Category Archives: film financing

Weyauwega Int’l FIlm Fest, Year Four, Day 2. Nov 12-15

weyauwega film fest 2014

Day 2 begins early and then with a delicious breakfast. I had to ask the chef her secret to making her eggs so tasty and she told me. But I promised I would keep her secret. On my way out I got to chat say hello and chat briefly with documentary filmmaker Dan Schneidkraut I told you about yesterday.

I had a delicious Latte at Rhythm and Brew and and wrote my daily blog entry and worked for a couple hours more before leaving for the festival venue.

I drove to the Gerold Opera House, the home of Wega Arts and the Weyauwega International Film Festival. I am recovered from a long day yesterday and I am eager to see today’s line up of films and meet more filmmakers and fans. As expected today the attendance is heavier than the first day.

By the way: It is not my intention to write about each fine offering. I do not mean to imply anything by not writing about a film. I simply want to feature highlights while at the festival.

weyauwega audeince 2014

As a filmmaker it is my position to not review other’s films. Since I know the labor and love, the hardship, of movie making I reserve my film opinions for close friends and do not dispense it for the public.

DAY 2 began with a talk by Dr. Jack Rhodes on Stanley Kramer’s ‘The Men’ starring Marlon Brando. Since this is a favorite film of mine, and Brando’s first screen appearance, it was wonderful to listen to Dr Rhodes discuss the film and then watch it.

Some of his points. First, 45 members of the cast were not actors but actual paraplegics. This fact is also pointed out in opening credits of the film.

Brando spent from 2-4 weeks in the hospital preparing for his role. He shared a story of Brando faking a spontaneous healing. A woman seeing the men in a restaurant all in wheel chairs mentioned to them that she wished deeply that they could be healed.

weyauwega anne casey by popcorn

Brando struggled painfully to get up from his wheelchair and took some halting steps  exclaiming ‘I can walk! I can Walk’ while the paralyzed men looked on and smiled knowingly.

Brando received 4 oscar nominations during his first 5 years as an actor. He won for ‘On The Waterfront’. After, ‘One Eyed Jacks’ 1961 his career went downhill until it was revived by ‘The Godfather’, 1973. He won another Academy Award which he declined.

Director Fred Zinnemann made numerous movies focused on this theme: A loan man triumphs over tremendous odds and institutions. ‘High Noon’, ‘From Here To Eternity’, ‘The Old Man and the Sea’, “A Man For All Seasons’, ‘Behold a Pale Horse’, and ‘Day of the Jackal’ among these.

He insisted ‘The Men’  have the gritty look of news reel footage. He went on to use virtually all of the crew, except for the cinematographer, on ‘High Noon’.

Dr Rhodes taught a graduate course  on Rhetoric of Film at the Miami University of Ohio and he teaches seminars on film at Lawrence University, events in Door County and at  Waupaca Library. He was enjoyable to listen to and the audience in attendance acknowledged this with applause. Then ‘The Men’ was screened. Great to see it again ON the big screen too!

It seems we have forgotten much about filmmaking as we advance our technologies. For me, there is nothing more fun than watching movies with an audience on a large screen.  Film instead of digital is still my preference, as is story over CGI, and performance over costuming.  It was great to see this movie again.

The movie ended to applause. Then the shorts began.  I remind you to check the showing schedule for information about the films shown. Plus, you can read more about Kathy and Ian AND listen to my Rex Sikes’ Movie Beat discussion, right here in these blog pages, anytime 24/7. Simply visit the link  below or at the official site (link provided at bottom).

Producers Kathy Fehl & Ian Teal | Weyawega International Film Festival Nov 12-15 

Kathy & Ian 2 copy

Its mid afternoon and Dan Schneidkraut stopped by to say ‘so long’ he is traveling back to Minneapolis to continue to work on his next doc project. It is one I would like to see.  So we friended on Facebook to stay in touch.Kathy and I got to sit and catch up for a while and discuss plans for the coming year. John Pata showed up and we said hello and chatted awhile. I particularly liked his creepy short film “PITY’ shot in Oshkosh last year. Actor Jake Martin did a fine job, a disturbing job. Too disturbing. Thank goodness he is much nicer in real life.

John revealed secrets about the film. Based on a short story inside an album by Pig Destroyer called ‘Prowler In The Yard’ he aptly named the film PITY.I liked to sound design. The sound track score is comprised of the actors voice and breath converted to notes by Milwaukee musician Nicholas Elert.  It was shot on the red it looks great and is well edited. Pata presents a short suspenseful portrait of a very disturbed character in ‘Pity’.

This evening I also enjoyed the well made narrative feature directed by Shawn Telford, ‘BFE’. It appears to be non-union and crowd funded. Well made, acted, edited and entertaining. I liked an animated short by Wei lu, ‘Run Crab Run!’ and its score.

A few shorts followed the feature and the evening ended well. Tomorrow  Nov 14, DAY 3 the festival begins earlier at 10 am. I made it back to the lovely inn I am at and am currently enjoying getting cozy in my room. I look forward to what tomorrow brings in general and at the festival. It has been a wonderful couple days so far. Two more days to go.

weyawega from behind right side

On Sunday I have a special private screening to attend  before I return home. I miss my family back there and it will be great to see them. In the meantime more movies! See you tomorrow

OH By they way some of my upcoming guest on Rex Sikes’ Movie Beat include; producer Rocky Lang, director Bill Rebane, director Peter Marshall, writer, producer Michael Frost Beckner, Actors Michael Spears and Eddie Spears and others. So be sure to stay tuned and I’ll keep you posted.

*** Please also visit Rex Sikes’ Movie Beat Official Website.

Stay up to date with the live shows on Rex Sikes’ Movie Beat. You can join us and listen live as the show records. You can hang in chat and ask questions. All shows are recorded and archived at the official site.

Updates will be posted at this blog,  at the official site,  on the RSMB Friends page on FB,  through twitter and elsewhere.  When you can’t join us live you can still  listen to archived show from official site, from blogtalk radio and you can subscribe to the podcast at itunes.

Over 400 hours of professional filmmakers share their expertise and tips and secrets with you. All discussion may be listened to live and archived from the Official Site too! Check the INTERVIEWS

Rex Sikes’ Movie Beat Official Site

Advertisements

Flyway Film Fest Update Oct 25, Day 3

logo (2) copy

Day 3 begins. Got up as early usual, showered, waited a couple hours and drove to Maiden Rock Sixth String at 7am for coffee and work prior to friends showing up. Sunrise on the Mississippi again glorious. Breakfast was tasty and inexpensive. Now at 10:30 am it is 63 degrees and sunny. The day is warming up. Jake and David appeared about 8 as planned.

Great food and conversation made our morning until about 10 when David and I headed to the WideSpot In Stockholm and Jake headed across the street for a filmmaker mentoring session offered by some of the film professionals who conducted panels here.

At the WideSpot in Stockholm people gathered waiting for movies to begin. First up the fresh, funny and enjoyable narrative feature from director Kristjan Knigge ‘The Right Juice’. made in Portugal. In from Amsterdam, Kristjan is a delightful funny man with a rapier wit and I’m was delighted to chat with him the previous evening and see his feature.

During Q & A Kristjan related his process for creating the feature using the ‘what if’ method of questioning and the number of contributed ideas and drafts on the way to the feature script. He shot film in 32 days a lengthy schedule for a European micro-budget film.

From here Kristjan, David headed over to Gelly’s. The place was packed, the deck had one table where a gentleman and his wife sat, there from Madison. These two were not attending the film festival Pepin and Stockholm are tourist areas as well so many people come from all around to enjoy the ambiance and the shops. They were gracious enough to let David, Kristjan, Chad, Jake and myself join them. It turns out their son is a filmmaker now living in NYC so they were all ears about this festival so they could inform him. Small world after all.

I will not mention or highlight all films or filmmakers. I apologize to the filmmakers and readers but because, obviously, I can’t be in all places at once I don’t cover all the films or events. Many fine films and people will go without me referencing them. I wish it was otherwise but… I do what I can. Also, I do not review the films.

I have to admit I love film but I really don’t attend film festivals to watch films. I go to catch up with old friends, meet new ones and enjoy the people. If I catch some films great but if not I got to spend time with talented thinkers and doers and learn from them in person.

David ended up leaving to work at festival, Jake left to watch the controversial film ‘The Tribe’ directed by Myroslay Slaboshpytskly while Chad, Kristjan and I talked film philosophy and practice the rest of the day and evening. We dined at the Pickle Factory on the back deck with incredible view of the river and kept talking and hanging out there and at the Filmmaker Lounge until the shorts program at 8pm.

There were other films I really did intend to see but we were unable to get there in time. I hope I am able to catch up on these very soon. Some fine filmmakers presented.

The Saturday Night Short Films Included the animated ‘The Crazy Misadventures of Christ’ (USA) directed by George Bro; ‘His New Hands’ (USA) directed by Sadhanshu Saria; ‘Last Of You’ (Isreal) directed by Dan Sacher; ‘Bernard Le Grand’ (Canada) directed by Phillippe Lupien & Marie-Helene Viens; ‘Decimation’ (USA) directed by Wade Jackson and ‘She’s Having A Baby’ (Australia) directed y Chis & Robert Smellin. This evening’s programming generated much discussion among the cohorts I have been hanging with.

That was it for films I saw.

Back to the filmmaker lounge. Food and drink of course. I got to sit an catch up with Allison Lisk a pleasure at any time. Later I and Jake went over to film office to chat quietly out front because the music got far too loud at the lounge. Dancing and merriment made for late night among the filmmaker friends.

Plotting and planning a few new projects has been the course of this festival and it is exciting to think about collaborating with fine talented friends.

Late night I ventured back to the room for sleep so I can get up early to begin the final day at Flyway. We will be back at Maiden Rock for brekky. All in all a very good day today. From conversations with others I have not mentioned, some pretty wonderful films were screened.

The weather today was fabulous. Sunny, warm beautiful. A wonderful day to be outside between films for all.

The Flyway Film Festival Official WebSite

*** Please also visit Rex Sikes’ Movie Beat Official Website.

Stay up to date with the live shows on Rex Sikes’ Movie Beat. You can join us and listen live as the show records. You can hang in chat and ask questions. All shows are recorded and archived at the official site.

Updates will be posted at this blog,  at the official site,  on the RSMB Friends page on FB,  through twitter and elsewhere.  When you can’t join us live you can still  listen to archived show from official site, from blogtalk radio and you can subscribe to the podcast at itunes.

Over 400 hours of professional filmmakers share their expertise and tips and secrets with you. All discussion may be listened to live and archived from the Official Site too! Check the INTERVIEWS

Rex Sikes’ Movie Beat Official Site

Flyway Film Festival Update October 24 Day 1 and 2

flyawayfilm1

WoW ! It is incredible to be back in Pepin, Wisconsin for the Flyway Film Festival. This fest is one of my favs and you have heard me or read me rave about it in past years. Pepin and Stockholm along the Mississippi make it worth coming to the festival just for the view and the ambiance. This year’s expansion into Maiden Rock  allow one to drive up the west coast of Wisconsin which rivals my own beloved PCH in many ways.

I saw a bald eagle this morning on the way to the Maiden Rock venue for a fabulous film presentation on crowdfunding with Erica Anderson from Seed and Spark. Seed and Spark has an interesting feature to their crowdfunding which allows contributors to cover the 5% funding fee which filmmakers should look into.

This makes Seed and Spark unique among other platforms. Illuminating thoughts and ideas, cutting edge practices and principles, and practical must do’s comprised her talk on how to successfully engage yourbaudience and crowdfund  your film project.  A very well thought out and informative presentation.

Okay, into the past. I got to Pepin by car at about 2pm Thursday October 23, 2014. This sleepy haven area is home for artists and others who help put on the festival by volunteering. There are some wonderful eateries, bars, local flavor, pumpkin patches and a couple very delightful wineries.

The drive in from Western Wisconsin and up along the western side of the Mississippi in Minnesota before turning back into Wisconsin is absolutely worth it and I look forward to it each year. Gorgeous!  Upon arrival, checking in at office, running into some awesome filmmaker friends Fred Thornton and Sean Hackett, I spent some time taking in sights until the 6pm Gala began at the local and lovely Villa Bellezza Winery.

Villa Belezza is fairly new. Last year marked it’s inclusion as a venue for the festival. It is good to return there this year. A great hall houses more food and beverages than one can imagine. Free flowing wine, beer, soda, water, coffee all included. The desert table, if you enjoy deserts, I am sure is ‘to die for’.

Musical Entertainment was provided by Sun Gods to Gamma Rays. Rick Vaicius spoke, distributed Axe awards and introduced the keynote speaker producer Nicholas Gonda, co-founder of Tugg, INC.

After eating more than a human can handle and numerous glasses of wine, some soda, coffee and water this little, BIG, piggy made his way with friends to the Filmmaker lounger where partying continued into late night. More free food and drink. Goodness, someone cut me off. Actually, I don’t drink much, so water was what I enjoyed but the food… stop please…

So many awesome filmmakers to catch up with. David Potter and Jake Stetler and I held a corner down for a few hours chatting films and catching up. I’m so glad to see so many.

There is another upcoming panel this afternoon and then another winery hosts a wine tasting and cheese event – evening films begin after. The documentary panel was enjoyed by many. The panel included Jeff Spitz (Food Patriots), Jesse Roesler (The Starfish Throwers) Amy Elliott (Wicker Kittens), Jan Selby (Beyond The Divide).

Maiden Rock Winery and Cidery hosted a great wine, cider and cheese sampling. Jake and I arrived on time and got to feast as others came in for the next couple hours. From there we went to dinner at Gelly’s and then to movies at the Villa Bellezza. One feature I wanted to see at other festivals I saw here, Time Lapse directed by Bradley King proved intriguing and a great demonstration of low budget, one location filmmaking utilizing recognizable SAG talent.

After movies we enjoyed a late after party. MORE FREE FOOD at Cucina Ceci until about 3. The filmmaker lounge open at this time was another venue we hit before retiring for the day. Drinks and food flowed freely and wonderful networking and fun. Said goodbyes to Kim & Matt Garland who have to leave the 25th by noon to return to NYC. So great seeing them.

For regular Flyway Attendees who could not be here this year I include a list of other notables we are enjoying this year. Terry Reed, Anna Weiss, Jeremy Wilker, Fred Thornton, Sean Hackett, Kevin Pontuti & Mimi French, Jamie Carroll, Nick Coleman, Chad McLarnon, Rick & Diana Vaicius, Lu Lipold, Allison Lisk, Kristen Debner, Vince & Kristy Colombo, Brett Harding, Perry Lewness, Kristjan Knigge, among many others I apologize to for not mentioning.

Numerous interns from UW-Stout film department volunteer and add to all the great people and opportunities to network and discuss films and film business. A wonderful time. I share more later.

Flyway is a marvelous get together and some day soon you will have to check it out if you haven’t.

The sun continues to rise and the bluffs along the Mississippi are incredible! I hope to publish a photo to this blog later. Saturday the 25th and Sunday 26th are filled with films, fun, live events and fans! A great time. OK I am off to see the movies.

The Flyway Film Festival Official WebSite

*** Please also visit Rex Sikes’ Movie Beat Official Website.

Stay up to date with the live shows on Rex Sikes’ Movie Beat. You can join us and listen live as the show records. You can hang in chat and ask questions. All shows are recorded and archived at the official site.

Updates will be posted at this blog,  at the official site,  on the RSMB Friends page on FB,  through twitter and elsewhere.  When you can’t join us live you can still  listen to archived show from official site, from blogtalk radio and you can subscribe to the podcast at itunes.

Over 400 hours of professional filmmakers share their expertise and tips and secrets with you. All discussion may be listened to live and archived from the Official Site too! Check the INTERVIEWS

Rex Sikes’ Movie Beat Official Site

Rex Sikes’ Movie Beat chats with ‘The Surface’ producer writer Jeff Gendleman

Jeff Gendelman headshot - 2013 copy 2

Jeff Gendelman is a Writer and Producer. He wrote and produced The Surface, an 18-year journey of perseverance from idea to production. The film stars Sean Astin, Chris Mulkey and Mimi Rogers. It was directed by Gil Cates Jr. and premiered October 9, 2014. It is soon to be in theatrical release. See below* Jeff also produced and directed the award-winning short film, In Passing. He produced the Los Angeles world premiere of the play, The Letter Writer, and then developed it to be made into a film. He produced and directed two science documentaries, and a pilot for a syndicated TV series.

TO LISTEN CLICK BOLDED LINK Below:

Rex Sikes’ Movie Beat chats with producer writer Jeff Gendleman

As an actor, Jeff co-starred with Christopher Lambert in the feature film, Splitsville. He had a supporting role opposite Robert Forster and Donnie Wahlberg in the feature film, Diamond Men. His TV work includes guest-starring roles on NBC’s Law and Order and he was featured on Beverly Hills 90210. Jeff was also a series regular on the television dramas One Life to Live, Guiding Light and Loving (nominated for Outstanding Actor in a daytime TV series).

He studied in film classes at the American Film Institute (Los Angeles), New YorkUniversity, USC, and at the BBC (London).

Jeff has also been involved with the theater since age 10. After graduating from the University of Minnesota he went to train in the American Conservatory Theater Advanced Actor Program in San Francisco. He has acted and directed at theaters throughout the United States and Japan, including Old Globe Shakespeare Company (San Diego), Milwaukee Repertory, Mark Taper Forum (Los Angeles), and Riverside Shakespeare Company (New York City).

Jeff is a graduate of Outward Bound Survival School. Additionally, he has been involved with martial arts for over 40 years and has achieved advanced ranks in 4 different styles. In addition to being a lecturer at the University of Wisconsin in Milwaukee, Jeff is a principal with the renowned J.K. Lee Black Belt Academy.

*The Surface opens at Marcus Cinema Theaters in the Milwaukee, WI area the weekend of October 31st. Check your newspaper for more information.

Also visit The SurfaceMovie Official Website for more!

*** Please also visit Rex Sikes’ Movie Beat Official Website.

Stay up to date with the live shows on Rex Sikes’ Movie Beat. You can join us and listen live as the show records. You can hang in chat and ask questions. All shows are recorded and archived at the official site.

Updates will be posted at this blog,  at the official site,  on the RSMB Friends page on FB,  through twitter and elsewhere.  When you can’t join us live you can still  listen to archived show from official site, from blogtalk radio and you can subscribe to the podcast at itunes.

Over 400 hours of professional filmmakers share their expertise and tips and secrets with you. All discussion may be listened to live and archived from the Official Site too! Check the INTERVIEWS

Rex Sikes’ Movie Beat Official Site

Rex Sikes’ Movie Beat chats with FlyWay Film Festival Director Rick Vaicius Tues 10/21

rickvaicius-by photologic

Rick Vaicius is director and founder of Flyway Film Festival, Wisconsin’s bluff premier destination for independent film as noted by Emmy award-winning blogger Scott W. Smith “ … a festival that should be on your radar”. Founded in 2008 Vaicius has created a standout, intimate and high-quality annual festival.

Over the past four years, Flyway has brought over 80 filmmakers into the local community. In addition to screening remarkable films, it has become a unique venue for filmmakers to network and discuss projects and the “state of the industry” in the film world. Vaicius has already persuaded some top film industry talent to appear.

UPCOMING LIVE: Tuesday October 21st, 2014 11aET 10aCT 8aPT TO LISTEN CLICK THE BOLDED Link Below:

Rex Sikes’ Movie Beat chats with FlyWay Film Festival director Rick Vaicius

The 7th Annual Flyway Film Festival in Pepin and Stockholm, Wisconsin promises to be its most exciting to-date. October 23-26, 2014.

For film and panel line up and how to attend visit the Flyway Film Festival Official Website

The Official Flyway Film Festival Website

flyawayfilm1

*** Please also visit Rex Sikes’ Movie Beat Official Website.

Stay up to date with the live shows on Rex Sikes’ Movie Beat. You can join us and listen live as the show records. You can hang in chat and ask questions. All shows are recorded and archived at the official site.

Updates will be posted at this blog,  at the official site,  on the RSMB Friends page on FB,  through twitter and elsewhere.  When you can’t join us live you can still  listen to archived show from official site, from blogtalk radio and you can subscribe to the podcast at itunes.

Over 400 hours of professional filmmakers share their expertise and tips and secrets with you. All discussion may be listened to live and archived from the Official Site too! Check the INTERVIEWS

Rex Sikes’ Movie Beat Official Site

Rex Sikes’ Movie Beat chats with director Peter D Marshall

peter d marshall

Peter Marshall so far has had a 35-year career and has worked as a PA, dolly grip, electrician, assistant cameraman, commercial production manager, first assistant director, TV series creative consultant, television producer and director.  

He has worked on many different types of productions, from industrial films to documentaries; television commercials to music videos; Emmy Award nominated TV series to Hollywood feature films.

Peter has directed over 30 episodes of Television Drama and written, directed or produced over 50 hours of documentary and educational programs. His documentaries and dramas have won, or been nominated for, 14 International film awards.

UPCOMING LIVE: Thursday Dec 4, 2014  11aE 10AC 8aP TO LISTEN CLICK THE BOLDED LINK BELOW:

Rex Sikes’ Movie Beat chats with Director Peter Marshall Pt 30

Peter has some incredible products for the director and 1st AD a his website. He also organizes thoughts and materials in an incredible easy way for filmmakers to use and apply. I asked Peter to discuss the criteria necessary to be a good director. In this series we go over elements and priciples critical to apply when preparing to direct and when directing. Enjoy this nuts and bolts Director Series with Peter D. Marshall.

***The Directors Series on Rex Sikes’ Movie Beat is listed in descending order from first aired to last episode.***

TO LISTEN RIGHT NOW – CLICK BOLDED LINK BELOW:

Rex Sikes’ Movie Beat chats with Director Peter Marshall Pt 1

Rex Sikes’ Movie Beat chats with Director Peter Marshall Pt 2

Rex Sikes’ Movie Beat chats with Director Peter Marshall Pt 3

Rex Sikes’ Movie Beat chats with Director Peter Marshall Pt 4

Rex Sikes’ Movie Beat chats with Director Peter Marshall Pt 5

Rex Sikes’ Movie Beat chats with Director Peter Marshall Pt 6

Rex Sikes’ Movie Beat chats with Director Peter Marshall Pt 7

Rex Sikes’ Movie Beat chats with Director Peter Marshall Pt 8

Rex Sikes’ Movie Beat chats with Director Peter Marshall Pt 9

Rex Sikes’ Movie Beat chats with Director Peter Marshall Pt 10

Rex Sikes’ Movie Beat chats with Director Peter Marshall Pt 11

Rex Sikes’ Movie Beat chats with Director Peter Marshall Pt 12

Rex Sikes’ Movie Beat chats with Director Peter Marshall Pt 13

Rex Sikes’ Movie Beat chats with Director Peter Marshall Pt 14

Rex Sikes’ Movie Beat chats with Director Peter Marshall Pt 15

Rex Sikes’ Movie Beat chats with Director Peter Marshall Pt 16

Rex Sikes’ Movie Beat chats with Director Peter Marshall Pt 17

Rex Sikes’ Movie Beat chats with Director Peter Marshall Pt 18

Rex Sikes’ Movie Beat chats with Director Peter Marshall Pt 19

Rex Sikes’ Movie Beat chats with Director Peter Marshall Pt 20

Rex Sikes’ Movie Beat chats with Director Peter Marshall Pt 21

Rex Sikes’ Movie Beat chats with Director Peter Marshall Pt 22

Rex Sikes’ Movie Beat chats with Director Peter Marshall Pt 23

Rex Sikes’ Movie Beat chats with Director Peter Marshall Pt 24

Rex Sikes’ Movie Beat chats with Director Peter Marshall Pt 25

Rex Sikes’ Movie Beat chats with Director Peter Marshall Pt 26

Rex Sikes’ Movie Beat chats with Director Peter Marshall Pt 27

Rex Sikes’ Movie Beat chats with Director Peter Marshall Pt 28

Rex Sikes’ Movie Beat chats with Director Peter Marshall Pt 29

As a First Assistant Director he’s worked on 12 Feature Films, 15 Television Movies, 6 Television Series, 4 TV Pilots & over 20 Commercials. He’s  worked for directors such as Zack Snyder, John Woo, Ed Wick, Phillip Noyce, John Balham, Roger Adam, Anne Wheeler, Bobby Roth &  Kim Manners.

He has worked with talented actors including Michelle Pfeiffer, Kevin Spacey, Morgan Freeman, John Travolta, Mel Gibson, Kathy Bates, Adam Sandler and Peter O’Toole.

He has co-ordinated huge WW1 battle scenes, planned complicated visual FX scenes, managed large groups of extras & directed intimate emotional scenes between two actors. 

His first major series as 1st Assistant Director was Steven J. Cannel’s “Stingray” in 1986 after having been the 1st AD on a Canadian TV series called “Hamilton’s Quest”.

Thereafter he worked on several more TV series with Cannell and became 1st AD on “Wiseguy.” which he worked for two years. He  got his directing break on this series & directed a couple of episodes.

“The Fly 2.” was his move into feature films as a 1st AD. Other credits include “Happy Gilmore”, “Dawn of the Dead”, “The Butterfly effect”, “Lizzie McGuire Movie”,  “Look Who’s Talking Now”, “Bird on a Wire”,  scores of television series as 1st AD & as a director.

Peter Marshall Official Web Site  Peter has incredible learning products, ezine, workshops, blog and services. Check into these.

*** Please also visit Rex Sikes’ Movie Beat Official Website.

Stay up to date with the live shows on Rex Sikes’ Movie Beat. You can join us and listen live as the show records. You can hang in chat and ask questions. All shows are recorded and archived at the official site.

Updates will be posted at this blog,  at the official site,  on the RSMB Friends page on FB,  through twitter and elsewhere.  When you can’t join us live you can still  listen to archived show from official site, from blogtalk radio and you can subscribe to the podcast at itunes.

Over 400 hours of professional filmmakers share their expertise and tips and secrets with you. All discussion may be listened to live and archived from the Official Site too! Check the INTERVIEWS

Rex Sikes’ Movie Beat Official Site

TO CROWDFUND OR NOT TO CROWDFUND? IS THAT THE QUESTION? PT 5

money pile

Depending on the type of traditional money raising approach you attempt you may be reaching out to some strangers and qualifying them or  you may be reaching out to qualified investors whom you have a relationship with according to specific guidelines. You may be reaching out to friends and family for dollars.

However you raise money  it is a lot of work and not everyone is interested in getting involved. Whether you choose crowdfunding or raising money by other means you still need to understand your ‘target money’ people’s interests .

You will have to qualify, pitch, and  in some cases negotiate, broker the deal and collect the funds unless you have qualified representative do it for you. In all cases you have a responsibility to your money people (investors, contributors or relatives and friends who loan it to you) and to the government. You must be above board and reliable. Being honest and ethical is important.

I am going to lump two different examples together here to illustrate a point. One example is about investors the other about locations. I discuss filmmakers dealing with investors (and crowdfund contributors) and location owners to make a point.

I put these two together because bad guy movie people have taken advantage of both. Some investors and contributors have been burned just as some cities and set location owners have been burned by filmmakers who make promises  but don’t keep them.

Filmmakers have lost  investor’s money,  gone way over budget or have not completed the film (unless a bonding company steps in) Crowdfunders have not deliver the perks or the goods or finished the films as well.

Filmmakers should leave a location better off not worse than when they found it. They should restore it to the original condition and if possible leave it better than when they found it. Instead, some filmmakers  have left messes or have damaged the location. They make promises but don’t deliver. They pay for damages with bad cheques.

Some people have been burnt badly and think ‘never again’. There are those who don’t ever want to invest and those who run when they see a film crew coming down their street.

Some others, have tried the movie business and simply found it not to their liking for whatever reason.

As a filmmaker, but more importantly, as a person, I think it is important to keep your word and deliver on your promises. The first rule of medicine AND I THINK of business should be to DO NO HARM. We should honor our commitments and strive to leave people in a better condition than when we found them.

IF we can do this, if we can add value or dollars to these people and delight them in some other ways we will have supporters for life OR for at least as long as they are able to invest or let us use their home, or office or store location.

The goal is to leave people and the places we utilize improved, better off, because they did business with us! It is always easier to ask someone to do something who likes doing business with us than to find a new person to have to ask. Keep this in mind and honor those you do business with.

Sadly, those who have burned bridges make it tougher for all others who follow after them. There are filmmakers who have turned off potential investors and contributors for your project and those who might have rented or let you use their facility.

For these reasons perhaps new areas for investing and  Crowdfunding will need to be mined. Filmmakers need to locate new sources of money. We need more avenues for funding because sources are abused, or lose interest and dry up.

The cool thing about Crowdfunding is that it represented an opportunity for some filmmakers to make projects they might never have had the opportunity to make.

For whatever reason some filmmakers choose not to go the traditional route. So it is a good thing crowdfunding has come along especially when quality projects get funded that otherwise might never have been made.

As I have mentioned earlier traditional financing is a lot of work. So is Crowdfunding.  Typically, one is not able to raise as much money through CF as from other means.

The bottom line is to raise money however you are able to legally so you can fund your efforts and pay your cast and crew living wages. That should be the goal.” Rex Sikes

More next time!

*** Please also visit Rex Sikes’ Movie Beat Official Website.

Stay up to date with the live shows on Rex Sikes’ Movie Beat. You can join us and listen live as the show records. You can hang in chat and ask questions. All shows are recorded and archived at the official site.

Updates will be posted at this blog,  at the official site,  on the RSMB Friends page on FB,  through twitter and elsewhere.  When you can’t join us live you can still  listen to archived show from official site, from blogtalk radio and you can subscribe to the podcast at itunes.

Over 400 hours of professional filmmakers share their expertise and tips and secrets with you. All discussion may be listened to live and archived from the Official Site too! Check the INTERVIEWS

Rex Sikes’ Movie Beat Official Site