, Fox-Bay Cinema Grill and Times Cinema. Passes and ticket 6-Packs for the 2014 Milwaukee Film Festival are currently available at discounted rates exclusively online at mkefilm.org/tickets.

Tickets for individual screenings will be available through Milwaukee Film Festival Box Office starting September 10 for Milwaukee Film Members and September 11 for the General Public.

*** Special Program Note: Debra Granik is guest on Rex Sikes’ Movie Beat Wednesday Sept 24, 2014 3pE 12pC NoonP. Join us for our live discussion, chat will be open too. Show will be archived and available 24/7 to listen if you are unable to listen live. For more info click the bolded link:

Rex Sikes’ Movie Beat chats with Academy Award Nominated Director Debra Granick 

*** Special Program Note: Gil Cates Jr Director Producer is guest on Rex Sikes’ Movie Beat Thursday Sept 25, 2014 11aE 10aC 8aP. Join us for our live discussion, chat will be open too. Show will be archived and available 24/7 to listen if you are unable to listen live. For more info click the bolded link:

Rex Sikes’ Movie Beat chats with director producer Gil Cates Jr.

Festival begins September 25, the date of this discussion with Gil Cates Jr. Enjoy

 

Subscribe and Follow Rex Sikes’ Movie Beat Blog!  Visit often & please share with others!

*** Please also visit Rex Sikes’ Movie Beat Official Website.

Stay up to date with the live shows on Rex Sikes’ Movie Beat. You can join us and listen live as the show records. You can hang in chat and ask questions. All shows are recorded and archived at the official site.

Updates will be posted at this blog,  at the official site,  on the RSMB Friends page on FB,  through twitter and elsewhere.  When you can’t join us live you can still  listen to archived show from official site, from blogtalk radio and you can subscribe to the podcast at itunes.

Over 400 hours of professional filmmakers share their expertise and tips and secrets with you. All discussion may be listened to live and archived from the Official Site too! Check the INTERVIEWS

Rex Sikes’ Movie Beat Official Site

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Peter Sheryako |Actor | Author | Historian | Westerns | Tombstone | Yellow Rock | and more

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Peter Sherayko, Actor, and owner of Caravan West a supplier of  horses, tack, artillery, costumes, props, Prod. Designer, Art Director, Prop Master, Wranglers, and Sets for movies. Peter portrayed cowboy Texas Jack Vermillion in Tombstone staring Kurt Russell, Val Kilmer, Sam Elliott, Bill Paxton, Powers Boothe and Michael Biehn. He worked as the film’s technical advisor and is the head of The Buckaroos, a group of specialized western background performers. On Tombstone, as well as other movies. Peter and The Buckaroos provide horses, guns, props, extras, experience and equipment for many of the cowboy scenes.

Peter played ‘Farley’ in ‘Yellow Rock’ a feature film we have been discussing in some depth on Movie Beat. “Yellow Rock’ stars Michael Biehn, James Russo, and the film’s writer and producer Lenore Andriel,

TO LISTEN CLICK THE BOLDED link below:

Rex Sikes Movie Beat chats with Actor Author Peter Sheryako PT2 

Rex Sikes’ Movie Beat chats with Actor Author Peter Sherayko

Peter created his company to bring quality to the Hollywood Western and provide today’s demanding film audience with the most authentic product possible.  In the process, Sherayko has become recognized as historian and author, appearing in numerous Wild West Tech episodes for the History Channel and as technical consultant and supplier to both the History and Discovery Channels.

His first book, Tombstone: The Guns and Gear is lauded in Flayderman’s Guide to Antique Weapons as one of the 100 books every collector should have on their bookshelf, the book grew out of his work on the Western film classic, Tombstone.  Peter researched the weaponry of every character as he designed the firearms he provided. 

His company Caravan West Productions coordinated the saddles and the Buckaroos, and Peter portrayed the character Texas Jack Vermillion, one of his better known roles.

The Fringe of Hollywood is his second adult nonfiction book. The taped version of his one-man show, Cody…An Evening with Buffalo Bill was performed in a chataugua and was among the top finalists in the Santa Clarita International Film Festival when produced. 

He also released a CD At Your Service and hosted Varmint Media’s The Guns of Billy the Kid.   The State of Nebraska awarded him the Buffalo Bill Award for Achievements in Family Entertainment. 

Subscribe and Follow Rex Sikes’ Movie Beat Blog!  Visit often & please share with others!

*** Please also visit Rex Sikes’ Movie Beat Official Website.

Stay up to date with the live shows on Rex Sikes’ Movie Beat. You can join us and listen live as the show records. You can hang in chat and ask questions. All shows are recorded and archived at the official site.

Updates will be posted at this blog,  at the official site,  on the RSMB Friends page on FB,  through twitter and elsewhere.  When you can’t join us live you can still  listen to archived show from official site, from blogtalk radio and you can subscribe to the podcast at itunes.

Over 400 hours of professional filmmakers share their expertise and tips and secrets with you. All discussion may be listened to live and archived from the Official Site too! Check the INTERVIEWS

Rex Sikes’ Movie Beat Official Site

acting, actors, casting, crowdfunding, directing, directors, film directing, film education, film festival, film production, filmmaker, filmmakers, filmmaking, independent film production, indiefilm, motion picture business, movie business, movies, producer, producing, screenwriter, screenwriting, storytelling

Behind The Scenes Of “Full Circle” – reprinted from Project Famous

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Full Circle Slate

BEHIND THE SCENES OF “FULL CIRCLE”

Posted by on Sunday, September 7, 2014 · Leave a Comment

Written by Karla S. Bryant | Photography by Peter Langeness

It may be the only time someone at the Déjà Vu Martini Lounge in Appleton, WI was in conversation with another person when the words that popped into their head were, “This may be the priest I’ve been looking for.”

But that’s what happened when I was talking with actor, producer, and broadcaster Rex Sikes. My short story, “Full Circle,” had recently been published in a literary quarterly. The film production company I’m involved with, Madison-based Living Storm Productions, was planning on adapting it as a short film. Jeff Blankenship, who had been directing films for them, was on board from the start to direct it.

Director Jeff Blankenship discusses a scene with Rex Sikes and Gail Hafar. Assistant Director Craig Olson looks on.

But there was one thing that worried all of us to varying degrees: whoever played the lead character of Fr. Kmichik would have to carry the film. Its success, to some degree, would depend on who was cast in the role. There were a few people in mind and we knew we’d hold auditions, of course. But at the moment, a number of Living Storm Productions members were at the Déjà Vu Lounge after-party for the Wildwood Film Festival, where their film, Freud (also directed by Blankenship), had been an “Official Participant.”

As I sipped my neon blue martini, I listened more closely as Rex talked. In my mind, he was already wearing a priest’s collar and making the no-nonsense, yet empathetic character come to life. I knew the casting decision wouldn’t be up to me, the writer. Still, a writer knows the characters she’s written better than anyone else.

But, that’s in the middle of the process of my story becoming a film. I’d initially meant to write “Full Circle” as a traditional ghost story. But, as the story and characters developed, it turned into something else. It turned into a story focused on forgiveness and redemption, not necessarily in the strictly religious sense, but still on a deeply spiritual level. In fact, in the story, the spiritual world behaves like an attention-seeking toddler… moving objects and throwing things and making noises to catch the attention of those currently living. Or, at least, the attention of one person currently living. I firmly believe that the truth always has a way of fighting its way to the surface. That, perhaps, is at the core of the story.

Joette Waters, Susan Rathke, Rex Sikes, and Chris Seurer get set up for another shot.

Just before moving to Madison last September, I received word that “Full Circle” had been accepted for publication in Dappled Things, a literary quarterly. I knew it was primarily a visual story and, with one short story already optioned by a film studio, I thought this one would also work well in a film adaptation. Things began to dovetail. Not everyone is aware that I went to high school with Blankenship in Eagle River, WI. The shy guy who sat next to me in American Lit and Drama class noticed on Facebook that I did some screenwriting and was moving to Madison. He had lived in the area for some time and was directing films for Living Storm Productions. He suggested I meet some people from the group.

Thirty-some years since we’d last seen each other, Jeff and I met and spoke about “Full Circle.” He was very interested in the story and he told me he’d love to take it on. As a director, Jeff wanted to know more and more about the characters’ back stories and motivations and, over the fall, we spent hours in discussion over it. Finally, he was satisfied that it all pieced together for him in a way that he could now envision just how the film would feel and look.

Blankenship and Sikes on set

By spring, because of the unique situation I was in as a new member of Living Storm Productions, I was fortunate to sit in on the auditions. For the first time I heard strangers speak the words I’d written for characters whom had been my imaginary friends for months. As different actors auditioned for the roles, I was fascinated by the varied interpretations of the characters. Really? I wondered. The paralegal had that kind of a personality? Well, she could and it could actually make her a more interesting character. It is eye-opening and humbling to see your characters develop beyond your own imagination.

We had a number of video submissions as well. One actress, Joette Waters, was so convincing as the elderly Helen Waldowksi that when we were making arrangements for her to take the bus from Chicago, I cautioned it shouldn’t be too late in the evening because of her age. Glancing then at her head shot, I was shocked she wasn’t elderly at all, just a very talented actress who had excellent make-up on for her audition tape. Yes, she got the role. We were fortunate to find gifted actors and actresses for all the supporting roles.

Props set the scene

And then came the auditions for Fr. Kmichik, the lead actor. In spite of my instinct about Rex Sikes being the man for the role, I tried to keep my mind open. In particular, there was another wonderful actor who auditioned, but he was much better suited for a role as an Anglican vicar in a BBC drama. Fr. Kmichik, the main character, is a Polish-American, earthy priest with a strong insight into people. Not a priest who would be troubled by protocol or talk about the weather. Not a priest who would be frightened by something unexplained, but a man who would take on the challenge to find the reason behind supernatural events.

When Rex auditioned via Skype, we ended up with one technical problem after another. Jeff’s audio didn’t work. At one point, he had to communicate with hastily written Post-It notes held up to the screen. Rex had a difficult time hearing me. Fortunately, we had no problem hearing or seeing him. Still, it was frustrating and distracting for everyone. Just as we were wondering if we should set something else up, Jeff gave Rex specific direction and, when he read the lines again, in spite of all the technological problems, Rex’s expression, pacing, and inflection were spot on. My gut instinct had been correct.

Blankenship and Director of Photography Steven Dean film a poignant scene.

Early scenes for a teaser trailer were shot in June and right now, most of the filming is done for the actual film.Living Storm Productions co-owner, actor, and producer, Bryan Royston, is juggling multiple roles throughout the production, along with managing the IndieGoGo campaign (which is bringing us much-needed funds for fixed expenses). Kelly Lajter is working tirelessly and creatively as Project Manager and Script Supervisor, along with Craig Olson as Assistant Director. Another Living Storm Productions co-owner and producer, Alex Contreras, is keeping everyone updated on details through emails and weekly meetings. Steven Dean brings his formidable talent as a cinematographer to the project. Experienced lighting expert, Justin Propp and audio technician, Ryan Meunier, are also on board. The production is fortunate to have a gifted make-up and hair artist, Joshua Harrison, to transform young actresses into elderly women and have it look completely believable.

What I’m learning as a writer on set for the first time is that, just as they say at award ceremonies, there are too many people in the cast and crew to thank them individually… each one of them is critical to the success of the film.

MakeUp Artist Joshua Harrison preps Joette Waters for a scene.

Getting a few peeks at the monitors, I saw for myself that Full Circle is beautifully shot and the acting is outstanding.  Right now, even though there are a few scenes that remain to be filmed and the post-production work lies ahead, I’m restless to see the finished project.

Full Circle

The last of filming is being scheduled.  Full Circle will start post-production work this fall.  The release date is currently TBD.  Keep up with Full Circle and Living Storm Productions on Facebook.

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Subscribe and Follow Rex Sikes’ Movie Beat Blog!  Visit often & please share with others!

*** Please also visit Rex Sikes’ Movie Beat Official Website.

Stay up to date with the live shows on Rex Sikes’ Movie Beat. You can join us and listen live as the show records. You can hang in chat and ask questions. All shows are recorded and archived at the official site.

Updates will be posted at this blog,  at the official site,  on the RSMB Friends page on FB,  through twitter and elsewhere.  When you can’t join us live you can still  listen to archived show from official site, from blogtalk radio and you can subscribe to the podcast at itunes.

Over 400 hours of professional filmmakers share their expertise and tips and secrets with you. All discussion may be listened to live and archived from the Official Site too! Check the INTERVIEWS

Rex Sikes’ Movie Beat Official Site

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Rex Sikes’ Movie Beat Chats With The Team Of Horror Equity Fund, LLC

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There have been changes to how CrowdFunders may raise money. On Thursday Sept 11 we discuss some of these changes with my guests Marlon Schulman, Brian Herskowitz and John Crye. Together these gentleman fave created a genre specific funding platform Horror Equity Fund to offer investment opportunity, real ownership and profit participation for investors.

Join Us as we record Live Thursday Sept 11, 2014 at 11aET, 10aCT 8aPT To Listen Click the BOLDED LINK BELOW:

Rex Sikes’ Movie Beat chats with Horror Equity Fund Founders Marlon Schulman, Brian Herskowitz, John Crye

Join Us Thursday September 11, 2014 for the show. The Chat Room is open when we record live. You can listen from the player or you can join chat room and  ask questions from there.

Here is a Broad Overview of Horror Equity Fund, LLC

Horror Equity Fund LLC leads the industry in genre-specific funding solutions for horror-centric projects including films, ancillary rights exploitation and other horror-related projects. Amongst the numerous domains it owns, Horror Equity Fund LLC owns and operates HorrorEquityFund.com and FederationOfHorror.com.

HorrorEquityFund.com (HEF) is a portal platform that brings together Investors and Content Creators in a simple, transparent and compliant online ecosystem that provides a unique opportunity for all participants to share in the amazing profits often realized in the world of Horror entertainment.

Unlike “pre-sale” or donation-based crowdfunding platforms like Kickstarter, which solicit donations or contributions in return for a poster, download, or other consideration, Horror Projects presented through HEF offer real ownership and profit participation (an equitable interest) for its Investors.

From the registration and online submission of a new script, to the review, approval and packaging of the Project, to the presentation and sponsorship of a distributor, financier or studio, to the posting of the Project opportunity on HEF, HEF prepares, tracks and presents the best possibilities of each investment.

HEF’s project development process improves the chances for commercial success in the marketplace by actively developing projects with the Content Creator and leading professionals in the Industry. HEF works not only on fundability, but on the profitability of Projects.

Horror projects include: Transmedia market projects; Feature Films; TV Episodic(s); Graphic Novels; Motion Comics; Books; Library Utilization; Remakes; Videogames; Studio Financing and Joint Ventures; Collectible Toys; Live horror shows and tours, Smart Apps; or any other form of merchandising. Cutting edge TV programming, to be co-produced by HEF, is already being developed.

With its companion community site, Federation of Horror (which provides a social media marketing and investment “game preserve” created specifically for such purposes), HEF has been uniquely created to tap into the perennially high ROI Horror market and provide a robust vehicle for fans, professional creators and investors. Together, with promising Projects lining the shelves, they form a virtual “Supermarket of Horror™.”

“Investing in Horror doesn’t have to be a SCARY experience: Only the Project does.” ™

Bios of Leadership Team

Marlon Schulman – Founder, CEO

Marlon Headshot copy

Marlon W. Schulman’s leadership in creating targeted, revenue-producing communities within the entertainment industry is enhanced by his intuition and passion. As an entrepreneurial producer and attorney, his specialty is the creation of diverse profit-driven entertainment products and services through innovatively conceived integration of proven strategies with new technologies.

He has successfully completed numerous and profitable entrepreneurial initiatives, both within major entertainment companies (Bandai Entertainment, Orion Pictures, AECG), as well as in his independent and partnership entities (Wednesday Morning Productions, Realbuzz Studios, Libertas Law Group). Those projects were created to serve de-centralized, under-served and in certain cases un-recognized interest groups, resulting in new audiences and on-going revenue centers.

Early recognition of voids in the marketplace is key to his approach. Before anime was widely recognized in the US, he formed an on-line, global community of avid fans with Anime Village for Bandai; with ground-breaking, value-reinforcement series of manga graphic novels, he addressed the otherwise-ignored concerns of young, mostly female, faith-based readers; by shepherding Opus 1 Music Library’s entry into new mobile technology, he led a generation-old business into the digital age.

His active strategic stance at the crossroads of new technology, law, business and the creative arts has led to the generation of hundreds of million of dollars in fresh revenue and the establishment of long-running revenue streams in the entertainment industry.

Brian Herskowitz

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Brian Herskowitz is a veteran Hollywood producer, writer, and director of feature films, TV series and digital series. He is the author of the best-selling book, Process to Product: A Practical Guide to Screenwriting and is a faculty member at the Boston University of Los Angeles’ graduate degree program, Writer in Hollywood.

His TV credits include series writing for Blossom on NBC; HBO’s Tour of Duty; CBS’s Murder, She Wrote; and the syndicated series, Hercules. He co-wrote the FOX pilot, Mantic, with Seinfeld’s Jason Alexander and also line-directed the Candace Buschnell web series, The Broadroom, starring Jenny Garth, Jennifer Esposito and Talia Balsam.

Brian’s film credits include writing and directing the award-winning short, Odessa or Bust, starring Red Buttons, Jason Schwartzman and Jason Alexander and documentaries on domestic abuse victims, 1736: Somewhere To Turn, and hard economic times, Joanne. As producer, he recently finished principal photography on feature films by directors Allen Katz (M*A*S*H) and Susan Seidelman (Desperately Seeking Susan).

He is an active voice-over artist including hundreds of hours on the classic horror shows Buffy the Vampire Slayer and True Blood. He is currently directing and writing several HEF-supported projects including She Feeds, The Whangdoodle, and Creature Feature: The Movie Musical.

A fourth degree black belt in Judo, Brian is the 2014 National Master Champion in Judo and the 2013 Pan American Champion in Jujitsu. He lives in Los Angeles, is married to actress Gina Hecht (Mork and Mindy), and has two amazing daughters.

John Crye

john crye

John Crye’s experience in the independent film industry combines a deep knowledge of story development, a keen understanding of production and a firm grasp on the realities of the marketplace. As a creative executive and producer, Crye has honed his skill for selecting quality content, shaping it to meet its greatest potential, and then helping it achieve success via fiscally responsible production, distribution and marketing methods.

Working with such independent film industry leaders as Newmarket Films, Exclusive Media and Wrekin Hill Entertainment, Crye has shepherded a body of work to the screen that reads like a roll-call of great indie cinema, including such films as MEMENTO, DONNIE DARKO, THE PRESTIGE, WHALE RIDER, MONSTER and THE PASSION OF THE CHRIST. In acquiring content at the pitch, script and finished film phases, Crye has developed a reputation for recognizing value in challenging and even controversial properties. This ability is matched only by his talent for introducing such content to audiences that are hungry for genuine, original entertainment. Crye’s pioneering use of targeted social marketing has consistently delivered successful theatrical and home video releases at a fraction of traditional print and advertising costs.

Outside of his work as an executive, Crye is also a founding member of the Horror collective known as Fewdio. With its seminal web series, “Nightmare House,” Fewdio became an unqualified success story, turning five victims of the 2008 WGA strike into cult heroes with over 3 million unique views and more than 50 festival and convention appearances. The name “Fewdio,” non-existent before the creation of the collective, has gone on to become one of the most popular meta-tags used by makers of Horror shorts on the web, guaranteeing thousands of views upon posting.

With over 18 years working on both sides of the camera and both sides of the negotiating table, John Crye has developed an invaluable insight into what makes independent film successful, artistically and financially.

PETER FLOOD

Peter Flood

Peter is a story analyst with fifteen years experience in both development and acquisitions for Buena Vista Motion Picture Group (Walt Disney Studios, Universal Pictures, Miramax & National Geographic Films.

He was story consultant on both (true story) ‘LONE SURVIVOR’ (Universal Pictures 2014) and (no story) ‘BATTLESHIP’ (Universal Pictures 2012) that was a high value lesson on what can go wrong with a marketing idea, make-it-up-as-you-go-along mega-movie disaster.

Prior to Disney, Peter survived twenty-five years of professional theater in New York as a Director, Script Doctor, Acting Teacher and Coach to celebrity and non-celebrity actors. He produced on Broadway in association with the Shubert Organization and directed in New York, Los Angeles, Paris and Rome and taught ‘acting for directors’ as adjunct faculty at the Tisch School, NYU Graduate School of Film & Television and the New School for Social Research.

In 1991, he brought then unknown writer/director QUENTIN TARANTINO and unknown producer LAWRENCE BENDER (A Band Apart) to HARVEY KEITEL for the making of ‘RESERVOIR DOGS’ and continued in an advisory capacity to the production through the start of principal photography.

Peter is a member of the Screen Editor’s Guild and the Actors Studio Playwright & Director Units in New York (Elia Kazan, Arthur Penn) and in Los Angeles (Mark Rydell, Martin Landau, Paul Mazursky).

He grew up in Fort Worth and was educated by St Mark’s School of Texas, Oberlin College, Syracuse University, Joseph Campbell (Manhattan seminars on Carl Jung ‘Symbols Of Transformation’, three years as a Military Historian to Fifth Corps US Army Europe and two total immersion trips to INDIA (1977,1979).

SO Join Us Thursday September 11, 2014 for the show. The Chat Room is open when we record live. You can listen from the player or you can join chat room and  ask questions from there.

*** Disclaimer: Rex Sikes & Rex Sikes’ Movie Beat does not provide legal advice nor investment advice. It is recommended that prior to undertaking any legal or investment venture you consult with proper experts and authorities in those areas. Rex Sikes’ Movie Beat is a discussion show which explores topics related to filmmaking and content creation.***

 

Subscribe and Follow Rex Sikes’ Movie Beat Blog!  Visit often & please share with others!

*** Please also visit Rex Sikes’ Movie Beat Official Website.

Stay up to date with the live shows on Rex Sikes’ Movie Beat. You can join us and listen live as the show records. You can hang in chat and ask questions. All shows are recorded and archived at the official site.

Updates will be posted at this blog,  at the official site,  on the RSMB Friends page on FB,  through twitter and elsewhere.  When you can’t join us live you can still  listen to archived show from official site, from blogtalk radio and you can subscribe to the podcast at itunes.

Over 400 hours of professional filmmakers share their expertise and tips and secrets with you. All discussion may be listened to live and archived from the Official Site too! Check the INTERVIEWS

Rex Sikes’ Movie Beat Official Site

 

 

film directing, film education, film festival, film producing, film production, film school, filmmaker, filmmakers, filmmaking, independent film production, indiefilm, motion picture business, movie business, movies

2014 Milwaukee Film Festival Entire Line UP – Check it Out!

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If you are a film fan you have been waiting for this Milwaukee! The entire 2014 film festival line up is announced. As you know, the festival begins Thursday Sept 25, 2014 and ends October 9. There is a great bunch of Milwaukee surprises during this festival for you to enjoy!

Opening the festival is the riveting documentary, 1971, about eight brave citizens who took matters into their own hands in order to expose government corruption.

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“The last time we opened the festival with a documentary was in our inaugural year. 1971 is one of the most important documentaries of 2014 – if not the most important – exemplifying the power of the individual. It’s expertly crafted and has significant parallels to today’s political and social climate. I feel the story will resonate with our audience and simultaneously provide Milwaukee with the incredibly unique opportunity to engage in-person with the film’s director and subjects,” explains Jonathan Jackson, Artistic and Executive Director for Milwaukee Film.

Oscar-winning Milwaukee native, John Ridley, to screen his Jimi Hendrix biopic for Centerpiece

movies-oscars-2014-john-ridley

Fresh off of the unanimous critical acclaim and Oscar glory received by his screenplay for 12 Years a Slave, Milwaukee native John Ridley brings an intimate portrait of rock legend Jimi Hendrix to the screen in his newest film, Jimi: All is By My Side – the festival Centerpiece. Written and directed by Ridley, Jimi is an electric biopic following a year in Hendrix’s life, magnetically portrayed by Outkast’s André Benjamin.

Closing the festival is the thriller made entirely in Milwaukee by local crew, The Surface. Daringly filmed on Lake Michigan, the film stars Sean Astin (The Lord of the Rings, Rudy, Goonies), and is a fitting bookend to the festival as a celebration of local filmmaking.

The Surface is one near and dear to my heart since I know much of the cast and nearly all of the crew members. I am eager to see this movie.

This year’s festival will screen a total of 276 films (36 more than in 2013) – 119 features (16 more than in 2013) and 156 shorts (19 more than in 2013) – from 63 different countries (19 more than in 2013). Among the features are 56 documentaries and 63 fiction films, including four world premieres, and one silent film (Man with a Movie Camera–voted the greatest documentary of all time by the prestigious British Film Institute) featuring live musical accompaniment from the world renowned Alloy Orchestra.

Program Books for the 2014 Milwaukee Film Festival will be available to the general public beginning Saturday, September 6 from 9 AM – 8 PM during both the East Town Farmer’s Market and the WMSE Backyard BBQ in Cathedral Square Park. This will also be the last day to purchase festival passes and ticket 6-packs in person at an early discount rate.

So here it is:

The complete 2014 Milwaukee Film Festival lineup:

SPOTLIGHT PRESENTATIONS

Opening Night Film
1971 USA / 2014 / Director: Johanna Hamilton

Festival Centerpiece

Jimi: All Is By My Side United Kingdom, Ireland, USA / 2013 / Director: John Ridley

CLOSING NIGHT FILM

The Surface USA / 2014 / Director: Gil Cates Jr.

 

Alive Inside USA / 2014 / Director: Michael Rossato-Bennett

 

Dear MKE

All in the Family (USA / 2013 / Director: Sam Macon

BuildMoto (USA / 2013 / Director: Matt Mixon

Come Sail Away (USA / 2013 / Director: Jack Davidson

Cooking with Kumar (USA / 2013 / Director: Frankie Latina
High Art (USA / 2013 / Director: Chris Thompson

Lo with the Fro (USA / 2013 / Director: Jessica Farrell

Mondo Lucha (USA / 2013 / Director: Sam Macon

The Right Ingredients (USA / 2013 / Director: Matt Mixon

Rory: Milwaukee’s Most Famous Cab Driver (USA / 2013 / Director: Frankie Latina

To See What You Can Do (USA / 2013 / Director: Jack Davidson

Tour de Space (USA / 2013 / Director: Blyth Renate Meier

The Truck Driver (USA / 2013 / Director: Matt Mixon

Underwater Harvey (USA / 2013 / Director: Steve Farr

 

Family United  Spain / 2013 / Director: Daniel Sánchez Arévalo

The Imitation Game  USA, United Kingdom / 2014 / Director: Morten Tyldum

 Life Partners USA / 2014 / Director: Susanna Fogel

Man with a Movie Camera USSR / 1929 / Director: Dziga Vertov

Revival Czech Republic / 2013 / Director: Alice Nellis

Secundaria USA, Cuba / 2012 / Director: Mary Jane Doherty

TRIBUTES

Code Unknown: Incomplete Tales of Several Journeys France, Germany, Romania / 2000 / Director: Michael Haneke

Point and Shoot USA / 2014 / Director: Marshall Curry

Stray Dog USA / 2014 / Director: Debra Granik

Street Fight USA / 2005 / Director: Marshall Curry

Top Secret! USA, United Kingdom / 1984 / Directors: David Zucker, Jim Abrahams, Jerry Zucker

Winter’s Bone USA / 2010 / Director: Debra Granik

 

COMPETITION

Bad Hair Venezuela, Peru, Argentina, Germany / 2013 / Director: Mariana Rondón

Cairo Drive Egypt, USA / 2013 / Director: Sherief Elkatsha

Don’t Leave Me Netherlands, Belgium / 2013 / Directors: Sabine Lubbe Bakker, Niels van Koevorden

Of Horses and Men Iceland, Germany, Norway / 2013 / Director: Benedikt Erlingsson

Still Life United Kingdom, Italy / 2013 / Director: Uberto Pasolini

The Tribe Ukraine, Netherlands / 2014 / Director: Miroslav Slaboshpitsky

The Vanquishing of the Witch Baba Yaga USA, Ukraine, Russia, Poland / 2013 / Director: Jessica Oreck

Zero Motivation Israel, France / 2014 / Director: Talya Lavie

 

PASSPORT: MEXICO

The Amazing Catfish (Los Insolitos Peces Gatos) Mexico, France / 2013 / Director: Claudia Sainte-Luce

Club Sandwich Mexico / 2013 / Director: Fernando Eimbcke

Heli Mexico / 2013 / Director: Amat Escalante

Last Call (Tercera llamada) Mexico / 2013 / Director: Francisco Franco Alba

Purgatorio: A Journey Into the Heart of the Border (Purgatorio: Viaje al Corazón de la Frontera) USA, Mexico / 2013 / Director: Rodrigo Reyes

Que Caramba es la Vida Germany / 2014 / Director: Doris Dörrie

We Are the Nobles (Nosotros los Nobles) Mexico / 2013 / Director: Gary Alazraki

Workers Mexico, Germany / 2013 / Director: Jose Luis Valle

RATED K: FOR KIDS

AninA Uruguay, Colombia / 2013 / Director: Alfredo Soderguit

Ernest & Celestine France, Luxembourg, Belgium / 2012 / Directors: Stéphane Aubier, Vincent Patar, Benjamin Renner

Felix South Africa / 2013 / Director: Roberta Durrant

Mary Poppins Sing-A-Long USA / 1964 / Director: Robert Stevenson

Windstorm Germany / 2013 / Director: Katja von Garnier

 

Kids Shorts: Size Small

Cloudy Goats Iran / 2014 / Director: Hamid Karimian

The Delirious Tales: The Chicken, the Elephant and the Snake France / 2012 / Director: Fabrice Luang-Vija

Goose Trouble Poland / 2013 / Director: Monika Dovnar

I Want My Hat Back USA / 2013 / Director: Galen Fott

Into Spring Netherlands / 2012 / Director: Udo Prinsen

My Little Chicken Canada / 2011 / Directors: Jeremy Diamond, Alex Hawley

My Mom is an Airplane Russia / 2013 / Director: Yulia Aronova

The Numberlys USA / 2013 / Directors: William Joyce, Brandon Oldenburg

Sky Color USA / 2012 / Director: Peter H. Reynolds

Slowly but Surely USA / 2012 / Director: Eli Balser

Winter Has Come Russia / 2012 / Director: Vassiliy Shlychkov

 

Kids Shorts: Size Medium

At the Opera Argentina / 2010 / Director: Juan Pablo Zaramella

Beep, Beep, Beep Canada / 2012 / Director: Jeremy Diamond

The Dam Keeper USA / 2013 / Directors: Robert Kondo, Daisuke “Dice” Tsutsumi

The Mole at the Sea Russia / 2012 / Director: Anna Kadykova

Monster Symphony Germany / 2012 / Director: Kiana Naghshineh

Mushroom Monster Norway / 2013 / Director: Aleksander Leines Nordaas

The New Species Czech Republic / 2013 / Director: Kateřina Karhánková   

Gnarly in Pink­-Featuring the Pink Helmet Posse USA / 2014 / Directors: Benjamin Mullinkosson, Kristelle Laroche

Rabbit and Deer Hungary / 2013 / Director: Péter Vácz

The Whale Bird France / 2011 / Director: Sophie Roze

Wombo Germany / 2013 / Director: Daniel Acht

 

Kids Shorts: Size Large

Cootie Contagion USA / 2012 / Director: Josh Smooha

Dancing with Style Netherlands / 2012 / Director: Xander de Boer

Girl with the World in her Hair United Kingdom / 2011 / Director: Debbie Howard

Hedgehogs and the City Latvia / 2013 / Director: Evalds Lacis

Matilde Italy / 2013 / Director: Vito Palmieri

My Strange Grandfather Russia / 2012 / Director: Dina Velikovskaya

Sniffles USA / 2013 / Directors: Jeremy Galante, David Cowles

Sweet Love Netherlands / 2012 / Director: Albert Jan van Rees

Twins in Bakery Japan / 2013 / Director: Mari Miyazawa

 

BLACK LENS

25 to Life USA / 2014 / Director: Mike L. Brown

CRU USA / 2014 / Director: Alton Glass

Evolution of a Criminal USA / 2014 / Director: Darius Clark Monroe

Freedom Summer USA / 2014 / Director: Stanley Nelson

Hollywood Shuffle USA / 1987 / Director: Robert Townsend

Things Never Said USA / 2013 / Director: Charles Murray

Through A Lens Darkly: Black Photographers and the Emergence of a People USA / 2014 / Director: Thomas Allen Harris

‘Til Infinity: Celebrating 20 Years of the Souls of Mischief USA / 2014 / Director: Shomari Smith

 

CREAM CITY CINEMA

 Hamlet A.D.D. USA / 2014 / Directors: Bobby Ciraldo, Andrew Swant

 

The Milwaukee Show I

The Death of Corey Stingley USA / 2014 / Director: Spencer Chumbley

An Evening at Angelo’s USA / 2014 / Director: Kara Mulrooney

Glider USA / 2014 / Director: Junehyuck Jeon

The Harpist USA / 2014 / Director: Erica Thompson

The Kenny Dennis USA / 2014 / Director: WC Tank

Little America USA / 2014 / Director:  Kurt Raether

New Planet USA / 2014 / Director: James Tindell

Settlers USA / 2013 / Director: Nathaniel Heuer

 

The Milwaukee Show II

Balloons USA / 2014 / Director: Sitora Takanaev

Geoffrey Broughe Handles Confrontation Poorly USA / 2014 / Director: Jon Phillips

MECCA: The Floor That Made Milwaukee Famous USA / 2014 / Director: Chris James Thompson

One Week Vacation USA / 2014 / Director:  Brendan T. Jones

Smoky Places USA / 2013 / Director: Michael DiMilo

This is Jackie. USA / 2014 / Director: Anna Sampers

‘Tis the Season USA / 2013 / Director: Kirsten Stuck

To Hold In the Heart USA / 2014 / Director: Pang Yang Her

The Waystation in the Stars USA / 2013 / Director: Brandon L Morrissey

 

The Milwaukee Youth Show

200,000 USA / 2014 / Directors: Gavin White, Tyler Matthews, Jeremy LeCleir, Scott Meade

Assist Bhopal USA / 2014 / Director: Megan Sai Dogra

The Autumn Vignette USA / 2014 / Director: Serbata Tarrer

Counting the Dead USA / 2012 / Director: Alexandra Van Den Heuvel

Dreaming USA / 2014 / Director: Felicia McGowan

Get Real People USA / 2014 / Directors: Griffin Anderson, Mitch Dykstra, Tanner Dykstra, Ronnie Al-Ramahi

Iero USA / 2014 / Directors: Gabriella Avila, Alexia Jaso

​​If You Weren’t Here USA / 2013 / Directors: LaVarnway Boys & Girls Club workshop participants

La Decisiones de Tu Vida USA / 2014 / Directors: Alondra Mercado, Ana Ornelas

Let the Children Live USA / 2014 / Directors: Clarke Street Boys & Girls Club workshop participants

Media and Mental Illness USA / 2014 / Directors: Eden Raduege, Mikayla Bell

Protect Yourself USA / 2014 / Directors: Youth from Townsend CLC Boys & Girls Clubs of Greater Milwaukee

Wake Up and Pay Attention USA / 2014 / Directors: Youth from the Daniels-Mardak Boys & Girls Clubs of Greater Milwaukee

The Other One USA / 2014 / Director: Josef Steiff

Pester USA / 2014 / Director: Eric Gerber

Psychopath USA / 2014 / Director: Manny Marquez

Serial Daters Anonymous USA / 2014 / Director: Christopher Carson Emmons (I have a special place in my heart for this movie, there is some history here. I am happy it is screening in the festival.

 

SOUND VISION

20,000 Days on Earth United Kingdom / 2014 / Directors: Iain Forsyth, Jane Pollard

The Ballad of Shovels and Rope USA / 2014 / Director: Jace Freeman

Finding Fela USA / 2014 / Director: Alex Gibney

My Prairie Home Canada / 2013 / Director: Chelsea McMullan

Revenge of The Mekons USA / 2013 / Director: Joe Angio

Stop Making Sense USA / 1984 / Director: Jonathan Demme

Take Me to the River USA / 2014 / Director: Martin Shore

This May Be the Last Time USA / 2014 / Director: Sterlin Harjo

 

ART + ARTISTS

Advanced Style USA / 2014 / Director: Lina Plioplyte

Art and Craft USA / 2014 / Directors: Sam Cullman, Jennifer Grausman, Mark Becker

Born to Fly USA / 2014 / Director: Catherine Gund

Crumb USA / 1994 / Director: Terry Zwigoff

Hairy Who & The Chicago Imagists USA / 2013 / Director: Leslie Buchbinder

Living Stars Argentina / 2014 / Directors: Mariano Cohn, Gastón Duprat

Nan Goldin: I Remember Your Face Germany, Austria, Switzerland / 2013 / Director: Sabine Lidl

Sol LeWitt The Netherlands / 2012 / Director: Chris Teerink

 

CINEMA HOOLIGANTE

 

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb USA, United Kingdom / 1964 / Director: Stanley Kubrick

Mood Indigo (L’ecume des Jours) France / 2013 / Director: Michel Gondry

Patema Inverted (Sakasama No Patema) Japan / 2013 / Director: Yasuhiro Yoshiura

The Raid 2 Indonesia / 2013 / Director: Gareth Evans

This Is Spinal Tap USA / 1984 / Director: Rob Reiner

Time Lapse USA / 2014 / Director: Bradley King

Wetlands (Feuchtgebiete) Germany / 2013 / Director: David Wnendt

Witching and Bitching (Las Brujas de Zugarramurdi) Spain, France / 2013 / Director: Álex de la Iglesia

SHORTER IS BETTER

Shorts: The Best Damn F*#@ing Midnight Program Ever. Sh*t.

Box Room Ireland / 2013 / Director: Michael Lathrop

Fool’s Day USA / 2013 / Director: Cody Blue Snider

The Gunfighter USA / 2014 / Director: Eric Kissack

I Love You So Hard United Kingdom / 2013 / Director: Ross Butter)

Invasion France / 2014 / Directors: Hugo Ramirez, Olivier Patte

Kekasih Malaysia / 2013 / Director: Diffan Sina Norman

Kids and Explosions – Swear Words France / 2012 / Directors: Thomas Vernay, Yann Wallaert

Not Funny (No Tiene Gracia) Spain / 2013 / Director: Carlos Violade

The Obvious Child United Kingdom / 2013 / Director: Stephen Irwin

 

Shorts: Date Night

2 Girls, 1 Cake Denmark / 2013 / Director: Jens Dahl

Best United Kingdom / 2013 / Director: William Oldroyd

Life’s A Bitch Toutes des Connes) (Canada / 2013 / Director: Francois Jaros

Love. Love. Love. Russia / 2013 / Director: Sandhya Daisy Sundaram

Oi, Meu Amor (Hi, My Love) USA / 2014 / Director: Robert G. Putka

Peepers USA / 2014 / Director: Ken Lam

Queenie New Zealand / 2014 / Director: Paul Neason

Scent of a Woman USA / 2013 / Director: Lauren Savoy

Send USA / 2013 / Director: Peter Vack

We Keep On Dancing Australia / 2013 / Director: Jessica Barclay Lawton

Where were you when Michael Jackson died? (T’étais où quand Michael Jackson est mort?) France / 2013 / Director: Jean-Baptiste Pouilloux

 

Shorts: Let’s Get Animated

365 United Kingdom / 2013 / Directors: Greg McLeod, Myles McLeod)

Coda Ireland / 2013 / Director: Alan Holly

Grace Under Water Australia / 2014 / Director: Anthony Lawrence

Love in the Time of March Madness(USA / 2014 / Directors: Melissa Johnson, Robertino Zambrano) Marilyn Myller (USA / 2013 / Director: Mikey Please

The Missing Scarf Ireland / 2013 / Director: Eoin Duffy

Phantom Limb United Kingdom, Australia / 2013 / Director: Alex Grigg

A Recipe for Gruel United Kingdom / 2013 / Director: Sharon Smith

Symphony No. 42 Hungary / 2014 / Director: Reka Bucsi

Through the Hawthorn United Kingdom / 2014 / Directors: Anna Benner, Pia Borg, Gemma Burditt

White Morning United Kingdom / 2013 / Director: Paul Barritt

 

Shorts: Modern Families

Baby Mary USA / 2013 / Director: Kris Swanberg

Butter Lamp (La Lampe Au Beurre De Yak) France, China / 2013 / Director: Hu Wei

Condom Australia / 2013 / Directors: Igor Coric, Sheldon Lieberman

Cruising Electric 1980) (USA / 2013 / Director: Brumby Boylston

The Cut (La Coupe) Canada / 2014 / Director: Genevieve Dulude-De Celles

The Hunger De Honger) (Belgium / 2013 / Director: Benoit De Clerck

I Think This Is The Closest To How The Footage Looked Israel / 2013 / Directors: Hameiri, Michal Vaknin

Krisha USA / 2013 / Director: Trey Edward Shults

Pony Place Netherlands / 2013 / Director: Joost Reijmers

 

Shorts: Out of This World

Bernard the Great (Bernard Le Grand) Canada / 2013 / Directors: Marie-Hélène Viens, Philippe Lupien

Democracy (Democracia) (pain / 2013 / Director: Borja Cobeaga

The iMom Australia, USA / 2013 / Director: Ariel Martin

The Kármán Line United Kingdom / 2014 / Director: Oscar Sharp

Orbit Ever After United Kingdom / 2013 / Director: Jamie Stone

When You Were Mine USA / 2014 / Director: Michelle M. Witten

 

Shorts: Sports Shorts. Shorts about Sports.

Cadet Belgium / 2013 / Director: Kevin Meul

Gnarly in Pink – Featuring the Pink Helmet Posse USA / 2014 / Directors: Benjamin Mullinkosson, Kristelle Laroche

The High Five USA / 2014 / Director: Michael Jacobs

The Immaculate Reception USA / 2014 / Director: Charlotte Glynn

Strike: the Greatest Bowling Story Ever Told (SA / 2014 / Director: Joey Daoud

Tennis Elbow France / 2012 / Director: Vital Philippot

Untucked USA / 2013 / Director: Danny Pudi

 

Shorts: Stories We Tell

The Chaperone Canada / 2013 / Directors: Fraser Munden, Neil Rathbone

CRIME: The Animated Series Marcus McGhee) (USA, Canada / 2013 / Directors: Sam Chou, Alix Lambert

Funnel USA / 2013 / Director: Andre Hyland

Maikaru USA / 2014 / Director: Amanda Harryman

One Is Listening Anymore! Australia / 2013 / Director: Romi Trower

One Year Lease USA / 2014 / Director: Brian Bolster

Person to Person USA / 2014 / Director: Dustin Guy Defa

Yearbook USA / 2013 /  Director: Bernardo Britto

You Won’t Regret That Tattoo Canada / 2013 / Director: Angie Bird

 

Shorts: Stranger Than Fiction

The Chilean Elvis Chile / 2013 / Director: Marcelo Kiwi

The Last Days of Peter Bergmann Ireland / 2013 / Director: Ciaran Cassidy

A Paradise (Un Paraíso) Cuba / 2013 / Director: Jayisha Patel

Stumped USA / 2014 / Director: Robin Berghaus

The Supreme (Najwyższy) Poland / 2013 / Director: Katarzyna Gondek

Taxidermists USA / 2012 / Director: Nicole Triche

 

​Pre-Feature Shorts

3 Acres in Detroit USA / 2013 / Director: Nora Mandray

Anchovies USA / 2014 / Director: Annabelle Attanasio

Carnival of the Animals USA / 2014 / Director: Sitora Takanaev

David Hockney In the Now USA / 2013 / Director: Lucy Walker

Dinosaurs and Sea Hawks USA / 2014 / Director: Linas Phillips

Eleanor Ambos Interiors USA / 2013 / Director: Andrew Michael Ellis

Give It Up for the Girl USA / 2014 / Director: Carol Brandt

I Was a Teenage Girl USA / 2014 / Director: Augustine Frizzell

MeTube: August sings Carmen “Habanera” Austria / 2013 / Director: Daniel Moshel

Not Anymore: A Story of Revolution USA, Syria, Turkey / 2013 / Director:  Matthew VanDyke

One Picture (Kay Pacha) Peru / 2013 / Director: Alvaro Sarmiento

Sker Iceland / 2013 / Director: Eytor Jovinsson

Supervenus France / 2013 / Director: Frederic Doazan

This is It USA / 2013 / Director: Alexander Engel

Years USA / 2014 / Director: Rose Curley

FILM FEAST

 

Cesar’s Grill Germany, Ecuador, Switzerland / 2013 / Director: Darío Aguirre

Paulette France / 2012 / Director: Jérôme Enrico

Slow Food Story Italy, Ireland / 2013 / Director: Stefano Sardo

Soul Food Stories Bulgaria, Finland / 2013 / Director: Tonislav Hristov

Soul of a Banquet USA / 2014 / Director: Wayne Wang

The Starfish Throwers USA, India / 2014 / Director: Jesse Roesler

A Year in Burgundy USA, France / 2013 / Director: David Kennard

Zone Pro Site: A Moveable Feast Taiwan / 2013 / Director: Yu-Hsun Chen

 

DOCUMENTARY FESTIVAL FAVORITES

Big Men USA / 2013 / Director: Rachel Boynton

The Case Against 8 USA / 2014 / Directors: Ben Cotner, Ryan White

Dancing In Jaffa USA, Israel / 2013 / Director: Hilla Medalia

The Expedition to the End of the World Denmark / 2013 / Director: Daniel Dencik

The Green Prince Germany, Israel, United Kingdom / 2014 / Director: Nadav Schirman

Happiness France, Finland / 2013 / Director: Thomas Balmès

An Honest Liar USA, Spain, Italy, Canada / 2014 / Directors: Tyler Measom, Justin Weinstein

The Immortalists USA / 2014 / Directors: David Alvarado, Jason Sussberg

Kids for Cash USA / 2014 / Director: Robert May

Meet the Patels USA / 2014 / Directors: Geeta V. Patel, Ravi V. Patel

The Missing Picture Cambodia, France / 2013 / Director: Rithy Panh

The Overnighters USA / 2014 / Director: Jesse Moss

Particle Fever USA / 2013 / Director: Mark A. Levinson

She’s Beautiful When She’s Angry USA / 2014 / Director: Mary Dore

Vessel USA, Tanzania, Spain, Portugal, Poland, Pakistan, Netherlands, Ireland, Indonesia, Ecuador / 2014 / Director: Diana Whitten

Watchers of the Sky USA / 2014 / Director: Edet Belzberg

 

WORLDVIEWS

1,000 Times Good Night Norway, Ireland, Sweden / 2013 / Director: Erik Poppe)

Charlie’s Country Australia / 2013 / Director: Rolf de Heer)

The Forgotten Kingdom USA, South Africa, Lesotho / 2013 / Director: Andrew Mudge)

Horses of God Morocco, France, Belgium / 2012 / Director: Nabil Ayouch)

Human Capital Italy, France / 2014 / Director: Paolo Virzì)

In Bloom Georgia, Germany, France / 2013 / Directors: Nana Ekvtimishvili, Simon Gross)

The Liberator Venezuela, Spain / 2013 / Director: Alberto Arvelo)

Life Feels Good Poland  / 2013 / Director: Maciej Pieprzyca)

Life’s a Breeze Ireland, Sweden / 2013 / Director: Lance Daly) 

Like Father, Like Son Japan / 2013 / Director: Hirokazu Kore-eda)

Living is Easy With Eyes Closed Spain / 2013 / Director: David Trueba)

Manuscripts Don’t Burn Iran / 2013 / Director: Mohammad Rasoulof)

May in the Summer USA, Qatar, Jordan / 2013 / Director: Cherien Dabis)

Monsoon Shootout India, United Kingdom, Netherlands / 2013 / Director: Amit Kuma

Mystery Road Australia / 2013 / Director: Ivan Sen)

The Nightingale China, France / 2013 / Director: Philipe Muyl)

The Priest’s Children Croatia, Serbia / 2013 / Director: Vinko Bresan)

Those Happy Years Italy, France / 2013 / Director: Daniele Luchetti)

We Are the Best! Sweden, Denmark / 2013 / Director: Lukas Moodysson)

Young & Beautiful France / 2013 / Director: François Ozon)

Well there it is. Hope to see you and say hi to you while at the festival. Enjoy

The 2014 Milwaukee Film Festival runs September 25 – October 9, 2014 at the Landmark Oriental Theatre, Landmark Downer Theatre, Fox-Bay Cinema Grill and Times Cinema. Passes and ticket 6-Packs for the 2014 Milwaukee Film Festival are currently available at discounted rates exclusively online at mkefilm.org/tickets. 

Tickets for individual screenings will be available through Milwaukee Film Festival Box Office starting September 10 for Milwaukee Film Members and September 11 for the General Public.

 

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TO CROWDFUND OR NOT TO CROWDFUND? IS THAT THE QUESTION? Part 4

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money pile

Some projects don’t get funded right away, some do and then lose funding. Any number of things can happen that can make the going tougher than one imagined but don’t you quit if this is truly important to you. When you stick with it, with the right attitude, you will find another way. Stay focused on the goal, the solutions and believe in yourself, your project, your team and that you will prevail.

Consider this: Movies get funded and made every day.

I repeat: MOVIES GET FUNDED AND MADE EVERY DAY!

Sure, it is tough but it happens. Projects get green lit from the studios, independent films find their funding, crowdfunded pictures get their money to move forward, and more….

Part 4 The Crowdfunding Psychology You Must Know

Raising money and crowdfunding revolves all around the mindset you have. In this post I’ll will discuss some important principles as it relates to crowdfunding.

As stated crowdfunding takes an inordinate amount of work for most everyone. Some celebrities may have an easier go of it for a number of reasons. Regardless, crowdfunding takes a massive amount of effort.

Raising money the traditional way takes an inordinate amount of effort. Long hard hours, over a long period of time, getting closer and closer, losing this investor, gaining that one, piecing it all together is a lot of work. It is a struggle and people have been doing variations on this in the film business for quite some time.

Traditional methods have changed through the decades.

I think crowdfunding runs the risk of burning people out. While only a fraction of the population may know about crowdfunding platforms the fraction that is aware of it gets bombarded over and over again.

New territory, new people needs to be found.

Some filmmakers naively think that they will lunch crowdfund campaign when the time is right for their project. Usually sometime between preproduction and production. Then they will put it out there on the internet using social media.

Crowdfunding is much more complex than that. I think it operates like this: Everyone out there in internet land (your target audience)  IS your uncle or your aunt. Why would I think this.

Your relatives, because they are related to you, may be more willing to help out, (or in some cases because they DO know you they may not be so inclined. Let’s hope the latter is not the case).

Obviously, your social media audience aren’t related to you but consider why relatives will give to and most strangers won’t.

Most likely relatives give or support your efforts because there is a connection to you, they may like or love you, they may feel obligated to help family because ‘blood is thinker than water’, they watched you grow up and took care of you or other family members. Whatever it the reasons may be it is because they have a history with you.

The two KEY concepts that I believe are necessary to have are connection and history. Your relatives help support you because they are connected to you and they share a history with you.

I believe successful crowdfunding is based on the same principles. This may be the reason why celebrities may have an easier time with crowdfunding. People know them, love them and have a history with them. They have watched them or followed their careers. They want contact with the celebrity, for whatever reasons, and they feel good collecting celebrity memorabilia. The connection (even though it may not be real or exist in reality) still is important. The fans feel they have a connection. They have a history together too. The fans know or are familiar with the celebrity and have been for years.

I repeat: I believe successful crowdfunding is based on the same.

Crowdfunding is based on having an established network or community of people who are interested in you, your work, your projects and who already know and trust you (at least they don’t distrust you).

The are fans, followers, friends whom you have been engaging with for awhile. They are not cold strangers. They are relatively warm enthusiasts for you and your movies. This is important to understand because you aren’t really reaching out to strangers when you crowdfund you are reaching out to people who know you already. Strangers aren’t inclined to help you but friends or family may.

You must work to establish a good connection with your social media friends. These are the people who are your target audience for your project. They may become potential contributors to your campaign but you must provide value to them LONG before you ever ask for anything in return.

You must engage them and get to know them and they have to get to know you. You must find a way to make communication with them a two-way street communication.You must take them on the journey with you and keep their interest all along the way. You have to figure out ways to attract them. You want to keep them interested and eager for you to make and complete your project and get it into their hands.

They are not interested because they will make money off your project, they are not investors. Although recently, investing through crowdfunding platforms has become possible. Your friends and followers, your fans have much different interests than traditional investors and you must appeal to their wants and needs and meet those if you want to be successful.

They do want something in return for their attention and their loyalty and their potential contribution. You must give them what they want prior to the launch of your campaign.

Then during your campaign you offer perks that are meaningful to your fans because you know took the time to discover what is they desire. Because of connection you have established you know what will appeal to them.

A basic principle in sales states that you succeed when you can meet a need, solve a problem and/or give the customer what they desire most. When you are able to fulfill these you may make a sale. Think of your audience as your customers because that is truly what they are. They are people who may buy from you once or many times. You may not want to hear it but as a filmmaker you need to learn about selling and making sales.

When you have ACTUALLY made a sale to your customer is not just the time they part with their money and leave with your goods. When you have really made the sale is when the person returns and wants to do it  with you again. It is this moment the sale is made because they are convinced that you have something they want.

It is much like dating. You go out on the first date. You know you have ‘made the sale’ when the other person wants a second and third date. At whatever point you stop meeting their needs they will lose interest. As long as you have a mutually fulfilling relationship you will stick together. This is true of the business relationship and the crowdfunded relationship.

When you have a repeat customer, so much of your work is done for you, it is amazing. The lion share of expense goes into generating new leads and converting new customers. When you have a fan base who is eager for each of your projects you have laid some really solid ground work. You have established an important connection and together you share a history.

The key to making the sale is not to think, ‘what is in this for me,  how do I get what I want’, but to think, ‘what is it they want that I can readily give them?’

You have to appeal to the other person’s wants and needs and find a way to meet those if you wish to be more successful. Your success comes from adding value to the other person first.

This takes thought, it takes planning, it takes work and it begins long before you make your movie.

Just as you plant a seed you first need to prepare the soil. Next, you plant the seed then you nurture the seed while it grows underground by providing the proper care. Later, much later, it sprouts. You must continue to nurture it, take out the weeds that may choke it and help it grow strong. Eventually, you harvest the crop from the seed you planted but that is at a much later date. For everything there is a season. You sow and then later you reap.

Some people try to reap without preparing or sowing and that rarely, if ever, works. You do your part first and foremost and then others may reciprocate. Of course, not everyone will, so don’t get your hopes up too high. It is a numbers game, you do what you can to grab the lion share.

As in baseball it is about upping your batting average. You get better percentages, but rarely do you get 100%. As long as you are moving in that direction you are doing okay. You increase your opportunities and your chances.

The basic work of crowdfunding IS everything you need to do long before harvest time.

There are these two phases: First, you plant seeds to attract the interested and keep them close by engaging with them. You have to offer them something first. Just as you use bait to lure a fish. You offer something of value to attract followers to you. You keep them close by continuing to give them things from time to time and by communicating with them.

Perhaps you give them a behind the scenes look at what you are doing, you give them photos or videos, you help them solve problems by writing articles or dispensing tips, advice or ideas. Maybe you share with them where they can get discounts or items they might not know where to go to. The point is you offer them things of value, things that they are interested it.

Since it is the age of social media one assumes you have a page dedicated to you and your projects, as well as Facebook, Twitter, Google Plus and any of the other platforms.

Second you launch the eventual campaign (in which you begin this planting process all over again). In this phase you again offer them something BUT in return for their support, their contribution and spreading the word. This is when you ask them to respond by giving back. Why will they give back. One reason is because you have been giving to them and they will want to reciprocate. The other reason is because they have a connection and history established with you and they want to see your movie. They actually want to see it!

During the Second Phase, you are requesting that they part with their money to support your efforts in return for VALUABLE perks. Perks are the items or opportunities you offer that they want to and must have. If they don’t want them then the perks are not valuable to them. This should be obvious, but for some reason it isn’t.

So in Phase One you attract and nurture your followers. You engage with them and provide them value for free. You give them things, you acknowledge them, you have dialogue so that they feel close to you and want to stick by you. In Phase Two you again provide things for them but in exchange for something they do for you. If Phase One is successful and you orchestrate Phase Two correctly you are more likely to succeed.

You attract the moths to the flame, capture them, take care of them, feed them and then when you are ready, you launch your campaign and hope the moths now will respond by contributing because you took such good care of them. During Phase Two strangers will get introduced to your campaign. They may not have the history with you because they just now are learning about you and your project. Your campaign should be structured and managed to help them feel right at home. A well run campaign should help them to connect to you thorough your video, photos, text, updates, engagement, credits, cast and crew. In Phase Two you hope to convert strangers to fans who will support your efforts.

When it comes to perks you need to think this through and get good advice. What is important and valuable to you may not be to someone else. So you want to research this area more. Remember, people are motivated by ‘What Is In It For Me?’ So to motivate your followers you must discover what they want when they think that about that question. 

You need price your perks smartly too. For example:  If most downloads sell between $1.99 and $14.99 don’t offer a download for $25.00.  Price it as the market place does. If you buy a DVD or Blue Ray for a certain amount don’t price yours higher than the lowest popular place they can obtain it. The only time your a perk like this could be higher prices is when you offer something else along with it. Perhaps, the jewel case, or the art work is signed by cast and crew. Something that makes it reasonable to be priced higher. Sometimes scarcity works. The price may be higher because you only have a few. 

Corporations spend billions of dollars every year targeting and appealing to consumers. They have it down to a science. Do your research and use the best methods they do tailored to your needs.

If you have an absolutely one of a kind valuable ‘must have it’ give away, it is rare and sought after by millions well, you may be able to name your price.

If you have something that most people don’t know who or what it is or could care less about it well giving it away could be difficult. People want what they perceive to be valuable and that is why celebrity swag is sought after. SO be smart about selling to your customers. By the way, that is precisely what a ticket holder is – a customer. All of your fans and friends and followers are customers. While it seems Corporate America has forgotten a  worthy tenant they used to adhere to don’t you forget it. Keep in mind, the customer is always right!!! Even if it is not always true it will serve you better if you act as if it were. Be driven to provide your customer what your customer wants most and you will succeed.

You must figure out ways to attract and capture your fan base. You want to engage them and create a connection and history together so that they want to want get more movies from you. You attract them, you hook them and then make them offers they find difficult to refuse. This is the basis of business and the basis of crowdfunding. It is about using psychology to get what you need to make your film project. Be smart about it and be wise. 

Make GOOD plans and then work the plans WELL.  You can succeed. Movies are funded all the time. You just have to find a way that works well for you.

All of what has been covered in this post and much more ARE some of the reasons why you need to be thorough in creating your campaign. Remember, it ALL begins BEFORE iyour campaign is officially launched. Take the time to do it well.

There are reasons why Business Plans exist. One reason is to show others; you potential partners, the bank, investors, etc. the plan for your intended business. It doesn’t yet exist so you need a crystal clear outline, a plan for what you will do, how you will do it, when and on and on. It is designed to leave NO stone unturned.

You have to think it through really well BEFORE you implement it. Never skimp on the planning phases of anything. Your crowdfunding campaign, traditional means of raising money, or your production. This is why good movie makers spend the right amount of time preparing during preproduction.

Consider this, professional sports teams take all the time off season preparing for the games. They practice offense and defense. They develop plans and strategies to use when playing. They rehearse. During game season they continue to prepare. Then they play the game. Whether they win or lose they return to analyze how to be better, and implement it. They continue to practice and rehearse.  Why should we think that we should do anything less than this when it comes to raising money for movies and getting good at it? As with anything you get better at it the more time you spend at it. Remember this point it is important!

How much money can you crowdfund? The upper limit is not yet known? More on all of this next time.” Rex SIkes

Have a great day!

Subscribe and Follow Rex Sikes’ Movie Beat Blog!  Visit often & please share with others!

*** Please also visit Rex Sikes’ Movie Beat Official Website.

Stay up to date with the live shows on Rex Sikes’ Movie Beat. You can join us and listen live as the show records. You can hang in chat and ask questions. All shows are recorded and archived at the official site.

Updates will be posted at this blog,  at the official site,  on the RSMB Friends page on FB,  through twitter and elsewhere.  When you can’t join us live you can still  listen to archived show from official site, from blogtalk radio and you can subscribe to the podcast at itunes.

Over 400 hours of professional filmmakers share their expertise and tips and secrets with you. All discussion may be listened to live and archived from the Official Site too! Check the INTERVIEWS

Rex Sikes’ Movie Beat Official Site

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Milwaukee Film Festival: Marshall Curry; Debra Granik; Wesley Morris; Zucker, Abrahams, & Zucker, In Attendance

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Winters Bone01

It makes a film festival much more enjoyable when one can listen and learn from the filmmakers. This year Milwaukee Film Fest is bringing in some fine filmmakers for panel discussions.  Marshall Curry; Debra Granik; Wesley Morris and Zucker, Abrahams and Zucker will be present to discuss some of their films. You will not want to miss out. I know I will be there.  Read on to learn more.

Two award-winning directors, a Pulitzer Prize-winning film critic, and Hollywood comedy legends will be in attendance!!!

The 2014 Tributes lineup: two-time Oscar-nominated documentarian, Marshall Curry (Racing Dreams, Street Fight), Oscar-nominated director and writer, Debra Granik (Winter’s Bone), Pulitzer Prize-winning film critic, Wesley Morris, and the three Hollywood comedy kingpins who originally hail from Milwaukee, David Zucker, Jim Abrahams, and Jerry Zucker (also known as “ZAZ”).

The Milwaukee Film Festival’s annual tributes celebrate the work of individuals who have contributed greatly to film culture through efforts in differing areas of the film world. Each tribute includes both a live appearance from the tribute’s recipient(s) and a screening of a film. In the case of Granik and Curry, their latest film is paired with a past one, exemplifying the scope of their work.

Each honoree will participate in an extended question and answer session following their featured films(s). Granik will also lead the panel “Working with Actors” in which she will discuss and demonstrate her process for auditioning and working with actors on set.

“We have a spectacular group of diverse honorees this year: two of the greatest film storytellers of our time–Marshall Curry and Debra Granik–whose documentary and narrative films have been vastly influential, along with the Pulitzer Prize winning film critic and presenter of our State of the Cinema keynote lecture, Wesley Morris, and finally, the legendary comedy team Zucker, Abrahams and Zucker,” explains Jonathan Jackson, Artistic and Executive Director for Milwaukee Film.

Returning to the Milwaukee Film Festival this year with his outstanding new documentary Point and Shoot, is director Marshall Curry. Curry’s Racing Dreams was the Opening Night film at the first Milwaukee Film Festival in 2009. Both Curry and Granik come to Milwaukee having just received major awards at two of the nation’s best film festivals: Curry’s Point and Shoot won the Best Documentary Award at the Tribeca Film Festival while Granik’s Stray Dog received the jury award for Best Documentary at the Los Angeles Film Festival.

Jackson continues, “It is exciting to have such a high-profile filmmaker as Marshall Curry return to our festival. We have grown quite a bit since that 2009 film festival and I can’t wait for him to come back and see what he helped inaugurate.”

2014 MILWAUKEE FILM FESTIVAL TRIBUTES

MARSHALL CURRY

MarshallCurry

Marshall Curry is one of the most important documentary filmmakers of our time, and he is an important person to Milwaukee Film. In 2009, his film Racing Dreams was the first to grace our festival screens on Opening Night at the inaugural Milwaukee Film Festival. Curry made his directorial debut in 2005 with Street Fight, a documentary that followed the campaign of the then-unknown Cory Booker, garnering his first Oscar nomination. Since that time, Curry directed If a Tree Falls: A Story of the Earth Liberation Front which tells the story of a radical environmentalist who faced life in prison for burning two Oregon timber facilities and won Curry his second Oscar nomination. Point and Shoot, Curry’s latest offering, is a documentary about a young Baltimore native who sets off for adventure and finds himself as part of the Libyan rebel army fighting dictator Muammar Gaddafi. Of Curry’s films, S.T. VanAirsdale (Movieline) said, “From vérité campaign-trail flashes in Street Fight to intimate dinner-table powwows in Racing Dreams to the candid, point-blank interviews in If a Tree Falls, his films take keen and unique advantage of both access and timing… getting down to the business of communicating without distraction, discrimination or guile. At heart, the films seek to detail the spectrum of grace.”

Marshall Curry is scheduled to attend selected screenings.

Point and Shoot

(USA / 2014 / Director: Marshall Curry)
Trailer: http://youtu.be/k8DUYyl1ods
Matthew VanDyke’s incredible personal odyssey from restless Baltimore native to Libyan rebel taking up arms against dictator Muammar Gaddafi is chronicled in the newest film from Oscar-nominated director Marshall Curry (Racing Dreams, MFF 2009). From his status as a young man diagnosed with OCD fresh out of graduate school, to his momentous international travel (a self-described “crash course in manhood”) that led him on a motorcycle trip across Northern Africa and the Middle East, to his eventual placement smack in the middle of the Arab Spring and Libyan revolution, VanDyke’s camera was always on—up until his capture and terrifying half-year spent in solitary confinement. This is a remarkable, sweeping story Curry tells in full.

Street Fight

(USA / 2005 / Director: Marshall Curry)
Trailer: http://youtu.be/fNrT2utrpAA

One of the greatest political documentaries of all time, Street Fight chronicles the very first political campaign of now-U.S. Senator Cory Booker as his grassroots campaign takes on the deeply entrenched political might of four-term incumbent Sharpe James for the mayoral seat in Newark, New Jersey. With the poverty-stricken streets as their battleground, 32-year-old Rhodes scholar/Yale Law School grad/Star Trek nerd Booker remains decent and straightforward despite the intimidation tactics and dirty politics (including claims that Booker’s background somehow makes him “less black”) employed by Sharpe. An edge-of-your-seat thriller even if you’re familiar with how this race ends, Street Fight is a wildly entertaining, modern-day Mr. Smith Goes to Washington.

 

DEBRA GRANIK

DebraGranik

Debra Granik is the Academy Award-nominated director and co-writer of Winter’s Bone, which was

nominated for four Oscars, including Best Picture, and won the Grand Jury Prize at the 2010 Sundance Film Festival. Granik’s first feature film, Down to the Bone, was awarded the Best Director prize at the 2004 Sundance Film Festival. She is known for her amazing work with actors, essentially launching the careers of both Vera Farmiga and Jennifer Lawrence. Her work is known for an instinctive, collaborative style that Granik describes as “late-breaking global neorealism.” Granik’s most recent offering, the documentary Stray Dog, began with a chance encounter while scouting and casting Winter’s Bone. Granik met Ron “Stray Dog” Hall in the Biker Church of Branson and cast him as the film’s estranged father, Thump Milton. Of her work she says, “The question I’ve had for most of my life is, ‘How are you coping?’ Some people have these small, positive schemes for survival, a kind of strength that I am attracted to, maybe because I’m prone to the blues.” In Hall she found a worthy subject—one whose humor and lack of self-consciousness had the potential to make the plight of Vietnam vets accessible to a broader audience.

Debra Granik is scheduled to attend selected screenings and events.

Stray Dog

(USA / 2014 / Director: Debra Granik)
Trailer: http://youtu.be/5UKrOhJ0NRw
Ron “Stray Dog” Hall, Harley-Davidson biker, Vietnam veteran, husband, and father, receives a portrait every bit the equal to his substantial personality from Debra Granik, director of the Oscar-nominated Winter’s Bone. Defying expectations at every turn, Stray Dog tells a story of rough edges that give way to an expansive and tender heart as we see Ron equally at home shooting the breeze with his battery mates as they sip moonshine as he is opening up to his therapist or traveling to military funerals to pay respect to those he never met. A welcome corrective to rural stereotypes, Stray Dog is a slice of unforgettable Americana.

Winter’s Bone

(USA / 2010 / Director: Debra Granik)
Trailer: http://youtu.be/5O8F8JtSVmI
Winter’s Bone is an Oscar-nominated pitch-black slice of Ozarks noir following a young woman’s journey to protect her family no matter the cost. Seventeen-year-old Ree (Jennifer Lawrence, in her breakout role) discovers that her father has skipped bail, threatening the house he used as collateral, and leaving them homeless. Armed only with the knowledge of his involvement in the local crystal meth trade, Ree and her Uncle Teardrop (the mesmerizing John Hawkes) aim to find him despite the ever-increasing resistance to their inquiries. Told with incredible authenticity, this tale of family loyalty features a heroine for the ages, with minimalist setting and dialogue that add to its mythic flavor.

***(I think anytime a filmmaker has the opportunity to explore the casting process and working with actors in set the filmmaker should take it. Auditioning and working WITH talent is one of the most critical aspects of a director’s job. It is equally important for others to understand and appreciate as well. I will see you there – Rex)***

Working with Actors
Access the process of one of today’s foremost directors as Oscar nominee Debra Granik (Winter’s Bone, Stray Dog) discusses and demonstrates her process for auditioning and working with actors on set. This is not to be missed by any filmmakers who plan to cast actors or actors who want to get into films.

 

WESLEY MORRIS

WesleyMorris

In 2012, upon winning the Pulitzer Prize for Criticism, Wesley Morris explained his attraction to film as an artistic medium with the following words: “Movies are visual, aural, they involve people, and life, and ideas and art, they are so elastic. They can hold anything, withstand everything, and make you feel anything. Other arts can do that, but movies are the only ones that can incorporate other media into cinema.” With those words, one can see easily why Morris earned this award—his writing is effortless, yet whip-smart, exuberant, yet precise. He is able to write about mainstream films as well as art house cinema, always compelling the reader toward a more nuanced understanding of the work at hand. Since 2013, Morris has been a cultural critic for the website Grantland; prior to that he wrote film criticism for The Boston

Globe (where he received his Pulitzer), San Francisco Chronicle, and San Francisco Examiner and contributed to Slate, Ebony, NPR, and Film Comment. Milwaukee Film is honored to present this tribute to Morris for his distinctive voice and remarkable career as a critic. As part of his visit, Morris will deliver our annual keynote address on the “State of Cinema,” followed by a presentation of Michael Haneke’s film Code Unknown: Incomplete Tales of Several Journeys.

 Wesley Morris is scheduled to attend the following:

 State of Cinema

Join us for our annual lecture on the “State of Cinema.” Each year we host a distinguished member of the cinematic community to reflect on the current position of the industry and possible futures for the medium. This year we host Wesley Morris, winner of the 2012 Pulitzer Prize for Criticism while at the Boston Globe, who now writes on film and culture at Grantland.com. The panel will conclude with a brief Q&A, after which patrons are invited to join Morris for a screening of Michael Haneke’s 2000 romantic drama, Code Unknown: Incomplete Tales of Several Journeys.

 

Code Unknown: Incomplete Tales of Several Journeys

(France, Germany, Romania / 2000 / Director: Michael Haneke)
Trailer: http://youtu.be/lNnwk7DSKb8

One of the many masterpieces created over the course of Michael Haneke’s career (Caché, Funny Games, the Oscar-winning Amour), Code Unknown chronicles the fleeting intersection of lives on a bustling Paris street corner. We see the fallout from this brief connection through an actress (Juliette Binoche), her photojournalist boyfriend, a young teacher of African descent, and a Romanian illegal immigrant. Able to wring unbearable amounts of tension from his frequent long takes, Haneke spins an emotionally complex tale of the simple ways in which we misunderstand one another on a daily basis. He spells nothing out and challenges viewers to decode these stories for themselves. Our 2014 Critic Tribute recipient, Wesley Morris, has selected this film to screen at our festival and is scheduled to participate in a Q&A with the audience after the screening.

 

ZUCKER, ABRAHAMS, ZUCKER

ZuckerAbrahamsZucker

The filmmaking team Zucker, Abrahams, and Zucker began their fortuitous union at Shorewood High School in Milwaukee, Wisconsin. After college at UW-Madison, David Zucker, his brother Jerry, and their friend Jim Abrahams created the Kentucky Fried Theater in the back of a bookstore in Madison with a borrowed videotape deck and a camera. In 1972, they moved the show to Los Angeles, where the trio that would come to be known as ZAZ became the most successful small theater group in Los Angeles history. Their groundbreaking style of outrageous sketch comedy was later immortalized in their film The Kentucky Fried Movie, and a new brand of comedy was born. This style featured hairbrained dialogue delivered by dramatic actors with deadpan sincerity and would earn the trio recognition as Hollywood comedy kingpins. In their illustrious careers, the ZAZ team has worked with actors such as Lloyd Bridges,

Robert Stack, and Leslie Nielsen, to name a few, and cultivated a whole new genre of film. Together, they have been responsible for ‘80s comedy cult classics Airplane!, Ruthless People, and The Naked Gun. Their streak of successful movies included the secret agent spoof and now cult classic Top Secret! starring Val Kilmer. This year Milwaukee Film honors these local legends by screening this 1984 film and welcomes them home with a tribute. The trio recently returned to their native roots by creating commercials in their signature style with the Wisconsin Department of Tourism in conjunction with Laughlin Constable.

Zucker, Abrahams, and Zucker are scheduled to attend the following screening:

Top Secret!
(USA, United Kingdom / 1984 / Directors: David Zucker, Jim Abrahams, Jerry Zucker)
Trailer: http://youtu.be/mKHLPtH2I30

After the wild success of their comedy classic Airplane!, the anarchic trio known as ZAZ (David Zucker, Jim Abrahams, and Jerry Zucker) set their sights on spy films and rock’ n’ roll musicals with the outrageous spoof Top Secret! In this film boasting the screen debut of Val Kilmer as a young secret agent tasked with crossing the Iron Curtain to rescue a scientist, ZAZ packs the proceedings with terrible puns, absurdist sight gags, and all the anachronism and political incorrectness that a breakneck 90-minute run time could contain. We proudly present this comedy classic on its 30th anniversary, in celebration of a film every bit the equal of its predecessor.

Note: All screening and panel times will be announced Saturday, September 6 at the Program Book Launch located at Cathedral Square Park from 9am-6pm.

The 2014 Milwaukee Film Festival runs September 25 – October 9, 2014 at the Landmark Oriental Theatre, Landmark Downer Theatre, Fox-Bay Cinema Grill and Times Cinema. Passes and ticket 6-Packs for the 2014 Milwaukee Film Festival are currently available at discounted rates exclusively online at mkefilm.org/tickets.

Tickets for individual screenings will be available through Milwaukee Film Festival Box Office starting September 10 for Milwaukee Film Members and September 11 for the General Public.

 

Subscribe and Follow Rex Sikes’ Movie Beat Blog!  Visit often & please share with others!

*** Please also visit Rex Sikes’ Movie Beat Official Website.

Stay up to date with the live shows on Rex Sikes’ Movie Beat. You can join us and listen live as the show records. You can hang in chat and ask questions. All shows are recorded and archived at the official site.

Updates will be posted at this blog,  at the official site,  on the RSMB Friends page on FB,  through twitter and elsewhere.  When you can’t join us live you can still  listen to archived show from official site, from blogtalk radio and you can subscribe to the podcast at itunes.

Over 400 hours of professional filmmakers share their expertise and tips and secrets with you. All discussion may be listened to live and archived from the Official Site too! Check the INTERVIEWS blog.

Rex Sikes’ Movie Beat Official Site

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UPCOMING Milwaukee Film Festival – Short Program Line Up

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I Love You So Hard_MIDNIGHT

The Upcoming Milwaukee Film Festival announces its short film line up. Catch these if you can. Maybe I’ll even see you there. Enjoy!

2014 Milwaukee Film Festival Announces Shorter Is Better Lineup 

Presenting nearly 70 of the best festival-circuit short films and the first annual juried cash award

Innovative and enthralling, expansive in subject matter and style, Shorter Is Better allows the festival audience to view work from masters of the short format on the big screen, while offering a first glimpse at many future feature film directors.

“We have a stellar lineup of short films this year from 22 countries, including two excellent shorts with local ties. Taxidermists, part of Out Of This World, features the Milwaukee Public Museum’s lead taxidermist, Wendy Christensen, while Untucked, which premiered at Sundance this year and is featured in our new Sports Shorts program, comes from Marquette alum, Danny Pudi,” says Shorts Programmer and Grant Writer Anna Sampers.

New to the program this year are the first annual Shorter Is Better juried award, recognizing the winning short film with a cash prize of $1,000, as well as two new shorts programs: Sports Shorts. Shorts about Sports. and Stories We Tell–a collection of nine personal stories both true and fictional. Both new programs join last year’s Oriental Theatre sellout, Date Night, along with the very popular The Best Damn F*#@ing Midnight Program Ever. Sh*t., Let’s Get Animated, Out of This World, Modern Families, and Stranger Than Fiction.

SHORTER IS BETTER
This is your chance to see a bunch of great short films, from a bunch of great up-and-coming filmmakers, in a proper theater. We took our favorite short films from around the world and put them into neat little packages for your viewing pleasure.

 

Shorts: The Best Damn F*#@ing Midnight Program Ever. Sh*t.

Total running time: 88 min
Hi kids, do you like violence? Put on your big-kid pants, because these shocking, gross, sexy, funny, and gory shorts aren’t for the weak of heart (or bladder). There will be swearing, there will be blood, there will be butts—but if you’re into that sort of thing, there will also be a great time had by all.

Box Room (Ireland / 2013 / Director: Michael Lathrop)
Fool’s Day (USA / 2013 / Director: Cody Blue Snider)
The Gunfighter (USA / 2014 / Director: Eric Kissack)

I Love You So Hard (United Kingdom / 2013 / Director: Ross Butter)
Invasion (France / 2014 / Directors: Hugo Ramirez, Olivier Patte)

Kekasih (Malaysia / 2013 / Director: Diffan Sina Norman)
Kids and Explosions – Swear Words (France / 2012 / Directors: Thomas Vernay, Yann Wallaert)

Not Funny (No Tiene Gracia) (Spain / 2013 / Director: Carlos Violade)
The Obvious Child (United Kingdom / 2013 / Director: Stephen Irwin)

 

Shorts: Date Night

Total running time: 93 min

For anyone who’s ever known the sweet sting of Cupid’s arrow, this slate of short films surrounding love, dating, and the heartbreaks that occur therein is the perfect cinemaphrodisiac—so take the one you love, grab a bite to eat beforehand, and treat yourself to these myriad tales of the heart both bitter and sweet.

2 Girls, 1 Cake (Denmark / 2013 / Director: Jens Dahl)
Best (United Kingdom / 2013 / Director: William Oldroyd)

Life’s A Bitch (Toutes des Connes) (Canada / 2013 / Director: Francois Jaros)

Love. Love. Love. (Russia / 2013 / Director: Sandhya Daisy Sundaram)

Oi, Meu Amor (Hi, My Love) (USA / 2014 / Director: Robert G. Putka)

Peepers (USA / 2014 / Director: Ken Lam)
Queenie (New Zealand / 2014 / Director: Paul Neason)

Scent of a Woman (USA / 2013 / Director: Lauren Savoy)
Send (USA / 2013 / Director: Peter Vack)

We Keep On Dancing (Australia / 2013 / Director: Jessica Barclay Lawton)

Where were you when Michael Jackson died? (T’étais où quand Michael Jackson est mort?) (France / 2013 / Director: Jean-Baptiste Pouilloux)

 

Shorts: Let’s Get Animated

Total running time: 90 min

From silly to serious, epic in scale yet with the most minute attention to detail, these stylistically varied works of animated genius are sure to tickle any connoisseur of the form—with the only common thread being their beautiful storytelling and gorgeous renderings. Come get inspired by these remarkable and zany works of art!

365 (United Kingdom / 2013 / Directors: Greg McLeod, Myles McLeod)
Coda (Ireland / 2013 / Director: Alan Holly)

Grace Under Water (Australia / 2014 / Director: Anthony Lawrence)

Love in the Time of March Madness (USA / 2014 / Directors: Melissa Johnson, Robertino Zambrano)

Marilyn Myller (USA / 2013 / Director: Mikey Please)
The Missing Scarf (Ireland / 2013 / Director: Eoin Duffy)
Phantom Limb (United Kingdom, Australia / 2013 / Director: Alex Grigg)

A Recipe for Gruel (United Kingdom / 2013 / Director: Sharon Smith)
Symphony No. 42 (Hungary / 2014 / Director: Reka Bucsi)

Through the Hawthorn (United Kingdom / 2014 / Directors: Anna Benner, Pia Borg, Gemma Burditt)

White Morning (United Kingdom / 2013 / Director: Paul Barritt)

 

Shorts: Modern Families

Total running time: 93 min

These shorts are for anyone who has ever spent hours attempting to teach Grandma the subtle nuances of Facebook, had a Thanksgiving we’d choose to forget, or has perfected the shuffling involved in capturing a perfect group photo—families of all shapes and sizes are portrayed in all of their complicated glory, running the gamut from heartbreaking to hilarious in this program not intended for children.

Baby Mary (USA / 2013 / Director: Kris Swanberg)
Butter Lamp (La Lampe Au Beurre De Yak) (France, China / 2013 / Director: Hu Wei)

Condom (Australia / 2013 / Directors: Igor Coric, Sheldon Lieberman)
Cruising Electric (1980) (USA / 2013 / Director: Brumby Boylston)

The Cut (La Coupe) (Canada / 2014 / Director: Genevieve Dulude-De Celles)
The Hunger (De Honger) (Belgium / 2013 / Director: Benoit De Clerck)

I Think This Is The Closest To How The Footage Looked (Israel / 2013 / Directors: Hameiri, Michal Vaknin)

Krisha (USA / 2013 / Director: Trey Edward Shults)
Pony Place (Netherlands / 2013 / Director: Joost Reijmers)

 

Shorts: Out of This World

Total running time: 94 min

These fantastical stories of space and the unknown will transport you to worlds unseen—so program your brand-new iMom, strap on your space suit, and keep an eye on your boyfriend who’s been behaving curiously ever since he escaped from that laboratory for these stories that would feel right at home on “The Twilight Zone.”

Bernard the Great (Bernard Le Grand) (Canada / 2013 / Directors: Marie-Hélène Viens, Philippe Lupien)

Democracy (Democracia) (Spain / 2013 / Director: Borja Cobeaga)

The iMom (Australia, USA / 2013 / Director: Ariel Martin)

The Kármán Line (United Kingdom / 2014 / Director: Oscar Sharp)

Orbit Ever After (United Kingdom / 2013 / Director: Jamie Stone)

When You Were Mine (USA / 2014 / Director: Michelle M. Witten)

 

Shorts: Sports Shorts. Shorts about Sports.

Total running time: 95 min

Whether you obsessively refresh box scores for your fantasy team or believe that one can dunk a touchdown, these stories that showcase the human side of athletic competition will appeal to you. Featuring Untucked, a portrait of the famous jerseys worn by Marquette’s basketball team in

1977, this program of crowd-pleasers will have you doing the wave with the rest of the theater.

Cadet (Belgium / 2013 / Director: Kevin Meul)

Gnarly in Pink – Featuring the Pink Helmet Posse (USA / 2014 / Directors: Benjamin Mullinkosson, Kristelle Laroche)

The High Five (USA / 2014 / Director: Michael Jacobs)
The Immaculate Reception (USA / 2014 / Director: Charlotte Glynn)

Strike: the Greatest Bowling Story Ever Told (USA / 2014 / Director: Joey Daoud)

Tennis Elbow (France / 2012 / Director: Vital Philippot)

Untucked (USA / 2013 / Director: Danny Pudi)

 

Shorts: Stories We Tell

Total running time: 84 min
Everybody’s got a story to tell—be it a nightmare landlord, the mysterious woman who just wouldn’t leave, a body covered in tattoos, or the most fun one can have chaperoning a school dance. This collection of nine personal stories true and fictional and the storytellers behind them will leave you satisfied and engaged.

The Chaperone (Canada / 2013 / Directors: Fraser Munden, Neil Rathbone)

CRIME: The Animated Series (Marcus McGhee) (USA, Canada / 2013 / Directors: Sam Chou, Alix Lambert)
Funnel (USA / 2013 / Director: Andre Hyland)

Maikaru (USA / 2014 / Director: Amanda Harryman)

One Is Listening Anymore! (Australia / 2013 / Director: Romi Trower)

One Year Lease (USA / 2014 / Director: Brian Bolster)

Person to Person (USA / 2014 / Director: Dustin Guy Defa)
Yearbook (USA / 2013 /  Director: Bernardo Britto)
You Won’t Regret That Tattoo (Canada / 2013 / Director: Angie Bird)

 

Shorts: Stranger Than Fiction

Total running time: 94 min

Subjects that simply beggar belief are the currency this program trades in, be it the Olympics of taxidermy (featuring Milwaukee’s own “Samson” the gorilla), a man finding the humor in his quadrilateral amputation, or the world’s largest pope statue. These documentaries are equal parts fascinating and entertaining, telling stories that are strange but true!

The Chilean Elvis (Chile / 2013 / Director: Marcelo Kiwi)

The Last Days of Peter Bergmann (Ireland / 2013 / Director: Ciaran Cassidy)

A Paradise (Un Paraíso) (Cuba / 2013 / Director: Jayisha Patel)
Stumped (USA / 2014 / Director: Robin Berghaus)
The Supreme (Najwyższy) (Poland / 2013 / Director: Katarzyna Gondek)

Taxidermists (USA / 2012 / Director: Nicole Triche)

The 2014 Milwaukee Film Festival runs September 25 – October 9, 2014 at the Landmark Oriental Theatre, Landmark Downer Theatre, Fox-Bay Cinema Grill and Times Cinema. Passes and ticket 6-Packs for the 2014 Milwaukee Film Festival are currently available at discounted rates exclusively online at mkefilm.org/tickets.

Tickets for individual screenings will be available through Milwaukee Film Festival Box Office starting September 10 for Milwaukee Film Members and September 11 for the General Public.

Enjoy!

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